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The Cintel Scanner is perfect for unlocking vast archive film libraries for conversion into new Ultra HD masters so they can be uploaded for streaming and online distribution!\u003c\/p\u003e \u003cp\u003eThe new high intensity light source in Cintel Scanner G3 HDR+ is now 6 times more powerful. The RGB LED grid array illumination source has a square array of 576 high power LEDs arranged into a grid pattern, which are focused onto film using a new light cylinder. This design means that more than twice the silicon area for generating light is available, resulting in more light being directed at the film. There are tens of kilowatts of power contained in each illumination flash to scan a single frame of film. HDR scanning speed is also now up to 3 times faster at full real time speed of 30 frames per second in Ultra HD. 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The built in scopes can even be overlaid on live video, or as a small picture in picture view at the top right of the scope!\u003c\/p\u003e \u003cp data-section-jump-id=\"15\"\u003e\u003cstrong\u003eLoad Custom 3D LUTs to Recreate Film Looks!\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eSome cameras can output logarithmic colorspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a \"look\" to the monitor so you get an idea of how the finished images will look like when editing. LUTs can be applied temporarily for monitoring only, or they can be burned into files for use in editing when capturing Blackmagic RAW. Video Assist works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video and more.\u003c\/p\u003e \u003cp data-section-jump-id=\"16\"\u003e\u003cstrong\u003eDirect Metadata Entry for Faster Editing!\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe advanced digital slate and metadata features make it extremely fast to add metadata to any shot! Simply swipe left or right from the edge of the screen to bring up the digital slate. You can even select for take numbers to be automatically incremented when you start and stop recording, so you don't have to enter them manually for each shot! You can also set reel numbers to increment each time you format a card. 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The built in scopes can even be overlaid on live video, or as a small picture in picture view at the top right of the scope!\u003c\/p\u003e \u003cp data-section-jump-id=\"15\"\u003e\u003cstrong\u003eLoad Custom 3D LUTs to Recreate Film Looks!\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eSome cameras can output logarithmic colorspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a \"look\" to the monitor so you get an idea of how the finished images will look like when editing. LUTs can be applied temporarily for monitoring only, or they can be burned into files for use in editing when capturing Blackmagic RAW. Video Assist works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video and more.\u003c\/p\u003e \u003cp data-section-jump-id=\"16\"\u003e\u003cstrong\u003eDirect Metadata Entry for Faster Editing!\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe advanced digital slate and metadata features make it extremely fast to add metadata to any shot! Simply swipe left or right from the edge of the screen to bring up the digital slate. You can even select for take numbers to be automatically incremented when you start and stop recording, so you don't have to enter them manually for each shot! You can also set reel numbers to increment each time you format a card. All metadata is saved with the files and available in post production with software such as DaVinci Resolve!\u003c\/p\u003e \u003cp data-section-jump-id=\"18\"\u003e\u003cstrong\u003eProfessional Multi Channel SDI and Analog Audio\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eBlackmagic Video Assist includes a built in professional audio recorder that's much better quality than the audio found in most cameras, eliminating the need to carry around extra audio equipment. When working in SDI formats, you can record 2, 4, 8 or 16 channels of audio. For connecting microphones the 7\" models have 2 XLR analog audio inputs with phantom power and high definition audio sample rates of 192 kHz at 16 and 24 bit per sample. The audio meters can even be changed between VU or PPM ballistics. Blackmagic Video Assist 12G features the latest audio technology to ensure low noise floor and very low distortion so you can use it for digital cinema and broadcast work.\u003c\/p\u003e \u003cp data-section-jump-id=\"19\"\u003e\u003cstrong\u003eLocalized for 11 Popular Languages\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eMultiple languages are fully supported so you don't need to learn another language to use it! Support is included for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese and Turkish. At first start, Video Assist will display a menu for selecting a language, plus you can switch languages in the menus. When a language is selected, the on screen text overlays will change to the selected language, as well as overlays on the video outputs when enabled. All this means Video Assist is perfect for doing international location work with different crews because you can just go into the menu and change the language any time you need!\u003c\/p\u003e \u003cp data-section-jump-id=\"20\"\u003e\u003cstrong\u003eWorks with the World's Most Popular Video Software\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe files from Blackmagic Video Assist are common and are compatible with all operating systems or in most video software. Media can be formatted using ExFAT or HFS+ so you can easily access the media on computers and access the files like regular disks. DaVinci Resolve is perfect for using with Video Assist as it features editing, color correction, audio post production and visual effects all in one software application. Plus you can download DaVinci Resolve free of charge for Mac, Windows and Linux! You can also use recorded files in other popular software such as Premiere Pro and Final Cut Pro X. 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The large search dial is perfect for scrolling through lots of media to find the clip you want to play. You get support for ProRes, DNx and H.264 files in NTSC, PAL, 720p and 1080p video formats. The HDMI connections allow connection to switchers, cameras and monitors. Plus SD cards, UHS-II cards and USB-C external disks can be used for recording and playing media. HyperDeck Shuttle HD uses the same design as ATEM Mini Extreme, so it's a perfect combination to use as a media player. It even has a built in teleprompter!\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eElegantly Designed Professional Broadcast Deck\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eHyperDeck Shuttle HD is perfectly designed for the desktop. This means the front panel can be operated with a single hand! The gentle angle allows your hand to rest on the search dial, and the control buttons are positioned under your fingertips. The design is the same depth and angle as ATEM Mini Extreme, so they match perfectly when used together! Scrolling media is fast as the machined metal search dial has a natural inertia, and the soft rubber surface feels nice to the touch. That's perfect when you're searching through lots of media. Plus, the buttons are the same design as traditional broadcast decks. The rear panel includes all video, power, network and control connections.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003ePerfect for Live Production Mastering and Clip Playback\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eMastering Recorder\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eWith support for H.264, ProRes and DNx files, you can record true broadcast masters! You can even select between PCM or AAC audio. That's perfect for higher quality mastering when used with ATEM Mini switchers. You get everything needed to send shows to broadcasters and for uploading to YouTube.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eMedia Player\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe large search dial lets you visually browse your clip library. Then you can use the previous clip button to cue to the start of the clip. After playing, you can use the clip button to stop the playback at the end of the clip. ATEM switchers can even remote control HyperDeck Shuttle via Ethernet!\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTraditional Broadcast Deck Controls\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eHyperDeck Shuttle includes a control panel that's very fast to use. The buttons are similar to a traditional broadcast deck. Simply press the record button and you instantly start recording the video input to a file! It will record in the file format that has been set in the record menu. There are other buttons for playback, to cue to the start of the clip and to move to the next clip. The buttons have been custom designed by Blackmagic Design for the highest quality. The large machined metal search dial supports shuttle, jog and scroll so you can find clips fast. Plus all deck control functions can be triggered remotely using the Ethernet network.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eMenus\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eWhen pressing the menu button, the settings menu will appear overlaid on the video output. The button is recessed so it's not accidentally pressed! This menu is where you set the record codec.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eRecord\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe record button starts recording in the codec set in the record menu at the HDMI input television standard. It makes recording as easy as pressing a button! This button is also an input switch.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eMedia Status\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe media status lights show the status of the SD card and USB media disks. The lights are red when recording and green when playing back. The stop button will flash when the disks are almost full!\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eNext and Previous Clip\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe previous and next clip buttons make it fast to move up and down clips. You can use the previous clip button to cue to the start of the current clip. That ensures the clip is ready to play on air.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eJog and Shuttle\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe jog button allows a slow scroll, perfect when cueing to a specific frame. Press both jog and scroll buttons to change the search dial to shuttle mode. Shuttle even allows slow motion replay!\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eScroll\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe scroll lets you quickly scroll up and down large amounts of media with the search dial. This lets you browse media visually, so it's fast. Pressing scroll lets you navigate down folder levels.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eClip\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe clip button allows you to play clips without running off the end to the next clip. When enabled, it stops playback at the end of the current clip. It can also be used to navigate back in scroll.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003ePlay and Stop\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe main playback controls are play and stop. Pressing play more than once will loop playback of all clips. If the clip button is selected, play or loop play will be limited to the current clip.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eSearch Dial\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe search dial makes it easy to access your media. The extremely smooth design is machined metal with dual bearings. It works with the jog and scroll buttons, or if both are pressed, you get shuttle.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eSupports SD Cards and UHS-II Cards\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eHyperDeck Shuttle supports recording to common SD cards and UHS-II cards so you don't need expensive custom media. SD cards are the perfect choice for broadcast media because they are small and very affordable. Plus, you can even record to external USB disks! When using USB disks, if you use a USB hub, or Blackmagic MultiDock, you can even record on multiple disks for non stop recording! When using H.264, the files are so incredibly small you get very long recordings even on smaller low cost cards. This means you can record up to 157 hours of H.264 in 1080p59.94 on a 1 TB card. That's over 6 days of recording in HD using a single 1 TB card!\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eRecord to External USB-C Media Disks\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eIf recording to other types of media is required, the USB-C expansion port lets you plug in an external flash disk for recording. USB-C flash disks have unlimited capacity because they can be physically larger than an SD card or SSD. Plus, it's even possible to record to a disk array you'll use for editing, so you don't need to waste time copying files before starting post production. Just move the disk over to a computer and instantly start editing! You can even add a Blackmagic MultiDock 10G that has 4 separate SSD media slots, so you can add compatibility with SSD media to the HyperDeck Shuttle! There are also options for managing external disks in the settings menu.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003ePopular ProRes, DNx and H.264 Files!\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eHyperDeck Shuttle HD supports the most popular codecs in use today! You get broadcast quality DNx and ProRes file formats. However you also get space saving H.264 when recording in NTSC, PAL, 720p, 1080p plus even true 1080i interlaced formats. That means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast quality. Plus you can choose uncompressed PCM audio, or even AAC audio when uploading files to YouTube. HyperDeck Shuttle HD supports both ExFAT used on Windows and HFS+ used on Mac disk formatting standards, so disks can be mounted and read on both platforms. You also get support for recording long duration events into a single video file.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eDC Power Input- Common 12V power connection.\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eEthernet - Remote deck control and fast file transfer!\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUSB-C - Record to external disks or disk arrays.\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eHDMI In and Out - Record and play to cameras, projectors and TVs.\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003ePowerful Video and Control Connections!\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eFor such a small design, HyperDeck Shuttle has powerful connections. The HDMI input can be connected to cameras and switchers such as ATEM Mini, and the HDMI output can be connected to monitors for presentations or ATEM Mini switchers as a long form media player. Imagine playing commercials, promos or music videos into ATEM Mini switchers from HyperDeck Shuttle! The rear panel also includes a 12V DC power input and a power supply is included. The 1G Ethernet connection allows control and remote file uploads. The USB-C expansion port can be used to record to large external disks, for software updates or as a webcam output. The SD card slot supports both SD cards and UHS-II cards.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eHDMI is Perfect for ATEM Mini Switchers!\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eWith built in HDMI input and output, you can connect to consumer cameras, monitors, televisions, video projectors and even ATEM Mini switchers! The HDMI connections will automatically switch video standards to handle both SD and HD equipment. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 720p59.94. 1080i HD interlaced formats include 1080i50 and 1080i59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. HyperDeck Shuttle can even support 1080 PsF formats!\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBuilt In Teleprompter\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eWith such a large search dial, HyperDeck Shuttle HD can be used as a teleprompter! Simply change to teleprompter in the record menu and it will read standard RTF text files as scripts. You don't need weird custom software as scripts can be written in simple text editors such as TextEdit. You can move between multiple scripts with the previous and next clip buttons. If you press both jog and scroll buttons, you can live scroll the script like a traditional teleprompter! Even the size, color, font weight and alignment will be read from the RTF script file. Best of all, you can write your scripts in standard 12 point size and HyperDeck will scale them up for the prompter display automatically.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eNetwork File Transfers\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eHyperDeck Shuttle allows media files to be uploaded remotely, using simple FTP client software. With 1G Ethernet built into the HyperDeck Shuttle, file transfers are very fast, and sometimes faster than the SD card media disk! For remote deck control, all models use an easy to learn text based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type \"play\" or \"record\" and it will execute the command. It's that simple! If you combine the control protocol and file transfers with a HyperDeck connected to a large USB-C disk array, you get a fantastic broadcast server for ingest, media management and play out.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003ePowered by Blackmagic OS\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe innovative Blackmagic OS has been designed for high performance film and broadcast products and it manages all functions on HyperDeck Shuttle. Only Blackmagic OS provides instant power on, while including powerful features such as video recording, timecode, audio, menu overlays, fast networking, multi-disk media management and even localization. The menus are overlaid on the video output and include settings to customize your HyperDeck Shuttle HD, plus the menus can be changed to display in either light or dark mode! Blackmagic OS provides world leading network performance to ensure HyperDeck Shuttle HD can sustain high speed network transfers using it's 1G Ethernet connection!\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eLocalized for 13 Popular Languages\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eHyperDeck Shuttle HD supports multiple languages so you don't need to learn a new language just to use it! You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian languages. When initially powered on for the first time, HyperDeck Shuttle HD will display a menu for selecting a language, plus you can always use the menu to change the language at any time in the future. Once a language is selected, the menus overlaid on the video monitoring output will also change to the selected language. All this means HyperDeck Shuttle is perfect for doing work anywhere in the world!\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUse All Video Software and Streaming Sites\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eHyperDeck Shuttle HD records files that are compatible with virtually all post production software. Plus if you record in H.264, you can upload files from HyperDeck Shuttle direct to streaming services such as YouTube, Facebook, Vimeo, Twitter and more! You can use popular editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro or Avid Media Composer, because HyperDeck uses the same file formats used in post production. Even VFX software such as Fusion and Adobe After Effects work with the files! Because HyperDeck records to disks formatted on computers, you can simply mount the disk on any computer and start editing without needing to copy files.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eDaVinci Resolve\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eFusion\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eApple Final Cut Pro\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAdobe Premiere Pro\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAdobe After Effects\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAvid Media Composer\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCompatible with Switchers, Disk Docks and Cameras!\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThere's a wide range of Blackmagic Design products you can use with HyperDeck Shuttle HD, including switchers, cameras and streaming solutions! As HyperDeck Shuttle doesn't include SSD slots, you can add a Blackmagic MultiDock 10G to use regular SSDs, allowing compatibility with media from other HyperDeck models. HyperDeck Shuttle will manage multiple disks for you! HyperDeck Shuttle is also a perfect mastering recorder when used with ATEM switchers, because it has more record formats, plus it's a fantastic clip player for adding pre recorded clips into live production. 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Supports HDMI 4K, H.264, H.265, ProRes or DNx files, HD proxies, scopes, 3D LUT and network recording via fast 10G Ethernet.\u003c\/p\u003e \u003cp\u003eHyperDeck Shuttle is a recorder and player that's designed to be used on the desktop! It's more than a master recorder, as it's also a clip player. The large search dial lets you quickly scroll through media to find the clip you want. Depending on the model, you get support for ProRes, DNx, H.264 and H.265 files in NTSC, PAL, 720p, 1080p, and 2160p video standards. It even has a built in teleprompter! There are models with 12G-SDI and HDMI so you can connect to switchers and cameras. Plus it records to SD cards, UHS-II cards or USB-C disks. The HyperDeck Shuttle 4K Pro model has 10G Ethernet and internal M.2 storage, so it can share media on your local network or record to network storage.\u003c\/p\u003e \u003cp\u003eHyperDeck Shuttle is perfectly designed for the desktop. This means the front panel can be operated with a single hand! The gentle angle allows your hand to rest on the search dial, and the control buttons are positioned under your fingertips. Scrolling media is fast as the machined metal search dial has a natural inertia, and the soft rubber surface feels nice to the touch. That's perfect when you're searching through lots of media. The HyperDeck Shuttle 4K Pro model boasts a large 7-inch LCD screen for live monitoring, complete with a \"heads up display\" overlay. Plus, it features full menus with all the deck settings! The rear panel includes all video, audio and network connections.\u003c\/p\u003e \u003cp\u003eRecord true broadcast masters in high quality ProRes, H.264, H.265 and DNx files. You can also select between PCM or AAC audio. That's perfect for higher quality mastering when used with ATEM Mini switchers. You get everything needed to send shows to broadcasters and upload them to YouTube.\u003c\/p\u003e \u003cp\u003eThe large search dial lets you visually browse your clip library. Then you can use the previous clip button to cue to the start of the clip. After playing, you can use the clip button to stop the playback at the end of the clip. ATEM switchers can even remote control HyperDeck Shuttle via Ethernet!\u003c\/p\u003e \u003cp\u003eThe HyperDeck Shuttle 4K Pro model features an innovative touch LCD user interface for interactive control, built-in monitoring, and menu settings. The large 7-inch HDR display has buttons for playback, pause and recording functions, as well as a mini playback timeline so you can scroll through your clips. A \"HUD\", or heads-up display, is included that overlays important information such as timecode, media status, and audio meters. You can also enable full broadcast scopes via the touch screen, and enable features such as focus assist and an RGB exposure histogram. The HyperDeck Shuttle 4K Pro's settings can also be changed through the on-screen menus. Plus you can load and save 3D LUTs!\u003c\/p\u003e \u003cp\u003eHyperDeck Shuttle includes a control panel that's very fast to use. The buttons are similar to a traditional broadcast deck. Simply press the record button and you instantly start recording the video input to a file! It will record in the file format that has been set in the record menu. There are other buttons for playback, to cue to the start of the clip and to move to the next clip. The buttons have been custom designed by Blackmagic Design for the highest quality. The large machined metal search dial supports shuttle, jog and scroll so you can find clips fast. Plus all deck control functions can be triggered remotely using the Ethernet network.\u003c\/p\u003e \u003cp\u003eHyperDeck Shuttle has been designed to record directly to network storage! That means you don't need to mess around with media cards because you can store all your media in a central place. Plus the HyperDeck Shuttle 4K Pro model has space for M.2 flash storage cards, so the network storage is built in! This means any editing system can just log into the HyperDeck Shuttle 4K Pro and access all the media in one location. DaVinci Resolve can also edit media while it's being recorded! With its new broadcast features, DaVinci Resolve is an amazing live editing solution. Managing the storage is easy, as you just browse the network storage, then select the folder you want to record into!\u003c\/p\u003e \u003cp\u003eHyperDeck Shuttle is compatible with other HyperDeck models because it supports recording to standard SD Cards and UHS-II Cards. SD Cards can be a great choice for broadcast media because they are small, affordable and very portable. Although you can also record to external USB disks which can also be instantly unplugged and transported. When using USB disks, HyperDeck Shuttle supports recording on multiple disks for non-stop recording! When using H.264, the files are so incredibly small you get very long recordings even on smaller low cost cards. This means you can record up to 157 hours of H.264 in 1080p59.94 on a 1 TB card. That's over 6 days of recording in HD using a single 1 TB card!\u003c\/p\u003e \u003cp\u003eIf recording to external media is required, the USB-C expansion port lets you plug in an external flash disk for recording. USB-C flash disks have unlimited capacity because they can be physically larger than an SD card or SSD. Plus, it's even possible to physically move the disk to an editing station, so you don't need to waste time copying files before starting post production. Just move the disk over to a computer and instantly start editing! You can even add a Blackmagic MultiDock 10G that has 4 separate SSD media slots, so you can add compatibility with SSD media to the HyperDeck Shuttle! There are also options for managing external disks in the settings menu.\u003c\/p\u003e \u003cp\u003eHyperDeck Shuttle HD supports the most popular codecs in use today! You get broadcast quality DNx and ProRes file formats. However, you also get space saving H.264 when recording in NTSC, PAL, 720p, 1080p, and even true 1080i interlaced formats. Plus the HyperDeck Shuttle 4K Pro model handles H.265 record and playback. You get tight 60:1 to 285:1 compression ratios for small files at full broadcast quality. You can choose uncompressed PCM or AAC audio for uploading files to YouTube. HyperDeck Shuttle supports both ExFAT on Windows and HFS+ on Mac disk formats, allowing disks to be mounted and read on both platforms. You also get support for recording long events into a single video file.\u003c\/p\u003e \u003cp\u003eDespite its small size, the HyperDeck Shuttle models have a wide range of video and audio connections. The video input can be connected to cameras and switchers such as ATEM, and the video outputs can be connected to monitors for presentations or ATEM switchers as a long form media player. Imagine playing commercials, promos or music videos into ATEM switchers from HyperDeck Shuttle! The rear panel also includes a 12V DC power input and a power supply is included. The Ethernet connection allows control and remote file uploads. The USB-C expansion port can be used to record to large external disks or for software updates. The SD card slot supports both SD cards and UHS‑II cards.\u003c\/p\u003e \u003cp\u003eThe extremely advanced HyperDeck Shuttle 4K Pro model includes the latest 12G-SDI video connections. 12G-SDI is multi-rate, so a single connection can connect to SD, HD, and Ultra HD equipment. Standard definition support includes NTSC and PAL. 720p HD standards include 720p50 and 59.94p. 1080i HD interlaced standards include 1080i50 and 1080i59.94. 1080p HD television standards include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. HyperDeck Shuttle 4K Pro even handles 1080 PsF formats! The 12G-SDI also handles Ultra HD in all television standards including 2160p23.98, 24, 25, 29.97, 50, 59.94 and 60p. There is also support for both level A and level B when working in 3G-SDI rates.\u003c\/p\u003e \u003cp\u003eWith built in HDMI input and output, you can connect to consumer cameras, monitors, televisions, video projectors and even ATEM Mini switchers! The HDMI connections will automatically switch video standards to handle SD, HD, and Ultra HD, depending on the model. SD standards include NTSC and PAL. 720p HD standards include 720p50 and 720p59.94. 1080i HD interlaced standards include 1080i50 and 1080i59.94. 1080p HD standards include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. HyperDeck Shuttle can even support 1080 PsF formats! Then the HyperDeck Shuttle 4K Pro model standards include 2160p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p.\u003c\/p\u003e \u003cp\u003eThe more powerful HyperDeck Shuttle 4K Pro model has extremely fast 10G Ethernet. The network speeds are so fast that lots of editors and colorists can access the built-in HyperDeck M.2 storage over your network, all at the same time. You can also transfer files via an easy to use HTTP\/S web interface or an FTP client. For broadcast automation control, HyperDeck uses the Ethernet connection and a simple text-based protocol, which you can test with a simple telnet client. A REST protocol is also supported for custom automation and it's fully documented in the manual. This means HyperDeck Shuttle 4K Pro is a fully self-contained broadcast server for ingest, media management, and play out.\u003c\/p\u003e \u003cp\u003eFor compatibility with a wide range of computer software, HyperDeck Shuttle features webcam support using the USB connection. If you're not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast quality video source! This guarantees full compatibility with any video software and in full resolution 1080 HD quality. HyperDeck Shuttle's USB webcam feature works with any video software including Zoom and Microsoft Teams, or get live streaming with Open Broadcaster, XSplit Broadcaster and more!\u003c\/p\u003e \u003cp\u003eThe most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Extreme features wide protocol support so you can connect it direct to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS-422 control solutions, you'll know you're connected to a HyperDeck Extreme when you see the ID 0xF0E0 in 30\/60p, 0xF1E0 in 25\/50p or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our website.\u003c\/p\u003e \u003cp\u003eYou will be prepared for the latest HDR workflows with the HyperDeck Shuttle 4K Pro model's support for the latest HDR video standards because it has an HDR screen with a wide color gamut. Even the built-in scopes automatically transition to HDR scopes when working with HDR formats. Files are tagged with the correct HDR information then SDI and HDMI inputs will also automatically detect HDR video standards. Static metadata PQ and HLG formats are handled according to the ST2084 standard. The bright LCD has a wider color gamut so can handle both Rec. 2020 and Rec. 709 colorspaces. The built in HyperDeck Shuttle 4K Pro LCD color gamut can even handle 100% of the DCI‑P3 format.