Blackmagic URSA Cine 12K LF & Irix 21mm + 45mm + Nanuk Case

Blackmagic Design URSA Cine 12K

Blackmagic Design's URSA Cine 12K is a revolution in digital film with a new large format RGBW 36 x 24mm sensor with larger photo-sites for 16 stops of dynamic range. This revolutionary model also includes interchangeable lens mounts, a dedicated assist station with a second 5″ HDR LCD touchscreen, built in ND filters and industry standard Lemo and Fischer connections. Blackmagic URSA Cine comes with a massive 8TB of removable high performance media storage built in and also includes high speed 10G Ethernet and Wifi for fast media upload and syncing to Blackmagic Cloud!

Camera Features

Effective Sensor Size

35.64mm x 23.32mm (Large Format)

Lens Mount

PL mount. Interchangeable with URSA Cine lockable EF mount included.

Lens Control

Active EF and PL mount lens control with compatible lenses.

Dynamic Range

16 Stops

Shooting Resolutions

12,288 x 8040 (12K 3:2 open gate)
12,288 x 6480 (12K 16:9)
12,288 x 6912 (12K 17:9)
12,288 x 5112 (12K 2.4:1)
9648 x 8040 (12K 6:5)

9408 x 6264 (9K 3:2)
8688 x 4896 (9K 16:9)
9312 x 4896 (9K 17:9)
9312 x 3864 (9K 2.4:1)
7680 x 6408 (9K 6:5)

8192 x 5360 (8K 3:2 open gate)
8192 x 4608 (8K 16:9)
8192 x 4320 (8K 17:9)
8192 x 3408 (8K 2.4:1)
6432 x 5360 (8K 6:5)

4096 x 2680 (4K 3:2 open gate)
4096 x 2304 (4K 16:9)
4096 x 2160 (4K 17:9)
4096 x 1704 (4K 2.4:1)
3216 x 2680 (4K 6:5)

Frame Rates

Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Maximum sensor frame rate dependent on resolution selected.

High Speed Frame Rates

12K 3:2 open gate up to 80 fps

12K 17:9 up to 100 fps

12K 2.4:1 up to 120 fps

9K 3:2 Super 35 up to 100 fps

8K / 4K 3:2 open gate up to 144 fps

8K / 4K 2.4:1 up to 224 fps

Built in ND Filters

Button activated ND filters with clear, 2-stop, 4-stop and 6-stop IR ND filters.

Focus

Focus button turns on peaking, auto focus available using compatible lenses.

Iris Control

Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode.

Screens

2 x Monitoring Screens

1 x Camera Status Screen

Monitoring Screen Dimensions

5 inch.

Monitoring Screen Resolution

1920px x 1080px

Monitoring Screen Brightness

1500 nits.

Monitoring Screen Type

LCD capacitive touchscreen

Metadata Support

Automatically populated lens data from i/Technology with compatible PL, LPL lenses and electronic EF lenses when using optional EF lens mount. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.

Controls

Touchscreen menus on 5 inch screen. Push buttons for other controls. 7 assignable shortcut keys plus 6 assignable shortcut keys on URSA Cine EVF.

Timecode Clock

Highly accurate timecode clock. Less than 1 frame drift every 8 hours.

Connections

Total Video Outputs

2

SDI Rates

1.5G, 3G, 6G, 12G.

Analog Audio Inputs

2 x XLR analog switchable between mic, line and AES audio. Phantom power support.

Analog Audio Outputs

1 x 3.5mm headphone jack

Reference Inputs

Tri-Sync/Black Burst and Timecode.

Viewfinder

1 x Viewfinder USB-C with power, data, video and locking connector.

Accessories

1 x 7-pin Lemo 'EXT' for power out, serial communication, and run/stop.

1 x 3-pin Fischer 'RS' for power out and run/stop.

Computer Interface

2 x USB Type-C side expansion ports for camera accessories.

Software updates using rear side USB-C.

Ethernet

1 x 10Gb/s RJ‑45 connector supporting 10/100/1000/10G BASE-T for Web Media Management, Blackmagic Cloud uploads, camera control and streaming.

Audio

Microphone

Integrated stereo microphone.

Built in Speaker

1 x mono speaker.

