{"product_id":"kona-5-r0","title":"AJA KONA 5 (ATX Power)","description":"\u003cp\u003eTake command of the most challenging projects using the immense power of KONA 5, AJA’s blazingly fast, 8-lane PCIe 3.0 I\/O card, designed for today’s most demanding video and audio workflows.\u003c\/p\u003e\n\u003cp\u003eWhether you are working with HFR 8K\/UltraHD2, 4K\/UltraHD, 2K\/HD, SD, Deep Color, and\/or HDR, experience the quality and peace of mind that KONA 5 brings to your world. Supporting 4:2:2, 10-bit 4:2:2 and 4:4:4, 12-bit color spaces for pristine imagery, KONA 5 allows the flexibility to ingest and output with 12G-SDI and monitor with a full-size HDMI 2.0 port. The bidirectional 12G-SDI ports provide immense flexibility for capture and simultaneous pass through, and with the appropriate software, multi-channel capture and streaming, and backward compatible with 6G\/3G\/HD-SDI.\u003c\/p\u003e\n\u003cp\u003eKONA 5 works with AJA's Control Room and Control Panel software, with powerful drivers and application plug-ins that provide support for leading content creation applications, such as Adobe® Premiere® Pro, Apple® Final Cut Pro, Avid Media Composer®, FilmLight, OBS Studio, vMix and much more. KONA 5 is also compatible with AJA's multi-platform and widely-adopted SDK for Developers.\u003c\/p\u003e\n\u003cp\u003eFor HDR* workflows, KONA 5 supports HDR10, HLG, PQ, and Dolby Vision for rich color delivery over SDI and\/or HDMI. KONA 5 has the power for the work you do today and into the future.\u003c\/p\u003e\n\u003cp\u003e*Application dependent\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8K\/UltraHD2\/4K\/UltraHD\/2K\/HD\/SD up to 50\/60p\u003c\/li\u003e\n\u003cli\u003e4x bidirectional 12G-SDI connections with 16-channel embedded audio\u003c\/li\u003e\n\u003cli\u003eHDMI 2.0 output, 4K\/UltraHD HFR, plus 8K to 4K downsampling\u003c\/li\u003e\n\u003cli\u003eRGB 4:4:4 12-bit (4K\/UltraHD) workflows supported\u003c\/li\u003e\n\u003cli\u003eYCbCr 4:2:2 10-bit and HFR workflows supported\u003c\/li\u003e\n\u003cli\u003eUp to 12-bit LUT support (.cube)\u003c\/li\u003e\n\u003cli\u003e8K support for Apple Final Cut Pro, Adobe Premiere Pro and Avid Media Composer and much more\u003c\/li\u003e\n\u003cli\u003eMulti-Channel support with OBS Studio, vMix and Telestream Wirecast\u003c\/li\u003e\n\u003cli\u003e8K or multi-channel 4K support for OEM applications with AJA SDK\u003c\/li\u003e\n\u003cli\u003eDynamic FPGA Firmware Reconfiguration for quick mode changes\u003c\/li\u003e\n\u003cli\u003e4K Closed Caption Support\u003c\/li\u003e\n\u003cli\u003eVPID signaling for SDR\/HDR Transfer Characteristics, Colorimetry and Luminance via SDI\u003c\/li\u003e\n\u003cli\u003ePQ, HLG, HDR10 and Dolby Vision Support\u003c\/li\u003e\n\u003cli\u003eHDR Metadata Capture and Auto Playback Detection\u003c\/li\u003e\n\u003cli\u003eIncludes support for the latest Apple silicon\u003c\/li\u003e\n\u003cli\u003eReference Input on card (Analog black burst or Tri-level)\u003c\/li\u003e\n\u003cli\u003eIncluded breakout cable for LTC, RS-422, 8-ch AES\/EBU\u003c\/li\u003e\n\u003cli\u003eThree year warranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eApple silicon Support\u003c\/strong\u003e\u003cbr\u003e AJA Desktop Software is optimized for the latest Apple silicon with native support for AJA macOS drivers, application plug-ins, AJA Control Room, AJA Control Panel, and AJA System Test.