\u003c\/p\u003e \u003cp\u003eThe HyperDeck Shuttle 4K Pro offers powerful built-in waveform monitoring for high end work, ensuring compliance with broadcast standards. The waveform display provides a traditional luminance (brightness) level view of your input or playback signal. The vectorscope display allows you to see the intensity of color at 100% SDI reference levels. You also get RGB and YUV parade displays which are ideal for color correction and checking for illegal levels. Histogram shows the distribution of white to black detail in your images and highlights or shadows clipping. The built-in scopes can be overlayed on live video or displayed as a small picture-in-picture view at the top right of the scope.\u003c\/p\u003e \u003cp\u003eWith such a large search dial, HyperDeck Shuttle can be used as a teleprompter! Simply change to teleprompter in the record menu and it will read standard RTF text files as scripts. You don't need weird custom software as scripts can be written in simple text editors such as TextEdit. You can move between multiple scripts with the previous and next clip buttons. If you press both jog and scroll buttons, you can live scroll the script like a traditional teleprompter! Even the size, color, font weight and alignment will be read from the RTF script file. Best of all, you can write your scripts in standard 12 point size and HyperDeck will scale them up for the prompter display automatically.\u003c\/p\u003e \u003cp\u003eHyperDeck Shuttle 4K Pro supports adding a built-in M.2 flash memory storage card, transforming it into network storage. That means multiple users can access recordings over the local network, plus it can sync to Blackmagic Cloud! DaVinci Resolve will also sync the media so you can work with editors, colorists, VFX artists and audio engineers anywhere in the world. It's an easy to use global collaborative workflow! HyperDeck Shuttle 4K Pro also records H.265 HD proxy files, which upload in seconds. The proxy even syncs during recording, so remote DaVinci Resolve editors get the media before the HyperDeck has stopped recording! Blackmagic Cloud is also an excellent media backup solution.\u003c\/p\u003e \u003cp\u003eThe HyperDeck Shuttle 4K Pro model has an advanced digital slate and metadata features that make it extremely fast to add metadata to any shot! Simply swipe left or right from the edge of the screen to bring up the digital slate. You can even select take numbers to be automatically incremented when you start and stop recording, so you don't have to enter them manually for each shot! You can also set reel numbers to increment each time you format a card. All metadata is saved with the files and available in post production with software such as DaVinci Resolve! Then let the DaVinci Resolve source tape organize all your shots based on metadata. Simply scroll and select shots!\u003c\/p\u003e \u003cp\u003eThe innovative Blackmagic OS has been designed for high performance film and broadcast products and it manages all functions on HyperDeck Shuttle. Blackmagic OS offers instant power on and powerful features like video recording, timecode, audio, menu overlays, fast networking, multi-disk media management and localization. On the HyperDeck Shuttle HD model, the menus are overlaid on the video output, and on the HyperDeck Shuttle 4K Pro, they are displayed on the built-in touch screen. The menus can be displayed in either light or dark mode! Blackmagic OS ensures world leading network performance, allowing HyperDeck Shuttle to record to network storage at high speeds.\u003c\/p\u003e \u003cp\u003eMultiple languages are fully supported so you don't need to learn another language to use it! Support is included for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese and Turkish. At first start, HyperDeck Extreme will display a menu for selecting a language, plus you can still use the menus to change languages any time you need. When a language is selected, the on screen text overlays will change, as well as all menus and the overlays on the SDI monitoring output will also be displayed with the selected language. All this means HyperDeck is perfect for doing international location work with different crews!\u003c\/p\u003e \u003cp\u003eThe files from HyperDeck Shuttle are common and are compatible with all operating systems or in most video software. Media can be formatted using ExFAT or HFS+ so you can easily access the media on computers and access the files like regular disks. DaVinci Resolve is perfect for use with HyperDeck because it features editing, color correction, audio post production and visual effects all in one software application. Plus you can download DaVinci Resolve free of charge for Mac, Windows and Linux! You can also use recorded files in other popular software such as Premiere Pro and Final Cut Pro. With HyperDeck, your media is common so your files will remain readable in the future.\u003c\/p\u003e \u003cp\u003eThere's a wide range of Blackmagic Design products you can use with HyperDeck Shuttle, including switchers, cameras and streaming solutions! Since HyperDeck Shuttle lacks SSD slots, use a Blackmagic MultiDock 10G to use SSDs or a Blackmagic Cloud Store for centralized network storage with simultaneous editors on DaVinci Resolve systems. HyperDeck Shuttle easily handles multiple record locations. HyperDeck Shuttle is also a perfect mastering recorder when used with ATEM switchers, and it's a fantastic clip player for playing pre recorded clips into live production. When rendering playback files in software, just use ProRes, DNx or \"H.264 main profile\" formats.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49814773792906,"sku":"BMD-HYPERD\/PTSKD","price":1695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5240\/3338\/files\/canvas-bmd-hyperd-ptskd.jpg?v=1787683640"},{"product_id":"bmd-hyperd-ptskd-2tb","title":"Blackmagic Design HyperDeck Shuttle 4K Pro 2TB","description":"\u003ch3\u003eBlackmagic Design HyperDeck Shuttle 4K Pro 2TB\u003c\/h3\u003e \u003cp\u003eAdvanced HyperDeck with large 7\" LCD, transport controls and search dial. Supports 12G-SDI, HDMI 4K, H.264\/5, ProRes or DNx files, HD proxies, scopes, 3D LUT and built in 2TB network storage.\u003c\/p\u003e \u003cp\u003eHyperDeck Shuttle is a recorder and player that's designed to be used on the desktop! It's more than a master recorder, as it's also a clip player. The large search dial lets you quickly scroll through media to find the clip you want. Depending on the model, you get support for ProRes, DNx, H.264 and H.265 files in NTSC, PAL, 720p, 1080p, and 2160p video standards. It even has a built in teleprompter! There are models with 12G-SDI and HDMI so you can connect to switchers and cameras. Plus it records to SD cards, UHS-II cards or USB-C disks. The HyperDeck Shuttle 4K Pro model has 10G Ethernet and internal M.2 storage, so it can share media on your local network or record to network storage.\u003c\/p\u003e \u003cp\u003eHyperDeck Shuttle is perfectly designed for the desktop. This means the front panel can be operated with a single hand! The gentle angle allows your hand to rest on the search dial, and the control buttons are positioned under your fingertips. Scrolling media is fast as the machined metal search dial has a natural inertia, and the soft rubber surface feels nice to the touch. That's perfect when you're searching through lots of media. The HyperDeck Shuttle 4K Pro model boasts a large 7-inch LCD screen for live monitoring, complete with a \"heads up display\" overlay. Plus, it features full menus with all the deck settings! The rear panel includes all video, audio and network connections.\u003c\/p\u003e \u003cp\u003eRecord true broadcast masters in high quality ProRes, H.264, H.265 and DNx files. You can also select between PCM or AAC audio. That's perfect for higher quality mastering when used with ATEM Mini switchers. You get everything needed to send shows to broadcasters and upload them to YouTube.\u003c\/p\u003e \u003cp\u003eThe large search dial lets you visually browse your clip library. Then you can use the previous clip button to cue to the start of the clip. After playing, you can use the clip button to stop the playback at the end of the clip. ATEM switchers can even remote control HyperDeck Shuttle via Ethernet!\u003c\/p\u003e \u003cp\u003eThe HyperDeck Shuttle 4K Pro model features an innovative touch LCD user interface for interactive control, built-in monitoring, and menu settings. The large 7-inch HDR display has buttons for playback, pause and recording functions, as well as a mini playback timeline so you can scroll through your clips. A \"HUD\", or heads-up display, is included that overlays important information such as timecode, media status, and audio meters. You can also enable full broadcast scopes via the touch screen, and enable features such as focus assist and an RGB exposure histogram. The HyperDeck Shuttle 4K Pro's settings can also be changed through the on-screen menus. Plus you can load and save 3D LUTs!\u003c\/p\u003e \u003cp\u003eHyperDeck Shuttle includes a control panel that's very fast to use. The buttons are similar to a traditional broadcast deck. Simply press the record button and you instantly start recording the video input to a file! It will record in the file format that has been set in the record menu. There are other buttons for playback, to cue to the start of the clip and to move to the next clip. The buttons have been custom designed by Blackmagic Design for the highest quality. The large machined metal search dial supports shuttle, jog and scroll so you can find clips fast. Plus all deck control functions can be triggered remotely using the Ethernet network.\u003c\/p\u003e \u003cp\u003eHyperDeck Shuttle has been designed to record directly to network storage! That means you don't need to mess around with media cards because you can store all your media in a central place. Plus the HyperDeck Shuttle 4K Pro model has space for M.2 flash storage cards, so the network storage is built in! This means any editing system can just log into the HyperDeck Shuttle 4K Pro and access all the media in one location. DaVinci Resolve can also edit media while it's being recorded! With its new broadcast features, DaVinci Resolve is an amazing live editing solution. Managing the storage is easy, as you just browse the network storage, then select the folder you want to record into!\u003c\/p\u003e \u003cp\u003eHyperDeck Shuttle is compatible with other HyperDeck models because it supports recording to standard SD Cards and UHS-II Cards. SD Cards can be a great choice for broadcast media because they are small, affordable and very portable. Although you can also record to external USB disks which can also be instantly unplugged and transported. When using USB disks, HyperDeck Shuttle supports recording on multiple disks for non-stop recording! When using H.264, the files are so incredibly small you get very long recordings even on smaller low cost cards. This means you can record up to 157 hours of H.264 in 1080p59.94 on a 1 TB card. That's over 6 days of recording in HD using a single 1 TB card!\u003c\/p\u003e \u003cp\u003eIf recording to external media is required, the USB-C expansion port lets you plug in an external flash disk for recording. USB-C flash disks have unlimited capacity because they can be physically larger than an SD card or SSD. Plus, it's even possible to physically move the disk to an editing station, so you don't need to waste time copying files before starting post production. Just move the disk over to a computer and instantly start editing! You can even add a Blackmagic MultiDock 10G that has 4 separate SSD media slots, so you can add compatibility with SSD media to the HyperDeck Shuttle! There are also options for managing external disks in the settings menu.\u003c\/p\u003e \u003cp\u003eHyperDeck Shuttle HD supports the most popular codecs in use today! You get broadcast quality DNx and ProRes file formats. However, you also get space saving H.264 when recording in NTSC, PAL, 720p, 1080p, and even true 1080i interlaced formats. Plus the HyperDeck Shuttle 4K Pro model handles H.265 record and playback. You get tight 60:1 to 285:1 compression ratios for small files at full broadcast quality. You can choose uncompressed PCM or AAC audio for uploading files to YouTube. HyperDeck Shuttle supports both ExFAT on Windows and HFS+ on Mac disk formats, allowing disks to be mounted and read on both platforms. You also get support for recording long events into a single video file.\u003c\/p\u003e \u003cp\u003eDespite its small size, the HyperDeck Shuttle models have a wide range of video and audio connections. The video input can be connected to cameras and switchers such as ATEM, and the video outputs can be connected to monitors for presentations or ATEM switchers as a long form media player. Imagine playing commercials, promos or music videos into ATEM switchers from HyperDeck Shuttle! The rear panel also includes a 12V DC power input and a power supply is included. The Ethernet connection allows control and remote file uploads. The USB-C expansion port can be used to record to large external disks or for software updates. The SD card slot supports both SD cards and UHS‑II cards.\u003c\/p\u003e \u003cp\u003eThe extremely advanced HyperDeck Shuttle 4K Pro model includes the latest 12G-SDI video connections. 12G-SDI is multi-rate, so a single connection can connect to SD, HD, and Ultra HD equipment. Standard definition support includes NTSC and PAL. 720p HD standards include 720p50 and 59.94p. 1080i HD interlaced standards include 1080i50 and 1080i59.94. 1080p HD television standards include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. HyperDeck Shuttle 4K Pro even handles 1080 PsF formats! The 12G-SDI also handles Ultra HD in all television standards including 2160p23.98, 24, 25, 29.97, 50, 59.94 and 60p. There is also support for both level A and level B when working in 3G-SDI rates.\u003c\/p\u003e \u003cp\u003eWith built in HDMI input and output, you can connect to consumer cameras, monitors, televisions, video projectors and even ATEM Mini switchers! The HDMI connections will automatically switch video standards to handle SD, HD, and Ultra HD, depending on the model. SD standards include NTSC and PAL. 720p HD standards include 720p50 and 720p59.94. 1080i HD interlaced standards include 1080i50 and 1080i59.94. 1080p HD standards include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. HyperDeck Shuttle can even support 1080 PsF formats! Then the HyperDeck Shuttle 4K Pro model standards include 2160p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p.\u003c\/p\u003e \u003cp\u003eThe more powerful HyperDeck Shuttle 4K Pro model has extremely fast 10G Ethernet. The network speeds are so fast that lots of editors and colorists can access the built-in HyperDeck M.2 storage over your network, all at the same time. You can also transfer files via an easy to use HTTP\/S web interface or an FTP client. For broadcast automation control, HyperDeck uses the Ethernet connection and a simple text-based protocol, which you can test with a simple telnet client. A REST protocol is also supported for custom automation and it's fully documented in the manual. This means HyperDeck Shuttle 4K Pro is a fully self-contained broadcast server for ingest, media management, and play out.\u003c\/p\u003e \u003cp\u003eFor compatibility with a wide range of computer software, HyperDeck Shuttle features webcam support using the USB connection. If you're not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast quality video source! This guarantees full compatibility with any video software and in full resolution 1080 HD quality. HyperDeck Shuttle's USB webcam feature works with any video software including Zoom and Microsoft Teams, or get live streaming with Open Broadcaster, XSplit Broadcaster and more!