Standards

SD Video Standards

None

HD Video Standards

1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60

Ultra HD Video Standards

2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60

SDI Compliance

SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1

SDI Audio Sampling

48 kHz and 24 bit

Media

Media

1 x Blackmagic Media Module.

Media Format

Blackmagic

Supported Codecs

Codecs

Blackmagic RAW Constant Bitrate 3:1,
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Bitrate 18:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q1,
Blackmagic RAW Constant Quality Q3,
Blackmagic RAW Constant Quality Q5.

H.264 Proxy in 1920 x 1080, 8-bit 4:2:0

Control

External Control

Blackmagic URSA Cine EVF can trigger record plus camera functions assigned to the VF1, VF2, VF3, Zoom, Exp and Record buttons. External Camera Control supported using REST API over Ethernet, WiFi or serial communication via the 7-pin Lemo connector. Run / Stop supported via 3-pin Fischer and 7-pin Lemo connector. Blackmagic iPad control and Bluetooth control supported. Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling camera and compatible lenses.

Streaming

Direct Streaming

Supports Secure Reliable Transport (SRT) and Real Time Messaging Protocol (RTMP) local live streaming using a Ethernet or WiFi, or global live streaming using an internet connection via Ethernet, WiFi or USB‑C cellular data.

Network Management

NTP

Network time protocol support allows you to sync the time on your camera, whenever connected to a network with any NTP server of your choice.

FTP

Download files from any drive attached to your camera using FTP.

Web Media Manager

Using a browser connected over Ethernet, web media manager allows you to access, browse, download and delete files from any drive connected to the camera.

SMB

File sharing using SMB

Storage Features

Storage Type

1 x Blackmagic Media Module 8TB

Storage Rates

Storage rates based on 24 frames per second.

12K - 12,288 x 8040

Blackmagic RAW 3:1 - 1,194 MB/s
Blackmagic RAW 8:1 - 448 MB/s
Blackmagic RAW 12:1 - 298 MB/s
Blackmagic RAW 18:1 - 199 MB/s
Blackmagic RAW Q0 - 298 to 1,432 MB/s
Blackmagic RAW Q1 - 179 to 716 MB/s
Blackmagic RAW Q3 - 119 to 298 MB/s
Blackmagic RAW Q5 - 90 to 224 MB/s

9K - 9408 x 6264

Blackmagic RAW 3:1 - 713 MB/s
Blackmagic RAW 8:1 - 268 MB/s
Blackmagic RAW 12:1 - 178 MB/s
Blackmagic RAW 18:1 - 119 MB/s
Blackmagic RAW Q0 - 178 to 856 MB/s
Blackmagic RAW Q1 - 107 to 428 MB/s
Blackmagic RAW Q3 - 71 to 178 MB/s
Blackmagic RAW Q5 - 54 to 134 MB/s

8K - 8192 x 5360

Blackmagic RAW 3:1 - 533 MB/s
Blackmagic RAW 5:1 - 320 MB/s
Blackmagic RAW 8:1 - 200 MB/s
Blackmagic RAW 12:1 - 133 MB/s
Blackmagic RAW Q0 - 133 to 319 MB/s
Blackmagic RAW Q1 - 80 to 200 MB/s
Blackmagic RAW Q3 - 53 to 133 MB/s
Blackmagic RAW Q5 - 40 to 100 MB/s

4K - 4096 x 26896 x 2680

Blackmagic RAW 3:1 - 135 MB/s
Blackmagic RAW 4:1 - 101 MB/s
Blackmagic RAW 5:1 - 81 MB/s
Blackmagic RAW 6:1 - 68 MB/s
Blackmagic RAW Q0 - 34 to 81 MB/s
Blackmagic RAW Q1 - 20 to 50 MB/s
Blackmagic RAW Q3 - 13 to 34 MB/s
Blackmagic RAW Q5 - 10 to 25 MB/s

Recording Formats

Blackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at full sensor width or height resolutions:

[12,288 x 8,040], [12,288 x 6,912], [12,288 x 6,480], [12,288 x 5,112] and [9,648 x 8,040] with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.

Blackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at Super 35 windowed sensor resolutions:

[9,408 x 6,264], [8,688 x 4,896], [9,312 x 4,896], [9,312 x 3,864] and [7,680 x 6,408]

with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.

Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at full sensor width or height scaled to:

[8,192 x 5,360], [8,192 x 4,608], [8,192 x 4,320], [8,192 x 3,408] and [6,432 x 5,360]

with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.

Blackmagic RAW 3:1, 4:1, 5:1, 6:1, Q0, Q1, Q3 and Q5 at full sensor width or height scaled to:

[4,096 x 2,680], [4,096 x 2,304], [4,096 x 2,160], [4,096 x 1,704] and [3,216 x 2,680]

with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.

Constant Quality Rates for 12K and 9K are: Q0 12:1 - 2.5:1, Q1 20:1 - 5:1, Q3 30:1 - 12:1, Q5 40:1 - 16:1

Constant Quality Rates for 8K and 4K are: Q0 12:1 - 5:1, Q1 20:1 - 8:1, Q3 30:1 - 12:1, Q5 40:1 - 16:1

Actual storage rates are dependent on image subject matter.

Software

Software Included

URSA Cine Blackmagic OS

DaVinci Resolve Studio for Mac and Windows including activation key

Blackmagic Camera Setup

Blackmagic RAW Player

Blackmagic RAW QuickLook Plugin

Blackmagic RAW SDK

Operating Systems

Mac 13.0 Ventura,
Mac 14.0 Sonoma or later.

Windows 10 and 11.

Power Requirements

Power Supply

+24V DC external power supply 100 - 240 AC 50/60Hz compatible with IEC C14 socket.

Molex connector for rear battery plate.

External Power Input

1 x 8 pin socket for external power or battery use.

B-Mount battery plate.

Power Output

1 x 7-pin Lemo with +12V DV or +24V DC power output depending on camera supply.

1 x 3-pin Fischer with +12V DV or +24V DC power output depending on camera supply.

B-Mount battery plate with 2-pin Lemo +12V regulated output from camera.

Accessories

Optional Accessories

Blackmagic URSA Cine EVF

Blackmagic URSA Cine Mount PL

Blackmagic URSA Cine Mount LPL

Blackmagic URSA Cine Mount EF

Blackmagic URSA Cine Mount Shims

Blackmagic URSA Cine Battery Plate B Mnt

Blackmagic URSA Cine Battery Plate Gold

Blackmagic URSA Cine Battery Plate VLock

Blackmagic URSA Cine Baseplate 15

Blackmagic URSA Cine Baseplate 19

Blackmagic URSA Cine Handle

Blackmagic URSA Cine Grips

Blackmagic URSA Cine 5" LCD Sunshade

Blackmagic Media Dock

Blackmagic Media Module 8TB

Blackmagic Media Module CF

Blackmagic Video Assist 7" 12G HDR

Blackmagic Video Assist 5" 12G HDR

Blackmagic Video Assist 7" 3G

Blackmagic Video Assist 5" 3G

ATEM Streaming Bridge

Physical Specifications

Environmental Specifications

Operating Temperature: 0° to 40°C (32° to 104°F)

Storage Temperature: -20° to 45°C (-4° to 113°F)

Relative Humidity: 0% to 90% non-condensing

What's Included

Blackmagic URSA Cine 12K Body

Blackmagic URSA Cine Mount PL (installed)

Blackmagic URSA Cine Mount EF and screws

Blackmagic Media Module 8TB

URSA Cine Handle and bolts

URSA Cine Top Rod Mount 15

URSA Cine Baseplate 19

Plastic folding screen hood for 5" assist station

URSA Cine Battery Plate B Mount

WiFi Antennas

URSA Cine PL Body Cap

URSA Cine EF Body Cap

Rubber caps for connectors

+24V DC 250W power supply

DaVinci Resolve Studio with activation key

Welcome wallet with QR code for software download

Blackmagic Sticker

Custom foamed Pelican 1510 case

Warranty

12 Month Limited Manufacturer's Warranty.

Irix Cine Lens 21mm T1.5 PL Imperial Scale (Feet)

• Native Arri PL mount, compatible with all PL mounts, including Arri Alexa cameras
• Ultra HD 8K Ready Optics with Superb Image Resolution
• Full Frame 43.3mm coverage
• Fully Weather-Sealed, Ready for any Weather Conditions
• Engraved Markings with UV-Reactive Paint for Low-Light Situations
• 11 Rounded Aperture Blades for Extraordinary Image Quality
• Focus Breathing close to Zero
• Low Distortion
• Standard 0.8 Pitch Mod Gears
• Internal Focusing

The Irix Cine 21mm T1.5 with Arri PL mount is a Full Frame Cine Lens, excellent for when you need a wide and fast lens.