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProfessional Connectivity:\n12G-SDI and HDMI 2.0\u003c\/strong\u003e\u003cbr\u003e KONA 5 boasts 4x bidirectional 12G-SDI spigots and a Reference Input directly on the card bracket. The 4x HDBNC SDI connections can be used in a wide variety of configurations to support your creative needs; use four cables simultaneously to support either 8K\/UltraHD2 (via 4x 12G-SDI) or 4K\/UltraHD (via 3G-SDI), alternatively use a single cable for input and a single cable for simultaneous pass-through\/output for either 4K\/UltraHD (via 1x 12G-, or 6G-SDI) or HD\/2K (via 1x 3G-SDI, or even single\/dual link 1.5G-SDI).\u003c\/p\u003e\n\u003cp\u003eA full-sized HDMI 2.0 connection offers monitoring and output, with HDR, Deep Color and HFR support. Across the board, KONA 5 is the professional's choice for post, broadcast, graphics, virtual sets, pre-viz, live compositing and more.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExtended Connectivity\u003c\/strong\u003e\u003cbr\u003eKONA 5 ships with an included breakout cable that offers extensive connectivity for AES, RS-422 control support and Reference: • 8-Channels of AES\/EBU (BNC) In\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8-Channels of AES\/EBU (BNC) Out\u003c\/li\u003e\n\u003cli\u003eRS-422 9-pin connector for control\u003c\/li\u003e\n\u003cli\u003eLTC In and Out\u003c\/li\u003e\n\u003cli\u003eKONA 5 also ships with 5x HDBNC to full-size BNC cables to ensure out-of-the box compatibility with your SDI infrastructure.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHDR NLE \/ VFX Software Support\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHDR NLE \/ VFX Software Support\u003c\/li\u003e\n\u003cli\u003eDesktop Software supports HDR across many third-party professional video software applications, including Adobe Premiere Pro, Apple Final Cut Pro and Avid Media Composer\u003c\/li\u003e\n\u003cli\u003eTake advantage of HLG, PQ, HDR10 workflows in broadcast and post\u003c\/li\u003e\n\u003cli\u003eWork between 709, BT2020 and P3 with ease\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHDR\u003c\/strong\u003e\u003cbr\u003e HDR (High Dynamic Range) provides the ability to display a wider and richer range of colors, much brighter whites, and much deeper, darker blacks than standard signals allow. This gives your imagery a more ‘dynamic’ look and allows for natural true to life colors to be communicated to your audience.\u003c\/p\u003e\n\u003cp\u003eKONA 5 HDR workflows can also benefit from AJA's Control Room application and its companion, AJA Control Panel, which comes complete with built-in HDR test patterns.\u003c\/p\u003e\n\u003cp\u003eAJA Control Room provides VPID signaling for SDR\/HDR Transfer Characteristics, Colorimetry and Luminance transfer characteristics over SDI, bringing flexible output options to your KONA 5. HDMI ports that were already HDR compatible will work simultaneously, for HDR output via both SDI and HDMI.\u003c\/p\u003e\n\u003cp\u003eAJA Control Room software adds support for HDR metadata capture from an incoming SDI or HDMI signal. The captured .mov video file will have embedded HDR metadata, allowing the file to be played back at its intended dynamic range.\u003c\/p\u003e\n\u003cp\u003eAJA Control Room software also provides the KONA 5 with HDR Auto Playback Detection. Embedded HDR metadata in a recorded .mov file, is read and used to automatically set the HDR format on the monitor(s) connected to the KONA 5 HDMI and\/or SDI outputs. Support for file-based .mov HDR outputs with metadata from Adobe Premiere Pro\/Adobe Media Encoder HDR files is also available. Screening those rendered outputs is a simple and hi-quality experience with AJA Control Room. Every frame is presented in its full-quality, at the timing intended, and with the proper HDR format set correctly and automatically.