\u003c\/p\u003e \u003cp\u003eThe most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Extreme features wide protocol support so you can connect it direct to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS-422 control solutions, you'll know you're connected to a HyperDeck Extreme when you see the ID 0xF0E0 in 30\/60p, 0xF1E0 in 25\/50p or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our website.\u003c\/p\u003e \u003cp\u003eYou will be prepared for the latest HDR workflows with the HyperDeck Shuttle 4K Pro model's support for the latest HDR video standards because it has an HDR screen with a wide color gamut. Even the built-in scopes automatically transition to HDR scopes when working with HDR formats. Files are tagged with the correct HDR information then SDI and HDMI inputs will also automatically detect HDR video standards. Static metadata PQ and HLG formats are handled according to the ST2084 standard. The bright LCD has a wider color gamut so can handle both Rec. 2020 and Rec. 709 colorspaces. The built in HyperDeck Shuttle 4K Pro LCD color gamut can even handle 100% of the DCI‑P3 format.\u003c\/p\u003e \u003cp\u003eThe HyperDeck Shuttle 4K Pro offers powerful built-in waveform monitoring for high end work, ensuring compliance with broadcast standards. The waveform display provides a traditional luminance (brightness) level view of your input or playback signal. The vectorscope display allows you to see the intensity of color at 100% SDI reference levels. You also get RGB and YUV parade displays which are ideal for color correction and checking for illegal levels. Histogram shows the distribution of white to black detail in your images and highlights or shadows clipping. The built-in scopes can be overlayed on live video or displayed as a small picture-in-picture view at the top right of the scope.\u003c\/p\u003e \u003cp\u003eWith such a large search dial, HyperDeck Shuttle can be used as a teleprompter! Simply change to teleprompter in the record menu and it will read standard RTF text files as scripts. You don't need weird custom software as scripts can be written in simple text editors such as TextEdit. You can move between multiple scripts with the previous and next clip buttons. If you press both jog and scroll buttons, you can live scroll the script like a traditional teleprompter! Even the size, color, font weight and alignment will be read from the RTF script file. Best of all, you can write your scripts in standard 12 point size and HyperDeck will scale them up for the prompter display automatically.\u003c\/p\u003e \u003cp\u003eHyperDeck Shuttle 4K Pro supports adding a built-in M.2 flash memory storage card, transforming it into network storage. That means multiple users can access recordings over the local network, plus it can sync to Blackmagic Cloud! DaVinci Resolve will also sync the media so you can work with editors, colorists, VFX artists and audio engineers anywhere in the world. It's an easy to use global collaborative workflow! HyperDeck Shuttle 4K Pro also records H.265 HD proxy files, which upload in seconds. The proxy even syncs during recording, so remote DaVinci Resolve editors get the media before the HyperDeck has stopped recording! Blackmagic Cloud is also an excellent media backup solution.\u003c\/p\u003e \u003cp\u003eThe HyperDeck Shuttle 4K Pro model has an advanced digital slate and metadata features that make it extremely fast to add metadata to any shot! Simply swipe left or right from the edge of the screen to bring up the digital slate. You can even select take numbers to be automatically incremented when you start and stop recording, so you don't have to enter them manually for each shot! You can also set reel numbers to increment each time you format a card. All metadata is saved with the files and available in post production with software such as DaVinci Resolve! Then let the DaVinci Resolve source tape organize all your shots based on metadata. Simply scroll and select shots!\u003c\/p\u003e \u003cp\u003eThe innovative Blackmagic OS has been designed for high performance film and broadcast products and it manages all functions on HyperDeck Shuttle. Blackmagic OS offers instant power on and powerful features like video recording, timecode, audio, menu overlays, fast networking, multi-disk media management and localization. On the HyperDeck Shuttle HD model, the menus are overlaid on the video output, and on the HyperDeck Shuttle 4K Pro, they are displayed on the built-in touch screen. The menus can be displayed in either light or dark mode! Blackmagic OS ensures world leading network performance, allowing HyperDeck Shuttle to record to network storage at high speeds.\u003c\/p\u003e \u003cp\u003eMultiple languages are fully supported so you don't need to learn another language to use it! Support is included for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese and Turkish. At first start, HyperDeck Extreme will display a menu for selecting a language, plus you can still use the menus to change languages any time you need. When a language is selected, the on screen text overlays will change, as well as all menus and the overlays on the SDI monitoring output will also be displayed with the selected language. All this means HyperDeck is perfect for doing international location work with different crews!\u003c\/p\u003e \u003cp\u003eThe files from HyperDeck Shuttle are common and are compatible with all operating systems or in most video software. Media can be formatted using ExFAT or HFS+ so you can easily access the media on computers and access the files like regular disks. DaVinci Resolve is perfect for use with HyperDeck because it features editing, color correction, audio post production and visual effects all in one software application. Plus you can download DaVinci Resolve free of charge for Mac, Windows and Linux! You can also use recorded files in other popular software such as Premiere Pro and Final Cut Pro. With HyperDeck, your media is common so your files will remain readable in the future.\u003c\/p\u003e \u003cp\u003eThere's a wide range of Blackmagic Design products you can use with HyperDeck Shuttle, including switchers, cameras and streaming solutions! Since HyperDeck Shuttle lacks SSD slots, use a Blackmagic MultiDock 10G to use SSDs or a Blackmagic Cloud Store for centralized network storage with simultaneous editors on DaVinci Resolve systems. HyperDeck Shuttle easily handles multiple record locations. HyperDeck Shuttle is also a perfect mastering recorder when used with ATEM switchers, and it's a fantastic clip player for playing pre recorded clips into live production. When rendering playback files in software, just use ProRes, DNx or \"H.264 main profile\" formats.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49814773825674,"sku":"BMD-HYPERD\/PTSKD\/2TB","price":3375.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5240\/3338\/files\/canvas-bmd-hyperd-ptskd-2tb.jpg?v=1787683642"},{"product_id":"bmd-hyperd-rstex4khdr","title":"Blackmagic Design HyperDeck Extreme 4K HDR","description":"\u003ch3\u003eBlackmagic Design HyperDeck Extreme 4K HDR\u003c\/h3\u003e \u003cp\u003e\u003cstrong\u003eIntroducing HyperDeck Extreme\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eHyperDeck Extreme features the trusted reliability of HyperDeck combined with new innovations such as space saving H.265 files, optional internal cache, 3D LUTs and HDR support! With the ability to record up to native 8K in H.265, you get reduced storage costs and amazing image quality. The large touch screen ensures a perfect view of your recording as well as control over all deck settings. You can then add HyperDeck Extreme Control to transform it into a traditional broadcast deck! This means HyperDeck Extreme is the perfect solution for the next generation of broadcast, live production and digital signage!\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTwo Great Models!\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eHyperDeck Extreme 4K HDR\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003ePowerful Ultra HD touchscreen HyperDeck records and plays H.265 and ProRes files in all SD, HD and Ultra HD standards up to 2160p60. Includes scopes, upgradable cache plus SDI, HDMI and analog video.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eHyperDeck Extreme 8K HDR\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eAdvanced 8K model includes all the features of the 4K model, plus adds 8K 4320p60 recording and playback in H.265 and ProRes files. Includes touchscreen, scopes, user cache, and Quad Link 12G SDI.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eModern Design with Traditional Controls\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eHyperDeck Extreme has an innovative touch screen user interface with deck controls as well as a large screen to view your recording. Then add a HyperDeck Extreme Control for traditional broadcast deck controls and a large shuttle knob that feels incredibly luxurious to use! You can even rack mount the HyperDeck and the controller! HyperDeck Extreme also includes 2 media slots, 12G‑SDI, analog connections for archiving, USB‑C external disk recording, plus a front panel speaker and headphone jack! There's also an optional cache that eliminates dropped frames if your media becomes full or is too slow. Both AC and DC power connections are also included for studio or on location use.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eQuad 12G-SDI for 8K\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eMedia Slots\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAC \/ DC Connections\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUSB-C Disk Recording\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eFront Panel Speaker\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eHeadphone Jack\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTouch Screen User Interface\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003ePerfect for Live Production, Digital Signage and Archive\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eWith its amazing versatility, HyperDeck Extreme is also great for live production as a master recorder, clip player and for recording ISO cameras. The analog inputs allow you to record from old video tapes, so legacy programming can be used on the latest streaming services or for use in editing. Digital signage is easy with HyperDeck Extreme as it has 10G Ethernet for fast media uploads, plus it features a simple remote control protocol. You can even use it as a field recorder as it includes HDMI, SDI and analog inputs with built in scopes and 3D LUTs! The scopes also help you QA masters to ensure compliance with broadcast standards before streaming and broadcast!\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eConvert Legacy Programming for Streaming\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eAs streaming services have become common, preserving cultural diversity through maintaining localized content is increasingly important. The solution is to get each country's legacy programs onto streaming services at an affordable cost. HyperDeck Extreme Control lets you connect to legacy broadcast decks, set an in and an out point, then edit. Just add HyperDeck Extreme and HyperDeck Extreme Control to each legacy deck to keep them all archiving constantly with just one operator. It's even possible to edit across formats by using Teranex Express to convert tapes from SD to HD in one step. You can control a wide range of decks, including Digital Betacam, 1 inch C format, and Betacam SP.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eRecord and Playback Full Resolution 8K\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe HyperDeck Extreme 8K HDR model has Quad Link 12G‑SDI so it's possible to record and playback in full resolution 8K for amazing quality! The SDI connections are multi-rate, so you can use Quad Link 12G‑SDI to get compatibility with other 8K products, or switch to SD, HD or Ultra HD using the single link 12G‑SDI connection. To allow regular CFast cards to be recorded at high resolution 8K, HyperDeck Extreme 8K HDR uses modern H.265 files for 8K recording and playback. That's perfect for connecting to the latest 8K televisions and projectors. Plus it's also the perfect solution when using ATEM switchers. With 8K broadcasting already happening now, you're ready for an 8K future!\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBig Bright Screen for Easy Touch Control\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe innovative touch LCD user interface provides incredible control. On screen, there are dedicated buttons for play, stop and record, plus a mini timeline for scrolling through your recordings. You can even image swipe to jog! The LCD includes a heads up display of timecode, video standard, media status as well as audio meters. Scopes can be enabled via the touch screen as well as focus and exposure assist. There's also an extensive range of settings all controlled from the large LCD. Plus you can load and save 3D LUTs! You also get direct buttons for transport control, enabling the 3D LUT and remote enable. Then you can always add traditional deck controls with HyperDeck Extreme Control.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTraditional Broadcast Deck Controls\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eHyperDeck Extreme Control extends your HyperDeck Extreme to add traditional broadcast deck controls. It works like a traditional broadcast deck with a familiar layout. You can control up to 8 decks via industry standard RS‑422 control. You can even rack mount to the HyperDeck Extreme to create a single \"broadcast deck\" unit. Because it uses standard RS‑422, you can control old broadcast decks and perform edits using set in and out points. That's perfect for archiving work. Plus you can even edit between frame rates if standards converting between formats. Even the controls have been developed in-house by Blackmagic Design to ensure a premium feel with traditional styling.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eDual CFast Media for Non Stop Recording\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eCFast media support allows you to record to commonly available flash memory cards. The H.265 files are small enough to allow long recordings on standard CFast cards. Plus there are 2 CFast card slots so you can swap out any full cards even during recording, allowing infinite length recording. CFast cards are perfect for broadcast because they are small, high speed and affordable. You can even use a Blackmagic MultiDock 10G to add SSD compatibility! With H.265, you can record up to 1,398 minutes at 8Kp60 on a 1 TB card, 3,530 minutes in 2160p60 Ultra HD and 9,446 minutes in 1080p59.94 on a 1 TB card. That's over 23 hours in 8K and over 6 days in HD!\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eH.265 Lo\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eRecord Direct to External USB‑C Media Disks\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eIf recording to other media types is required, then the USB‑C Expansion port lets you plug in an external flash disk for recording. USB‑C flash disks have massive capacity as they don't suffer from any size constraint. Plus, it's possible to record to the same disk you are using or editing, so you don't need to waste time copying files before starting post production. Flash disks are so fast, they can record high data rate formats that are too big for CFast cards, such as real time ProRes in 4K or 8K. Adding a Blackmagic MultiDock 10G also makes it easy to use SSDs for compatibility with other HyperDeck models. You even get on screen menus for managing external disks using the touch screen!