Lights, camera, Irix lenses! Capture the essence of cinema with the "Irix look". You don't want your shots to be just another scene - you want them to stand out. That's why Irix lenses are designed to provide substance with a special "Irix look" that will give your movie the captivating quality it deserves. Picture this: round-shaped blades and a shallow depth of field to cut your subject out from the background. The unique bokeh draws the contours of your subject to make them pop. Plus, the soft highlights and subtle mist will smooth out those pesky light streaks that show up on other lenses. With stunning footage in every frame, your audience won't be able to look away. Get ready to take your filmmaking to the next level with Irix lenses.

Ready to unleash your creativity? Look no further than the 21mm T1.5 lens – the perfect balance of wide angle and distortion-free shots. Say goodbye to awkwardly proportioned subjects; with this lens, what you see is what you get. Ideal for capturing tight spaces and people, it's a must-have addition to your kit.

Plus, all of our Irix cine lenses meet the same high standards of quality and consistency. You can expect comparable weights, 86mm front threads on most lenses, and consistent focus/iris gear placement. And don't forget about our Magnetic Mount System – the easiest way to attach Irix Edge MMS filters to the 15mm, 30mm, 45mm, and 150mm lenses. Trust us, once you experience the freedom and ease of Irix, you'll never go back.

Whether you're capturing a lively wedding or an intense action scene, the key to a stunning image is in getting up close and personal. Just look at the movie "Revenant" - DOP Emmanuel Lubezki used lenses with focal lengths as small as 21mm to create dynamic shots that immerse the viewer in the action.

But we've taken it to the next level. Our lens has a fast T1.5 aperture, providing crystal-clear shots in any lighting without having to sacrifice ISO. Plus, the bokeh effect will give your shots an eye-catching edge. And don't worry about the weather - our lenses are sealed and ready to take on anything Mother Nature throws your way. Get ready to level up your photography game.

The 21mm is the widest lens in this set! With a wide-open T1.5 aperture, this lens is ready to deliver consistently sharp shots alongside its awesome 30mm and 45mm companions.

And here's the best part: with such a wide lens, the bokeh effect achieved is simply breathtaking. Plus, effortlessly match color, contrast, and brightness on the go - making your shooting experience a complete breeze!

Say hello to Irix lenses - your all-weather filmmaking companion! With tough resistance against Mother Nature's wrath - be it blazing heat or frigid snow - these lenses will deliver crystal-clear shots, no matter what. With rain, sand, snow, and dust resistance, you can rest assured that your lens can handle it all. Plus, special UV-reactive markings make filming in tricky lighting a breeze. Whether you're braving the jungle or the desert, Irix lenses have got your back. So go ahead, make the film of your dreams, no matter the weather!

Capture every stunning detail with Irix Cine lenses. Created for Full Frame, these lenses are perfect for any cinema sensor you have, from Super 35 to MFT to APS-C. No need to worry about coverage - Irix Cine lenses have got you covered.

Irix Cine Lens 45mm T1.5 PL Imperial Scale (Feet)

• Native Arri PL mount, compatible with all PL mounts, including Arri Alexa cameras
• Ultra HD 8K Ready Optics with Superb Image Resolution
• Full Frame 43.3mm coverage
• Fully Weather-Sealed, Ready for any Weather Conditions
• Engraved Markings with UV-Reactive Paint for Low-Light Situations
• 9 Rounded Aperture Blades for Extraordinary Image Quality
• Focus Breathing close to Zero
• 86mm Filter Thread and 95m Front Diameter
• Low Distortion
• Internal Focusing

The Irix Cine 45mm T1.5 for Arri PL is equipped with everything both beginners and professional cinematographers need to create their masterpieces. The lens combines functionality, stunning visuals and outstanding performances.