\u003c\/p\u003e\n\u003cp\u003eExplore more of our HDR Solutions here:\u003c\/p\u003e\n\u003cp\u003eHDR Solutions\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e8K Capture and Playback\u003c\/strong\u003e\u003cbr\u003e At a time when 8K recording devices are prohibitively expensive, unlock the next generation power of 8K capture and playback via KONA 5 and use a more cost effective workstation. Capture 8K on Windows, Linux or macOS for example, and use the file immediately in your NLE or other application of choice.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e8K NLE \/ VFX Software Support\u003c\/strong\u003e\u003cbr\u003e The latest AJA Desktop Software advances 8K workflows with KONA 5 by providing native support for 8K video in Adobe Premiere Pro, Apple Final Cut Pro and Avid Media Composer plus many other applications. KONA 5 offers the broadest video format of any AJA product, providing and easy transition to larger format video workflows for Sports, eSports, Virtual Production, and other cutting-edge workflows.\u003c\/p\u003e\n\u003cp\u003eFor those who hop between 8K visual effects sequences and 4K live action footage, KONA 5 now also supports fast-bitfile-switching. In under 10 seconds you can flip between a KONA 5 personality tuned for 8K operations, to one dedicated to 4K and below. No waiting for firmware to update, no reboots required. Just powerful options to make your day go that bit faster and easier.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDynamic FPGA Firmware Reconfiguration\u003c\/strong\u003e\u003cbr\u003e KONA 5 now supports fast bitfile-switching. In under 10 seconds you can flip between a KONA 5 personality tuned for 8K operations, to one dedicated to 4K and below. No waiting for firmware to update, no reboots required.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4K Closed Caption Support\u003c\/strong\u003e\u003cbr\u003eAJA Control Room • Supports CEA-608 or 608-in-708 via ANC extraction firmware.\u003cbr\u003eAvid \u0026amp; Adobe Plugins • All SMPTE-291 (ANC) based captions supported.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAdobe Premiere Pro supports native 708 if the raw data is available. For instance in the Adobe plug-ins we handle the case where Premiere hands us full 708 data, we just pass it through to the device.\u003c\/li\u003e\n\u003cli\u003eAvid Media Composer supports active video ANC (line 21) or ANC via ANC extractor\/inserter (up to UHD\/4K).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWorkflow\u003c\/strong\u003e\u003cbr\u003e Connect your digital sources via 12G-SDI to KONA 5 for capture to and playback from a wide variety of formats. Master to destinations using high quality professional SDI outputs, machine control and analog or tri-level reference. \u003cbr\u003e Monitor via HDMI 2.0 output for 4K or HD, or utilize as a 4K down sample from 8K SDI, so you can make use of your existing 4K monitors for 8K work.\u003c\/p\u003e\n\u003cp\u003eKONA 5 also supports VPID signaling for SDR\/HDR Transfer Characteristics, Colorimetry and Luminance via SDI. • PQ, HLG, HDR10 and Dolby Vision* Support \u003cbr\u003e • HDR Metadata Capture and Auto Playback Detection\u003c\/p\u003e\n\u003cp\u003e*Dolby Vision and HDR10 integration available when using the AJA SDK, or using compatible 3rd party software.\u003c\/p\u003e\n\u003cp\u003eDownload Workflow\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSync Up\u003c\/strong\u003e\u003cbr\u003e KONA 5 can be locked to an external reference for integration into larger productions, or feed LTC in and out to ensure footage captured with KONA 5 has the proper timecode.