\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eOptional Media Cache Eliminates Dropped Frames\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eSometimes your media can fill before you change to a blank card, or if the card is too slow, then you can get dropped frames in your recording. To eliminate this problem, you can install a PCIe flash disk into HyperDeck Extreme to use as a record cache. This eliminates problems with CFast media or external disks, as the cache will automatically take over and record any content the media could not capture. Even if a card fills, recording will continue to the cache until it's swapped. The cache even lets you record formats that are too fast for the media card or external disk. Common PCIe flash disks are used and a thermal pad is included to allow user installation.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eSupports 12G‑SDI, HDMI and Legacy Analog!\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eHyperDeck Extreme features a wide range of video and audio connections such as multi-rate 12G-SDI for SD, HD, Ultra HD and 8K devices. The 12G-SDI outputs support fill and key when playing RGBA 4:4:4:4 files. HDMI is included for consumer televisions and video projectors. For archiving work, HyperDeck also includes both balanced analog, HiFi audio plus timecode connections. For monitoring there's even a down converted monitor SDI output that includes overlays. The USB‑C connection lets you plug in flash disks or disk arrays for recording. The latest 10G Ethernet is included for high speed upload using FTP protocols. HyperDeck even includes both AC and XLR 12V DC power connections.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAdvanced HDR Support and Bright Wide Gamut LCD\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eYou'll be ready for the latest HDR workflows with support for the latest HDR standards and an extremely bright screen with a wide color gamut. The built in scopes even change to HDR scopes when working in HDR formats! Files are tagged with the correct HDR information then SDI and HDMI inputs will also automatically detect HDR video standards. Static metadata PQ and HLG formats are handled according to the ST2084 standard. The bright LCD has a wider color gamut so can handle both Rec. 2020 and Rec. 709 colorspaces. The built in HyperDeck Extreme HDR LCD color gamut can even handle 100% of the DCI‑P3 format.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBuilt In Scopes Ensure Compliance to Broadcast Standards\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eHyperDeck Extreme features full internal waveform monitoring so you can ensure compliance to broadcast standards when used on high end work. The waveform display provides a traditional luminance (brightness) levels view of your input or playback signal. The vectorscope display allows you to see the intensity of color at 100% SDI reference levels. You also get RGB and YUV parade displays which are ideal for color correction and checking for illegal levels. Histogram shows the distribution of white to black detail in your images and highlights or shadows clipping. The built in scopes can be overlaid on live video, or as a small picture in picture view at the top right of the scope.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eLatest MultiRate 12G-SDI for SD, HD, Ultra HD and Native 8K\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eYou get full support for the most popular video standards. The SDI and HDMI connections are multi-rate, so handle SD, HD, Ultra HD and 8K. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 59.94p. 1080i HD interlaced formats include 1080i50 and 59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. You can even do 1080 PsF formats. Ultra HD is supported up to 2160p59.94. 2K and 4K DCI rates are available up to 25p. The HyperDeck Extreme 8K HDR model adds 8K standards such as 4320p23.98, 24, 25, 29.97, 50, 59.94 and 60p. All models support level A and level B at 3G‑SDI rates.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eStandard H.265 and ProRes Files for Wide Compatibility\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e8K has 4 times as many pixels as Ultra HD so HyperDeck Extreme 8K HDR takes advantage of H.265 files for recording in 8K so file sizes are smaller and the 8K files are easy to use. H.265 files are extremely small and range from 60:1 to 285:1 compression ratios which means much lower file sizes. Plus H.265 is now supported on all major operating systems. HyperDeck Extreme even supports ProRes 422 HQ, ProRes 422, ProRes 422 LT for recording and playback plus ProRes 4444 for playback to fill and key out. This means files will be compatible with software such as DaVinci Resolve, Media Composer, Premiere Pro or Final Cut Pro .\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eProfessional Multi Channel SDI and Analog Audio\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eHyperDeck Extreme includes professional audio for modern broadcasters or archiving from older broadcast decks. When working in SDI formats, you can record 2, 4, 8 or 16 channels of audio in real time. For capturing legacy programming there are 4 XLR analog audio inputs that let you record all 4 channels from Betacam SP decks. You can monitor using 4 on screen audio meters with user selectable VU or PPM ballistics. For consumer devices such as VHS, DVD and set top boxes, there are also direct HiFi audio inputs. HyperDeck Extreme models use the latest broadcast technology, however the analog connections have also been designed to low noise and low distortion broadcast specifications.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eLocalized for Popular Languages\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eMultiple languages are fully supported so you don't need to learn another language to use it! Support is included for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese and Turkish. At first start, HyperDeck Extreme will display a menu for selecting a language, plus you can still use the menus to change languages any time you need. When a language is selected, the on screen text overlays will change, as well as all menus and the overlays on the SDI monitoring output will also be displayed with the selected language. All this means HyperDeck is perfect for doing international location work with different crews!\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eThe Fastest Networking with Modern 10G Ethernet\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eWith 10G Ethernet, HyperDeck Extreme is perfect for digital signage because remote uploads are extremely fast. What's amazing is the ethernet uploads on HyperDeck Extreme are much faster than CFast card transfer speeds! Both models use an easy text based protocol plus you can use Telnet to test control commands. Simply log into HyperDeck and then type \"play\" or \"record\" and it will execute the command. It's that simple! To upload media files remotely, you can use FTP, or even use simple FTP client software. When the ethernet protocol and FTP is used with large USB-C disk arrays, HyperDeck Extreme becomes a great broadcast server for ingest, media management and play out.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTraditional RS-422 Broadcast Deck Control\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe most popular control connection used on broadcast decks since the early 1980s is the RS‑422 protocol. Originally developed by Sony, RS‑422 is used on almost all broadcast gear. HyperDeck Extreme features wide protocol support so you can connect it direct to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS‑422 control solutions, you'll know you're connected to a HyperDeck Extreme when you see the ID 0xF0E0 in 30\/60p, 0xF1E0 in 25\/50p or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our web site.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCompatible with Controllers, Switchers, Converters and More!\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThere's a wide range of Blackmagic Design products you can use with HyperDeck Extreme, including the HyperDeck Extreme Control for adding traditional broadcast deck controls. Plus it uses the industry standard RS‑422 deck control protocol so it works with any broadcast deck! Add the Blackmagic MultiDock 10G to use regular SSDs for compatibility with media from other HyperDeck models. HyperDeck Extreme is also a perfect mastering recorder with the ATEM Constellation 8K, or for clip playback and ISO recording. For monitoring, the Teranex SDI to HDMI 8K allows broadcast monitoring on a television and it also has monitor calibration, 3D LUTs and on screen scopes.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49814773891210,"sku":"BMD-HYPERD\/RSTEX4KHDR","price":3415.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5240\/3338\/files\/canvas-bmd-hyperd-rstex4khdr.jpg?v=1787683644"},{"product_id":"bmd-hyperd-rstex8khdr","title":"Blackmagic Design HyperDeck Extreme 8K HDR","description":"\u003ch3\u003eBlackmagic Design HyperDeck Extreme 8K HDR\u003c\/h3\u003e \u003cp\u003e8K broadcast deck with the trusted reliability of HyperDeck combined with advanced H.265 recording, internal cache, 3D LUTs, native 8K and HDR support. Large touch screen to view your recording with dedicated buttons for play, stop and record, plus a mini timeline for scrolling through your recordings. You can even image swipe to jog! The LCD includes a heads up display of timecode, video standard, media status and audio meters and more!\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49814773956746,"sku":"BMD-HYPERD\/RSTEX8KHDR","price":6129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5240\/3338\/files\/canvas-bmd-hyperd-rstex8khdr.jpg?v=1787683646"},{"product_id":"bmd-hyperd-rstexctr","title":"Blackmagic Design HyperDeck Extreme Control","description":"\u003ch3\u003eBlackmagic Design HyperDeck Extreme Control\u003c\/h3\u003e \u003cp\u003eHyperDeck Extreme Control adds traditional broadcast deck controls to HyperDeck Extreme 8K. It works like a traditional broadcast deck with a familiar layout. Control up to 8 decks via industry standard RS-422 control.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49814773989514,"sku":"BMD-HYPERD\/RSTEXCTR","price":1519.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5240\/3338\/files\/canvas-bmd-hyperd-rstexctr.jpg?v=1787683648"},{"product_id":"bmd-hyperd-rstexrmk","title":"Blackmagic Design HyperDeck Extreme Rack Kit","description":"\u003ch3\u003eBlackmagic Design HyperDeck Extreme Rack Kit\u003c\/h3\u003e \u003cp\u003eRack mount 2 HyperDeck Extreme 8K HDR or HyperDeck Extreme Control units side by side with this lightweight kit that's perfect for road cases or equipment racks.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49814775005322,"sku":"BMD-HYPERD\/RSTEXRMK","price":295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5240\/3338\/files\/hyperdeck-extreme-rack-kit_2x_322827d0-ebf2-4e13-9822-8dbeb07f9f07.jpg?v=1785609676"},{"product_id":"bmd-hyperd-st-dahm","title":"Blackmagic Design HyperDeck Studio HD Mini","description":"\u003ch3\u003eBlackmagic Design HyperDeck Studio HD Mini\u003c\/h3\u003e \u003cp class=\"Body\"\u003eMiniaturized deck records H.264, ProRes or DNxHD files onto SD\/UHS-II cards or external USB disks in SD\/HD formats to 1080p60. Includes timecode and reference generators, 3G-SDI in\/out and HDMI out. \u003c\/p\u003e \u003cp class=\"Body\"\u003eThe most compact model of HyperDeck Studio is based on the Teranex Mini form factor. This modular design means that you can use a Teranex Mini Rack Shelf to rack mount 3 HyperDeck Studio HD Minis in a single rack unit, or you can combine them with other products such as switchers, converters or streaming processors. It might be small, but you still get powerful features, such as 3G-SDI in and out, HDMI output, dual SD card media slots, built in sync and timecode generators, front panel controls and both AC and DC power inputs. You can even connect the USB to a computer as HyperDeck Studio HD Mini works like a webcam so you can use any video software! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eProfessional broadcast decks that record and playback using SD cards and SSD media!\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eHyperDeck Studio lets you record broadcast quality video files directly onto SD cards and SSD media! The new redesigned HyperDeck Studios feature modern design with more codecs and quieter cooling. All models now support recording to H.264, Apple ProRes or DNxHD files with either PCM or AAC audio.When you've finished recording, media can be mounted on any computer to access the files using your favorite video software. For ISO recording, there's even built in timecode and reference generators for syncing multiple units! All of these powerful features make HyperDeck Studio perfect for broadcast, live production or multi screen digital signage! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eElegantly Designed Professional Broadcast Deck\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eThe new HyperDeck Studio recorders have been totally redesigned with dozens of new features! The advanced models have new broadcast style front panel controls and more connections on the rear panel. The LCD screen supports both light and dark modes, plus the transport control buttons are stronger with a firm professional feel.With dual media slots, you can change cards without interrupting recording! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003ePerfect for Live Production, Broadcast and Archive\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eMastering Recorder - All models record to H.264, ProRes and DNx files, so are perfect for recording broadcast masters! You can even use PCM or AAC audio. You get everything you need to send shows to broadcasters and for uploading to YouTube. \u003c\/p\u003e \u003cp class=\"Body\"\u003eISO Recording - All models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events! You can even sync cameras to the SDI output and the SDI input has a frame sync! \u003c\/p\u003e \u003cp class=\"Body\"\u003eDigital Signage - HyperDeck Studio is perfect for digital signage as all models have HDMI output for connecting to large screen TVs and projectors. The built in sync generator lets you combine multiple HyperDecks for large multiscreen video walls. There's even FTP for file upload and a protocol for remote control! \u003c\/p\u003e \u003cp class=\"Body\"\u003eBroadcast Archive - HyperDeck Studio supports all SD and HD standards so it's ideal for archiving old television shows from broadcast decks such as Digital Betacam, Betacam SP, 1\", U-matic and VHS. You can even record direct to H.264 to maximize storage. For analog decks, just add a Mini Converter Analog to SDI! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eBright Color LCD Status Display\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eHyperDeck Studio features traditional deck style transport controls, including a search dial for jog, shuttle and scroll. The compact LCD shows timecode and transport information, plus a full color thumbnail preview of the current clip in record or playback. It also displays information about each card's recording status, along with video format, frame rate information and audio levels, all on the same display! The LCD includes monitoring for video, plus audio level meters, selectable between technically accurate VU or PPM ballistics. The combination of familiar VTR style controls with the built in LCD screen makes HyperDeck Studio incredibly fast to use and very easy to learn! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eTraditional Broadcast Deck Controls\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eHyperDeck Studio includes a traditional broadcast style control panel that's very fast to use. Simply press the record button and you instantly start recording the video input to a file! You can also change the record file format from the menu. There are transport control buttons for playback, rewind, fast forward, previous clip, next clip and more.Any button pressed on the front panel is sent to the rear RS-422 remote output for looping control to multiple HyperDecks. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eSupports SD Cards, UHS‑II Cards or SSDs\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eAll HyperDeck Studio models support recording to common SD cards and UHS-II cards so you don't need expensive custom media.When using H.264, the files are so incredibly small you get very long recordings even on smaller low cost cards. Plus, you can even record to external USB disks! With H.265, you can record up to 58 hours in 2160p60 Ultra HD or up to 157 hours of H.264 recording in 1080p59.94 on a 1 TB card. That's over 6 days of recording in HD using a single 1 TB card! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eDual Media Slots For Non‑Stop Recording!\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eAll HyperDeck Studio models feature dual media slots for non stop recording. When the recording card becomes full, recording automatically continues onto the next card. That's perfect when recording long live events because you can \"hot swap\" a full card for an empty card while recording continues in the other slot! Each slot has a status indicator to show which card is being used, either red for record or green for playback. Plus all models now feature very long file recordings to a single file for easy file distribution. HyperDeck Studio is easily repairable with each card slot using an individual PCB assembly that can be replaced if it ever becomes worn out from heavy use. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eRecord to External USB-C Media Disks\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eIf recording to other types of media is required, the USB-C expansion port lets you plug in an external flash disk for recording. USB-C flash disks have unlimited capacity because they can be physically larger than an SD card or SSD. Plus, it's even possible to record to a disk array you'll use for editing, so you don't need to waste time copying files before starting post production. Just move the disk over to a computer and instantly start editing! You can even add a Blackmagic MultiDock 10G that has 4 separate SSD media slots, so you can add compatibility with SSD media to the HyperDeck Studio Mini and Plus models. There are also menus for managing external disks on the built in LCD. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003ePopular ProRes, DNx, H.264 and H.265 Files!\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eHyperDeck supports the most popular codecs in use today! All models include DNx and ProRes file formats. However all models also include H.264 in quality levels up to full 10 bit 4:2:2 when recording in NTSC, PAL, 720p, 1080p and true 1080i interlaced formats. Plus you can choose uncompressed PCM audio, or even AAC audio when uploading files to YouTube. All models support both ExFAT and HFS+ disk formats and long duration single file recordings. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eAdvanced Broadcast Connections!\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eDepending on the model HyperDeck Studio features a wide range of video and audio connections such as 3G-SDI, 6G-SDI or 12G-SDI. All models include HDMI for connecting to televisions and projectors. The internal timecode and reference generator connections can be looped to sync multiple units for ISO recording!All models even include AC and locking DC power! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eChoose 3G‑SDI, 6G‑SDI or 12G‑SDI Models!\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eWith multi-rate SDI, you get support for the most popular video standards. The SDI and HDMI connections will automatically switch video standards, so handle SD, HD and Ultra HD formats depending on the model. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 720p59.94p. 1080i HD interlaced formats include 1080i50 and 1080i59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. HyperDeck can even support 1080 PsF formats!HyperDeck Studio also supports level A and level B when running HD video at 3G-SDI rates. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eUSB Webcam Output for Video Software\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eFor compatibility with a wide range of computer software, HyperDeck Studio features webcam support using the USB connection. If you're not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast quality video source! That guarantees full compatibility with any video software and in full resolution 1080 HD quality. HyperDeck Studio's USB webcam feature works with any video software including Zoom, Microsoft Teams and Skype, or get live streaming with Open Broadcaster, XSplit Broadcaster and more! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eAdvanced HDR Support and Monitoring 3D LUTs\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eYou'll be ready for the latest feature film workflows with support for advanced HDR standards. All HDR status information is embedded into the SDI connections so downstream equipment can detect when HDR files are played. When recording, the SDI and HDMI inputs will also automatically detect HDR video standards and then tag the files with the correct HDR information. Static metadata PQ and HLG formats are handled according to the ST2084 standard. Plus the front panel LCD has a wider color gamut for both Rec. 2020 and Rec. 709 colorspaces. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eIncludes Professional Multi Channel SDI Audio\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eHyperDeck Studio includes professional multi channel SDI audio for recording up to 16 channels. When recording from the SDI input, you can select in the menu to record 2, 4, 8 or 16 channels of audio in real time. There's extra space on the SDI monitoring status overlay, which allows the audio meter display to show the number of channels you have enabled all at the same time, and the audio meters will show 2, 4, 8 or 16 channels simultaneously. The audio meters are designed to use the correct ballistics, and you can change between different VU and PPM meter displays in the LCD menu. HyperDeck Studio is more than just a video recorder, as it also has fantastic sound! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eIncredibly Fast Network File Transfers\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eAll HyperDeck models allow media files to be uploaded remotely, using simple FTP client software.For remote deck control, all models use an easy to learn text based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type \"play\" or \"record\" and it will execute the command. It's that simple! If you combine the control protocol and file transfers with a HyperDeck connected to a large USB-C disk array, you get a fantastic broadcast server for ingest, media management and play out. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eTraditional RS-422 Broadcast Deck Control\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eThe most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Studio features wide protocol support so you can connect it direct to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS-422 control solutions, you'll know you're connected to a HyperDeck Studio when you see the ID 0xF0E0 in 30\/60p, 0xF1E0 in 25\/50p or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our web site. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eBuilt in Timecode and Sync Generators\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eWith a timecode and sync generator built into all models, you can stack multiple units for digital signage or multi channel recording. Each HyperDeck has dedicated outputs for reference and timecode, direct from the internal sync and timecode generators. The generators \"free run\" unless reference or timecode is connected to the inputs, and then generators will automatically lock. This means you can loop from HyperDeck to HyperDeck to create perfectly timed array or recorders. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eIncludes the Power of Blackmagic OST\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003ehe innovative Blackmagic OS has been designed for high performance film and broadcast products and it manages all functions on HyperDeck Studio. Only Blackmagic OS provides instant power on, while including powerful features such as LCD with video, timecode and audio metering, monitoring with overlays, menus, fast networking, multi-disk media management, 3D LUTs plus localization. The on screen LCD menus include settings to customize your HyperDeck Studio, plus the menus now support both light and dark mode! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eLocalized for13 Popular Languages\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003eHyperDeck Studio supports multiple languages so you don't need to learn a new language just to use it! You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian languages. When initially powered on for the first time, HyperDeck Studio will display a menu for selecting a language, plus you can always use the LCD menu to change the language at any time in the future. Once a language is selected, the LCD menus will change, plus the overlays on the SDI monitoring output will also change to the selected language. All this means HyperDeck Studio is perfect for doing work anywhere in the world! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eUse All Video Software and Streaming Sites\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eHyperDeck Studio records files that are compatible with virtually all post production software. Plus if you record in H.264, you can upload files from HyperDeck Studio direct to streaming services such as YouTube, Facebook, Vimeo, Twitter and more! You can use popular editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro or Avid Media Composer, because HyperDeck uses the same file formats used in post production. Even VFX software such as Fusion and Adobe After Effects work with the files! Because HyperDeck records to disks formatted on computers, you can simply mount the disk on any computer and start editing without needing to transcode or convert the files. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eBuilt in Redundancy Keeps You On Air!\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eSerious broadcasters need redundancy because it increases reliability. HyperDeck Studio includes redundant features to help ensure you stay on air. With dual media slots on all models, and the Pro models having 4 media slots, you can stay on air, even if one of the slots becomes damaged. Plus with the HyperDeck Studio HD Mini model you get 3 totally independent recorders in a single rack unit. All HyperDeck models include both AC and a locking DC power connection, so you use the DC connection with an external battery pack for redundant power. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eDesigned for Both Portable or Rack Mount Use!\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eWhen you need a portable broadcast solution, the HyperDeck Studio HD Mini model includes most features miniaturized into an elegant 5 inch wide compact design that's only one third of a rack unit wide. That means you can fit 3 recorders in a single rack unit! Just use the optional Teranex Mini Rack Shelf and you can mount the 3 units side by side, then bolt it into a standard equipment rack. Or you can combine HyperDeck Studio Mini with other modules, such as a Teranex Mini Analog to SDI 12G to convert the input from analog to SDI, all in the same rack which is perfect for archive work. HyperDeck Studio HD Mini looks great when it's not rack mounted and simply used by itself on a desktop! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eCompatible with Switchers, Disk Docks and Cameras!\u003c\/strong\u003e \u003c\/p\u003e \u003cp\u003eThere's a wide range of Blackmagic Design products you can use with HyperDeck including switchers, cameras and streaming solutions! As the Mini and Plus models don't include SSD slots, you can add a Blackmagic MultiDock 10G to use regular SSDs, allowing compatibility with media from other HyperDeck models. HyperDeck Studio will manage all the disks for you and automatically record to disks in the MultiDock. HyperDeck Studio is also a perfect mastering recorder when used with ATEM switchers, a clip player with fill and key, or looped on switcher inputs for ISO recording.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49814775070858,"sku":"BMD-HYPERD\/ST\/DAHM","price":649.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5240\/3338\/files\/canvas-bmd-hyperd-st-dahm.jpg?v=1787683650"},{"product_id":"bmd-hyperd-st-dchp","title":"Blackmagic Design HyperDeck Studio HD Plus","description":"\u003ch3\u003eBlackmagic Design HyperDeck Studio HD Plus\u003c\/h3\u003e \u003cp class=\"Body\"\u003eIncludes features of the Mini model plus better transport controls, front panel headphone and speaker, 6G-SDI and fill and key out. Supports all codecs up to 1080p60 and ProRes and DNxHD to 2160p30. \u003c\/p\u003e \u003cp class=\"Body\"\u003eHyperDeck Studio HD Plus includes all the features of the Mini model, but is larger so it has more space for extra controls and extra connections. This model adds 6G-SDI so it can record and playback ProRes up to Ultra HD 30fps, and it includes an SDI loop out and HDR support. Plus the two 6G-SDI outputs allow fill and key playback up to 1080p60. There is also an HDMI input and a dedicated 3G-SDI monitoring output with overlays. Any button pushed on the front panel is sent to a dedicated RS-422 remote output and the DC power is now a broadcast style XLR connector. The front panel is also upgraded with better transport control buttons, a headphone socket and built in speaker. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eProfessional broadcast decks that record and playback using SD cards and SSD media!\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eHyperDeck Studio lets you record broadcast quality video files directly onto SD cards and SSD media! The new redesigned HyperDeck Studios feature modern design with more codecs and quieter cooling. All models now support recording to H.264, Apple ProRes or DNxHD files with either PCM or AAC audio.When you've finished recording, media can be mounted on any computer to access the files using your favorite video software. For ISO recording, there's even built in timecode and reference generators for syncing multiple units! All of these powerful features make HyperDeck Studio perfect for broadcast, live production or multi screen digital signage! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eElegantly Designed Professional Broadcast Deck\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eThe new HyperDeck Studio recorders have been totally redesigned with dozens of new features! The advanced models have new broadcast style front panel controls and more connections on the rear panel. The LCD screen supports both light and dark modes, plus the transport control buttons are stronger with a firm professional feel.With dual media slots, you can change cards without interrupting recording! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003ePerfect for Live Production, Broadcast and Archive\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eMastering Recorder - All models record to H.264, ProRes and DNx files, so are perfect for recording broadcast masters! You can even use PCM or AAC audio. You get everything you need to send shows to broadcasters and for uploading to YouTube. \u003c\/p\u003e \u003cp class=\"Body\"\u003eISO Recording - All models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events! You can even sync cameras to the SDI output and the SDI input has a frame sync! \u003c\/p\u003e \u003cp class=\"Body\"\u003eDigital Signage - HyperDeck Studio is perfect for digital signage as all models have HDMI output for connecting to large screen TVs and projectors. The built in sync generator lets you combine multiple HyperDecks for large multiscreen video walls. There's even FTP for file upload and a protocol for remote control! \u003c\/p\u003e \u003cp class=\"Body\"\u003eBroadcast Archive - HyperDeck Studio supports all SD and HD standards so it's ideal for archiving old television shows from broadcast decks such as Digital Betacam, Betacam SP, 1\", U-matic and VHS. You can even record direct to H.264 to maximize storage. For analog decks, just add a Mini Converter Analog to SDI! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eBright Color LCD Status Display\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eHyperDeck Studio features traditional deck style transport controls, including a search dial for jog, shuttle and scroll. The compact LCD shows timecode and transport information, plus a full color thumbnail preview of the current clip in record or playback. It also displays information about each card's recording status, along with video format, frame rate information and audio levels, all on the same display! The LCD includes monitoring for video, plus audio level meters, selectable between technically accurate VU or PPM ballistics. The combination of familiar VTR style controls with the built in LCD screen makes HyperDeck Studio incredibly fast to use and very easy to learn! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eTraditional Broadcast Deck Controls\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eHyperDeck Studio includes a traditional broadcast style control panel that's very fast to use. Simply press the record button and you instantly start recording the video input to a file! You can also change the record file format from the menu. There are transport control buttons for playback, rewind, fast forward, previous clip, next clip and more.Any button pressed on the front panel is sent to the rear RS-422 remote output for looping control to multiple HyperDecks.The Plus and Pro models also include a front panel speaker and headphone socket for live audio monitoring. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eSupports SD Cards, UHS‑II Cards or SSDs\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eAll HyperDeck Studio models support recording to common SD cards and UHS-II cards so you don't need expensive custom media.When using H.264, the files are so incredibly small you get very long recordings even on smaller low cost cards. Plus, you can even record to external USB disks! With H.265, you can record up to 58 hours in 2160p60 Ultra HD or up to 157 hours of H.264 recording in 1080p59.94 on a 1 TB card. That's over 6 days of recording in HD using a single 1 TB card! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eDual Media Slots For Non‑Stop Recording!\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eAll HyperDeck Studio models feature dual media slots for non stop recording. When the recording card becomes full, recording automatically continues onto the next card. That's perfect when recording long live events because you can \"hot swap\" a full card for an empty card while recording continues in the other slot! Each slot has a status indicator to show which card is being used, either red for record or green for playback. Plus all models now feature very long file recordings to a single file for easy file distribution. HyperDeck Studio is easily repairable with each card slot using an individual PCB assembly that can be replaced if it ever becomes worn out from heavy use. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eRecord to External USB-C Media Disks\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eIf recording to other types of media is required, the USB-C expansion port lets you plug in an external flash disk for recording. USB-C flash disks have unlimited capacity because they can be physically larger than an SD card or SSD. Plus, it's even possible to record to a disk array you'll use for editing, so you don't need to waste time copying files before starting post production. Just move the disk over to a computer and instantly start editing! You can even add a Blackmagic MultiDock 10G that has 4 separate SSD media slots, so you can add compatibility with SSD media to the HyperDeck Studio Mini and Plus models. There are also menus for managing external disks on the built in LCD. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003ePopular ProRes, DNx, H.264 and H.265 Files!\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eHyperDeck supports the most popular codecs in use today! All models include DNx and ProRes file formats. However all models also include H.264 in quality levels up to full 10 bit 4:2:2 when recording in NTSC, PAL, 720p, 1080p and true 1080i interlaced formats. Plus you can choose uncompressed PCM audio, or even AAC audio when uploading files to YouTube. All models support both ExFAT and HFS+ disk formats and long duration single file recordings.The Plus and Pro models even support ProRes 4444 allowing fill and key playback! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eAdvanced Broadcast Connections!\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eDepending on the model HyperDeck Studio features a wide range of video and audio connections such as 3G-SDI, 6G-SDI or 12G-SDI. All models include HDMI for connecting to televisions and projectors. There's even a dedicated SDI monitoring output on the Pro and Plus models with on screen status. The Pro and Plus models include two SDI outputs so you can play ProRes 4444 files, allowing simultaneous fill and key output for keying in live production switchers. The internal timecode and reference generator connections can be looped to sync multiple units for ISO recording!All models even include AC and locking DC power! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eChoose 3G‑SDI, 6G‑SDI or 12G‑SDI Models!\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eWith multi-rate SDI, you get support for the most popular video standards. The SDI and HDMI connections will automatically switch video standards, so handle SD, HD and Ultra HD formats depending on the model. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 720p59.94p. 1080i HD interlaced formats include 1080i50 and 1080i59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. HyperDeck can even support 1080 PsF formats!HyperDeck Studio also supports level A and level B when running HD video at 3G-SDI rates. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eFill and Key Outputs for Broadcast Animations\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eThe HyperDeck Studio Plus and Pro models can play ProRes 4444 HD files to the 2 separate SDI fill and key outputs. That means you can use HyperDeck Studio as a graphics clip player for broadcast animation because the ProRes 4444 file's alpha channel will be automatically converted to the key SDI output for realtime keying in a live production switcher! Plus the HyperDeck Studio 4K Pro model adds fill and key playback in Ultra HD! Imagine running animated lower third titles and stingers with key channel outputs for incredibly clean multi layered titles. Plus, switchers such as Blackmagic Design ATEM models connect to HyperDeck Studio via Ethernet to trigger playback synced to transitions! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eUSB Webcam Output for Video Software\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eFor compatibility with a wide range of computer software, HyperDeck Studio features webcam support using the USB connection. If you're not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast quality video source! That guarantees full compatibility with any video software and in full resolution 1080 HD quality. HyperDeck Studio's USB webcam feature works with any video software including Zoom, Microsoft Teams and Skype, or get live streaming with Open Broadcaster, XSplit Broadcaster and more! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eAdvanced HDR Support and Monitoring 3D LUTs\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eYou'll be ready for the latest feature film workflows with support for advanced HDR standards. All HDR status information is embedded into the SDI connections so downstream equipment can detect when HDR files are played. When recording, the SDI and HDMI inputs will also automatically detect HDR video standards and then tag the files with the correct HDR information. Static metadata PQ and HLG formats are handled according to the ST2084 standard. Plus the front panel LCD has a wider color gamut for both Rec. 2020 and Rec. 709 colorspaces.HyperDeck Studio Plus and Pro models even allow you to load a 3D LUT into the monitoring output to add looks or to convert film to video gamma. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eIncludes Professional Multi Channel SDI Audio\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eHyperDeck Studio includes professional multi channel SDI audio for recording up to 16 channels. When recording from the SDI input, you can select in the menu to record 2, 4, 8 or 16 channels of audio in real time. There's extra space on the SDI monitoring status overlay, which allows the audio meter display to show the number of channels you have enabled all at the same time, and the audio meters will show 2, 4, 8 or 16 channels simultaneously. The audio meters are designed to use the correct ballistics, and you can change between different VU and PPM meter displays in the LCD menu. HyperDeck Studio is more than just a video recorder, as it also has fantastic sound! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eIncredibly Fast Network File Transfers\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eAll HyperDeck models allow media files to be uploaded remotely, using simple FTP client software.For remote deck control, all models use an easy to learn text based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type \"play\" or \"record\" and it will execute the command. It's that simple! If you combine the control protocol and file transfers with a HyperDeck connected to a large USB-C disk array, you get a fantastic broadcast server for ingest, media management and play out. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eTraditional RS-422 Broadcast Deck Control\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eThe most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Studio features wide protocol support so you can connect it direct to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS-422 control solutions, you'll know you're connected to a HyperDeck Studio when you see the ID 0xF0E0 in 30\/60p, 0xF1E0 in 25\/50p or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our web site. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eBuilt in Timecode and Sync Generators\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eWith a timecode and sync generator built into all models, you can stack multiple units for digital signage or multi channel recording. Each HyperDeck has dedicated outputs for reference and timecode, direct from the internal sync and timecode generators. The generators \"free run\" unless reference or timecode is connected to the inputs, and then generators will automatically lock. This means you can loop from HyperDeck to HyperDeck to create perfectly timed array or recorders. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eIncludes the Power of Blackmagic OST\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003ehe innovative Blackmagic OS has been designed for high performance film and broadcast products and it manages all functions on HyperDeck Studio. Only Blackmagic OS provides instant power on, while including powerful features such as LCD with video, timecode and audio metering, monitoring with overlays, menus, fast networking, multi-disk media management, 3D LUTs plus localization. The on screen LCD menus include settings to customize your HyperDeck Studio, plus the menus now support both light and dark mode! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eLocalized for 13 Popular Languages\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eHyperDeck Studio supports multiple languages so you don't need to learn a new language just to use it! You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian languages. When initially powered on for the first time, HyperDeck Studio will display a menu for selecting a language, plus you can always use the LCD menu to change the language at any time in the future. Once a language is selected, the LCD menus will change, plus the overlays on the SDI monitoring output will also change to the selected language. All this means HyperDeck Studio is perfect for doing work anywhere in the world! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eUse All Video Software and Streaming Sites\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eHyperDeck Studio records files that are compatible with virtually all post production software. Plus if you record in H.264, you can upload files from HyperDeck Studio direct to streaming services such as YouTube, Facebook, Vimeo, Twitter and more! You can use popular editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro or Avid Media Composer, because HyperDeck uses the same file formats used in post production. Even VFX software such as Fusion and Adobe After Effects work with the files! Because HyperDeck records to disks formatted on computers, you can simply mount the disk on any computer and start editing without needing to transcode or convert the files. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eBuilt in Redundancy Keeps You On Air!\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eSerious broadcasters need redundancy because it increases reliability. HyperDeck Studio includes redundant features to help ensure you stay on air. With dual media slots on all models, and the Pro models having 4 media slots, you can stay on air, even if one of the slots becomes damaged. All HyperDeck models include both AC and a locking DC power connection, so you use the DC connection with an external battery pack for redundant power. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eCompatible with Switchers, Disk Docks and Cameras!\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eThere's a wide range of Blackmagic Design products you can use with HyperDeck including switchers, cameras and streaming solutions! As the Mini and Plus models don't include SSD slots, you can add a Blackmagic MultiDock 10G to use regular SSDs, allowing compatibility with media from other HyperDeck models. HyperDeck Studio will manage all the disks for you and automatically record to disks in the MultiDock. HyperDeck Studio is also a perfect mastering recorder when used with ATEM switchers, a clip player with fill and key, or looped on switcher inputs for ISO recording.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49814775103626,"sku":"BMD-HYPERD\/ST\/DCHP","price":795.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5240\/3338\/files\/canvas-bmd-hyperd-st-dchp.jpg?v=1787683651"},{"product_id":"bmd-hyperd-st-dfhp","title":"Blackmagic Design HyperDeck Studio HD Pro","description":"\u003ch3\u003eBlackmagic Design HyperDeck Studio HD Pro\u003c\/h3\u003e \u003cp class=\"Body\"\u003eIncludes all the features of the Plus model, and adds 2 SSD slots as well as the 2 SD card slots. Also includes machined metal search dial with clutch, SDI monitor out and XLR timecode connections. \u003c\/p\u003e \u003cp class=\"Body\"\u003eThe HyperDeck Studio HD Pro includes all the features of the Plus model but at a full rack width size, there's space for more features! The larger model has space for two SSD slots but still includes the two SD card slots of the smaller models. This means you can instantly move media cards between different models of HyperDeck Studio. You get the nice transport control buttons as well as a machined metal search dial with electronic clutch for limiting rotation when in shuttle mode. There are also dedicated buttons for jog, shuttle and scroll search dial modes. The rear panel has extra space so the timecode connections have been upgraded to XLR connectors.