The Irix Cine 45mm T1.5 is a 43,3mm Full Frame lens, covering Full Frame 35, Super 35, Red Dragon 6K, Arri Alexa, APS-C, MFT, Super 16, Sony Venice and other sensors.

It's so versatile it'll fit YOUR favorite equipment – allowing you to enjoy every second of shooting with the tools you already love.
Put our Irix Cine 45mm T1.5 to work and enjoy the comfort and functionality it offers.

Rain or shine. The rugged and durable construction of the Irix Cine 45mm guarantees that you can keep working with whatever the weather throws at you.

The lens is resistant to rain, sand, and dust thanks to the internal seals on strategic places. Take it with you on your next adventure in the desert or the jungle, if your camera can handle those environments.

Engraved markings on the lens have been filled with UV Light-reactive paint, which makes filming in difficult lighting conditions much easier. All you'll need is a small UV Blacklight instead of a bright flashlight.

Our own Magnetic Mount System (MMS) for rapid filter and hood placements are just one example of the multifunctional design of our lenses.

We also invented the adaptive ring on our lenses to be able to maintain their sleek design and still allow you to use wider follow focus systems

All Irix Cine lenses (except the 11mm and 21mm) have a Magnetic Mount System (MMS) that is compatible with our Irix Edge MMS filters and Irix MMS Lens Hoods. The Irix Edge magnetic filters have a unique thread-less and stackable design.

All of the Irix Edge MMS filters are made of hardened optical glass (SR) making them extremely robust. The filters' surfaces are covered with the multi-layer, anti-reflective coating with a special type nano-coating that makes it easy to clean.

Available types of Irix Edge MMS filters: UV, CPL, ND4, ND8, ND16, ND32 and ND64.

We know how important a smooth workflow is. That is why all Irix cine lenses have similar dimensions and weight and their gears are all lined up at the same heights, allowing for quick and easy lens changes when working on set.

Craft a one-of-a-kind cinematic look that won't be easily forgotten! Tahnks to the 11 optical elements in 9 groups (including 4 HR lenses, 1 ED lenses, and 1 ASP), your shots will come out with very little aberration.

The internal focusing system of the lens guarantees incredible sharpness. The 9 – blade iris provides a beautiful bokeh and a very smooth adjustment between T1.5 and T22.

With very low focus breathing and a field of view close to the human eye's field of view, the Irix 45mm Cine is a perfect lens for filming natural-looking scenes.

The Irix cine 45mm T1.5 meets requirements of all filmmakers. Whether you like to build professional setups or shoot with a bare lens on stabilizer, this lens is for you. The aluminium and magnesium alloy construction and housing weight only 1,1kg.

The front external diameter is 95mm for matte boxes and accessories, the front filter thread is 86mm.

Capture every stunning detail with Irix Cine lenses. Created for Full Frame, these lenses are perfect for any cinema sensor you have, from Super 35 to MFT to APS-C. No need to worry about coverage - Irix Cine lenses have got you covered.

Irix Cine Lens Case by Nanuk

Key Features

• Fits up to 5 IRIX Cine Prime Lenses
• Custom Foam Interior, Filter Slot
• Lightweight NK-7 Resin Shell
• Waterproof, Dust-Proof & Mil Spec
• PowerClaw Latching System
• Ergonomic Handle with Soft Grip
• Exterior Dimensions: 16.9 x 12.9 x 9.3"
• Interior Dimensions: 14.9 x 9.8 x 8.6"

Lightweight and waterproof, the Nanuk Cine Lens Case has a custom foam interior that holds up to five IRIX Cine prime lenses. Constructed with a lightweight, tough NK-7 resin shell, this case has a dedicated filter slot, an ergonomic handle with a soft grip, and a superior PowerClaw latching system.

Cine Lens Case

The custom foam interior holds up to five IRIX Cine lenses

Durable Waterproof Design

This durable resin case is waterproof (IPX7), dustproof (IP6X), and MIL-SPEC certified

PowerClaw Latches

PowerClaw latches use compressive force to clamp tight with built-in slide locks, offering additional security to prevent the case from opening during transport or if dropped

Filter Slot

A dedicated slot lets you store filters along with your lenses

Ergonomic Handle

An ergonomic handle with a soft grip provides a comfortable way to carry the case