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMachine Control\u003c\/strong\u003e\u003cbr\u003e A 9-pin RS-422 port on the included breakout cable allows control of a range of external devices for frame accurate captures and layoffs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAR Support with Unreal Engine\u003c\/strong\u003e\u003cbr\u003e Capture real time footage with KONA 5 over SDI from high quality cameras, meld your footage with your virtual environment created by the Unreal Engine and send it back out in real time to air - a growing need for broadcasters, augmented reality (AR), virtual production and more.\u003c\/p\u003e\n\u003cp\u003eDigital film makers also benefit with these new workflows: on-set, enhance your live action VFX work with the ability to see a full composite live during the course of the shoot. This results in fewer reshoots, the ability for actors to understand the virtual environment they are working within for stronger performances and ultimately leads to a range of efficiencies and cost savings with the added benefit of a smoother transition into post production.\u003c\/p\u003e\n\u003cp\u003eQuick Start Guide on using KONA 5 with Unreal Engine\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHardware Keying\u003c\/strong\u003e\u003cbr\u003e The built-in hardware downstream keyer allows graphics and images up to 4K\/UltraHD to be easily overlaid on the input video in realtime.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLegendary Support\u003c\/strong\u003e\u003cbr\u003e AJA Technical Support is recognized as one of the best in the industry and is provided at no additional charge. Our support team will work with you to solve any issues you might encounter and get you working as quickly as possible.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApple Mac Pro Compatible\u003c\/strong\u003e\u003cbr\u003e AJA offers full compatibility for the new Apple Mac Pro, including support for AJA Control Room with Metal compatibility and extensive support for various applications. Refer to the latest macOS release download release notes for supported version information.\u003c\/p\u003e\n\u003cp\u003eFor productions handling high resolution workflows all the way up to 8K, KONA 5* is a perfect companion for the new desktop offering multi-channel 4K and 8K support.\u003c\/p\u003e\n\u003cp\u003e*Special Note for ordering KONA 5 for use with a Mac Pro 2019\u003c\/p\u003e\n\u003cp\u003eThere are two choices: \u003cbr\u003e (1) PN: KONA-5-R0-S01 will use PCIe slot power in Mac Pro 2019, but this KONA model should not be used in any other Mac or PC host system. \u003cbr\u003e (2) PN KONA-5-R0 uses ATX power, and so can be used in other relevant Mac or PC host systems. However, a 3rd party ATX cable kit for the Mac Pro 2019 \u003cbr\u003e will be required \u0026gt; Link Here.\u003c\/p\u003e\n\u003cp\u003eThere are no caveats for other KONA or Io products.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKONA 5 Operating Systems Compatibility\u003c\/strong\u003e\u003cbr\u003e Supports macOS, Windows, and Linux Ubuntu \/ Rocky. Please see Release Notes for details and version information which can be found in the Downloads, Software tab.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApplications Compatibility\u003c\/strong\u003e\u003cbr\u003e AJA Desktop products offer unparalleled workflow compatibility with a range of software applications that span production, post, and delivery, and more.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTech Specs:\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eVideo Formats:\u003c\/strong\u003e (8K) 8192 x 4320p 23.98, 24, 25, 29.97, 30, 47.95, 48, 50, 59.94, 60; (UltraHD2) 7680 x 4320p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60; (4K) 4096 x 2160p 23.98, 24, 25, 29.97, 30, 47.95, 48, 50, 59.94, 60; (UltraHD) 3840 x 2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60; (2K) 2048 x 1080p 23.98, 24, 25, 29.97, 30, 47.95, 48, 50, 59.94, 60; (2K) 2048 x 1080PsF 23.98, 24, 25; (HD) 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60; (HD) 1080PsF 23.98, 24, 25, 29.97, 30; (HD) 1080i 50, 59.94, 60; (HD) 720p 50, 59.94, 60; (SD) 625i 50; (SD) 525i 59.94 \u003cbr\u003e\u003cstrong\u003eVideo Inputs Digital:\u003c\/strong\u003e 12G-SDI, SMPTE-2082, 12-bit*, 10-bit; 6G-SDI, SMPTE-2081, 10-bit; 3G-SDI, SMPTE 425 RGB 4:4:4 12-bit*, YCbCr 4:2:2 10-bit; 1.5G-SDI, SMPTE 292M Single Link HD-SDI YCbCr 4:2:2 10-bit; Dual Link RGB 4:4:4 12-bit*, Dual Link YCbCr 4:2:2 10-bit; 270 Mbps SDI, SMPTE 259M-C YCbCr 4:2:2 10-bit, 8-bit \u003cbr\u003e\u003cstrong\u003eVideo Outputs Digital:\u003c\/strong\u003e 12G-SDI*, SMPTE-2082, 12-bit*, 10-bit; 6G-SDI*, SMPTE-2081, 10-bit; 3G-SDI, SMPTE 425 RGB 4:4:4 12-bit*, YCbCr 4:2:2 10-bit; 1.5G-SDI, SMPTE 292M Single Link HD-SDI YCbCr 4:2:2 10-bit; Dual Link RGB 4:4:4 12-bit*, Dual Link YCbCr 4:2:2 10-bit; 270 Mbps SDI, SMPTE 259M-C YCbCr 4:2:2 10-bit, 8-bit; HDMI v2.0 30\/36-bits\/pixel, RGB or YUV, 6 Gbps per color component; 4K, UltraHD, 2K, HD, and SD with HFR support up to 60p (4:2:2), 10-bit \u003cbr\u003e\u003cstrong\u003eHDR:\u003c\/strong\u003e SDI: VPID signaling for SDR\/HDR Transfer Characteristics, Colorimetry and Luminance; HDMI: HDR10 Support - HDR Infoframe metadata, compatible with HDMI 2.0a\/CTA-861.3; HDMI: HLG Support - compatible with HDMI 2.0b\/CTA-861-G \u003cbr\u003e\u003cstrong\u003eSDI I\/O:\u003c\/strong\u003e SDI connections are bidirectional 2K\/HD, capture and monitoring is simultaneous; 4K\/UltraHD with 12G-SDI, capture and monitoring is simultaneous.; 4K\/UltraHD with 3G-SDI, all four connections must be used for either Input or Output.; 8K\/UltraHD2 with 12G-SDI, connections must be used for either Input or Output. \u003cbr\u003e\u003cstrong\u003eAudio Inputs Digital:\u003c\/strong\u003e 16-channel, 24 and 16-bit SDI embedded audio, 48 kHz sample rate, synchronous; 8-channel, 16 and 24-bit AES\/EBU audio, 48 kHz sample rate, synchronous or nonsynchronous, internal sample rate conversion (via 4x BNC on breakout cable) \u003cbr\u003e\u003cstrong\u003eAudio Outputs Digital:\u003c\/strong\u003e 16-channel, 24-bit SDI embedded audio, 48 kHz sample rate, synchronous; 8-channel, 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous; 8-channel, 16 and 24-bit AES\/EBU audio, 48 kHz sample rate, synchronous or nonsynchronous, internal sample rate conversion (via 4x BNC on breakout cable) \u003cbr\u003e\u003cstrong\u003eDownstream Keyer:\u003c\/strong\u003e Supports graphics up to 2K\/HD with alpha channel over video, matte or framebuffer, or framebuffer content over incoming video or matte \u003cbr\u003e\u003cstrong\u003eReference:\u003c\/strong\u003e Analog Color Black (1V) or Composite Sync (2 or 4V) or HD Tri-Level Sync (1V) (via 1x HD-BNC at PCIe bracket); Reference input is terminated into 75 ohms when Genlock is set to Ref In \u003cbr\u003e\u003cstrong\u003eTimecode:\u003c\/strong\u003e LTC timecode input and output (via 2x BNC on breakout cable); LTC timecode input (via 2-pin header on PCIe card); LTC timecode input (via HD-BNC at PCIe bracket) \u003cbr\u003e\u003cstrong\u003eElectrical Interface:\u003c\/strong\u003e 8-lane PCIe 3.0 \u003cbr\u003e\u003cstrong\u003eMachine Control:\u003c\/strong\u003e RS-422, Sony 9-pin protocol (via breakout cable); 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