\u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003e Professional broadcast decks that record and playback using SD cards and SSD media!\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eHyperDeck Studio lets you record broadcast quality video files directly onto SD cards and SSD media! The new redesigned HyperDeck Studios feature modern design with more codecs and quieter cooling. All models now support recording to H.264, Apple ProRes or DNxHD files with either PCM or AAC audio.When you've finished recording, media can be mounted on any computer to access the files using your favorite video software. For ISO recording, there's even built in timecode and reference generators for syncing multiple units! All of these powerful features make HyperDeck Studio perfect for broadcast, live production or multi screen digital signage! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eElegantly Designed Professional Broadcast Deck\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003eThe new HyperDeck Studio recorders have been totally redesigned with dozens of new features! The advanced models have new broadcast style front panel controls and more connections on the rear panel. The LCD screen supports both light and dark modes, plus the transport control buttons are stronger with a firm professional feel.The Pro models feature a machined metal search dial with increased mass and a soft rubber surface that feels nice to the touch. Plus the search dial features an active clutch, just like a traditional broadcast deck! With dual media slots, you can change cards without interrupting recording! The advanced models even include a front headphone connection and speaker! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003ePerfect for LiveProduction, Broadcast and Archive\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eMastering Recorder - All models record to H.264, ProRes and DNx files, so are perfect for recording broadcast masters! You can even use PCM or AAC audio. You get everything you need to send shows to broadcasters and for uploading to YouTube. \u003c\/p\u003e \u003cp class=\"Body\"\u003eISO Recording - All models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events! You can even sync cameras to the SDI output and the SDI input has a frame sync! \u003c\/p\u003e \u003cp class=\"Body\"\u003eDigital Signage - HyperDeck Studio is perfect for digital signage as all models have HDMI output for connecting to large screen TVs and projectors. The built in sync generator lets you combine multiple HyperDecks for large multiscreen video walls. There's even FTP for file upload and a protocol for remote control! \u003c\/p\u003e \u003cp class=\"Body\"\u003eBroadcast Archive - HyperDeck Studio supports all SD and HD standards so it's ideal for archiving old television shows from broadcast decks such as Digital Betacam, Betacam SP, 1\", U-matic and VHS. You can even record direct to H.264 to maximize storage. For analog decks, just add a Mini Converter Analog to SDI! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eBright Color LCD Status Display\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eHyperDeck Studio features traditional deck style transport controls, including a search dial for jog, shuttle and scroll. The compact LCD shows timecode and transport information, plus a full color thumbnail preview of the current clip in record or playback. It also displays information about each card's recording status, along with video format, frame rate information and audio levels, all on the same display! The LCD includes monitoring for video, plus audio level meters, selectable between technically accurate VU or PPM ballistics. The combination of familiar VTR style controls with the built in LCD screen makes HyperDeck Studio incredibly fast to use and very easy to learn! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eTraditional Broadcast Deck Controls\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eHyperDeck Studio includes a traditional broadcast style control panel that's very fast to use. Simply press the record button and you instantly start recording the video input to a file! You can also change the record file format from the menu. There are transport control buttons for playback, rewind, fast forward, previous clip, next clip and more.Any button pressed on the front panel is sent to the rear RS-422 remote output for looping control to multiple HyperDecks.The Plus and Pro models also include a front panel speaker and headphone socket for live audio monitoring. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eSupports SD Cards, UHS‑II Cards or SSDs\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eAll HyperDeck Studio models support recording to common SD cards and UHS-II cards so you don't need expensive custom media.When using H.264, the files are so incredibly small you get very long recordings even on smaller low cost cards. Plus, you can even record to external USB disks! With H.265, you can record up to 58 hours in 2160p60 Ultra HD or up to 157 hours of H.264 recording in 1080p59.94 on a 1 TB card. That's over 6 days of recording in HD using a single 1 TB card! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eDual Media Slots For Non‑Stop Recording!\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eAll HyperDeck Studio models feature dual media slots for non stop recording. When the recording card becomes full, recording automatically continues onto the next card. That's perfect when recording long live events because you can \"hot swap\" a full card for an empty card while recording continues in the other slot! Each slot has a status indicator to show which card is being used, either red for record or green for playback. Plus all models now feature very long file recordings to a single file for easy file distribution. HyperDeck Studio is easily repairable with each card slot using an individual PCB assembly that can be replaced if it ever becomes worn out from heavy use. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eRecord to External USB-C Media Disks\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eIf recording to other types of media is required, the USB-C expansion port lets you plug in an external flash disk for recording. USB-C flash disks have unlimited capacity because they can be physically larger than an SD card or SSD. Plus, it's even possible to record to a disk array you'll use for editing, so you don't need to waste time copying files before starting post production. Just move the disk over to a computer and instantly start editing! You can even add a Blackmagic MultiDock 10G that has 4 separate SSD media slots, so you can add compatibility with SSD media to the HyperDeck Studio Mini and Plus models. There are also menus for managing external disks on the built in LCD. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003ePopular ProRes, DNx, H.264 and H.265 Files!\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eHyperDeck supports the most popular codecs in use today! All models include DNx and ProRes file formats. However all models also include H.264 in quality levels up to full 10 bit 4:2:2 when recording in NTSC, PAL, 720p, 1080p and true 1080i interlaced formats. Plus you can choose uncompressed PCM audio, or even AAC audio when uploading files to YouTube. All models support both ExFAT and HFS+ disk formats and long duration single file recordings.The Plus and Pro models even support ProRes 4444 allowing fill and key playback! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eAdvanced Broadcast Connections!\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eDepending on the model HyperDeck Studio features a wide range of video and audio connections such as 3G-SDI, 6G-SDI or 12G-SDI. All models include HDMI for connecting to televisions and projectors. There's even a dedicated SDI monitoring output on the Pro and Plus models with on screen status. The Pro and Plus models include two SDI outputs so you can play ProRes 4444 files, allowing simultaneous fill and key output for keying in live production switchers. The internal timecode and reference generator connections can be looped to sync multiple units for ISO recording!All models even include AC and locking DC power! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eChoose 3G‑SDI, 6G‑SDI or 12G‑SDI Models!\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eWith multi-rate SDI, you get support for the most popular video standards. The SDI and HDMI connections will automatically switch video standards, so handle SD, HD and Ultra HD formats depending on the model. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 720p59.94p. 1080i HD interlaced formats include 1080i50 and 1080i59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. HyperDeck can even support 1080 PsF formats!HyperDeck Studio also supports level A and level B when running HD video at 3G-SDI rates. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eFill and Key Outputs for Broadcast Animations\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eThe HyperDeck Studio Plus and Pro models can play ProRes 4444 HD files to the 2 separate SDI fill and key outputs. That means you can use HyperDeck Studio as a graphics clip player for broadcast animation because the ProRes 4444 file's alpha channel will be automatically converted to the key SDI output for realtime keying in a live production switcher! Plus the HyperDeck Studio 4K Pro model adds fill and key playback in Ultra HD! Imagine running animated lower third titles and stingers with key channel outputs for incredibly clean multi layered titles. Plus, switchers such as Blackmagic Design ATEM models connect to HyperDeck Studio via Ethernet to trigger playback synced to transitions! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eUSB Webcam Output for Video Software\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eFor compatibility with a wide range of computer software, HyperDeck Studio features webcam support using the USB connection. If you're not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast quality video source! That guarantees full compatibility with any video software and in full resolution 1080 HD quality. HyperDeck Studio's USB webcam feature works with any video software including Zoom, Microsoft Teams and Skype, or get live streaming with Open Broadcaster, XSplit Broadcaster and more! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eAdvanced HDR Support and Monitoring 3D LUTs\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eYou'll be ready for the latest feature film workflows with support for advanced HDR standards. All HDR status information is embedded into the SDI connections so downstream equipment can detect when HDR files are played. When recording, the SDI and HDMI inputs will also automatically detect HDR video standards and then tag the files with the correct HDR information. Static metadata PQ and HLG formats are handled according to the ST2084 standard. Plus the front panel LCD has a wider color gamut for both Rec. 2020 and Rec. 709 colorspaces.HyperDeck Studio Plus and Pro models even allow you to load a 3D LUT into the monitoring output to add looks or to convert film to video gamma. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eIncludes Professional Multi Channel SDI Audio\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eHyperDeck Studio includes professional multi channel SDI audio for recording up to 16 channels. When recording from the SDI input, you can select in the menu to record 2, 4, 8 or 16 channels of audio in real time. There's extra space on the SDI monitoring status overlay, which allows the audio meter display to show the number of channels you have enabled all at the same time, and the audio meters will show 2, 4, 8 or 16 channels simultaneously. The audio meters are designed to use the correct ballistics, and you can change between different VU and PPM meter displays in the LCD menu. HyperDeck Studio is more than just a video recorder, as it also has fantastic sound! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eIncredibly Fast Network File Transfers\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eAll HyperDeck models allow media files to be uploaded remotely, using simple FTP client software.For remote deck control, all models use an easy to learn text based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type \"play\" or \"record\" and it will execute the command. It's that simple! If you combine the control protocol and file transfers with a HyperDeck connected to a large USB-C disk array, you get a fantastic broadcast server for ingest, media management and play out. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eTraditional RS-422 Broadcast Deck Control\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eThe most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Studio features wide protocol support so you can connect it direct to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS-422 control solutions, you'll know you're connected to a HyperDeck Studio when you see the ID 0xF0E0 in 30\/60p, 0xF1E0 in 25\/50p or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our web site. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eBuilt in Timecode and Sync Generators\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eWith a timecode and sync generator built into all models, you can stack multiple units for digital signage or multi channel recording. Each HyperDeck has dedicated outputs for reference and timecode, direct from the internal sync and timecode generators. The generators \"free run\" unless reference or timecode is connected to the inputs, and then generators will automatically lock. This means you can loop from HyperDeck to HyperDeck to create perfectly timed array or recorders. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eIncludes the Power of Blackmagic OST\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003ehe innovative Blackmagic OS has been designed for high performance film and broadcast products and it manages all functions on HyperDeck Studio. Only Blackmagic OS provides instant power on, while including powerful features such as LCD with video, timecode and audio metering, monitoring with overlays, menus, fast networking, multi-disk media management, 3D LUTs plus localization. The on screen LCD menus include settings to customize your HyperDeck Studio, plus the menus now support both light and dark mode! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eLocalized for 13 Popular Languages\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eHyperDeck Studio supports multiple languages so you don't need to learn a new language just to use it! You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian languages. When initially powered on for the first time, HyperDeck Studio will display a menu for selecting a language, plus you can always use the LCD menu to change the language at any time in the future. Once a language is selected, the LCD menus will change, plus the overlays on the SDI monitoring output will also change to the selected language. All this means HyperDeck Studio is perfect for doing work anywhere in the world! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eUse All Video Software and Streaming Sites\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003eHyperDeck Studio records files that are compatible with virtually all post production software. Plus if you record in H.264, you can upload files from HyperDeck Studio direct to streaming services such as YouTube, Facebook, Vimeo, Twitter and more! You can use popular editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro or Avid Media Composer, because HyperDeck uses the same file formats used in post production. Even VFX software such as Fusion and Adobe After Effects work with the files! Because HyperDeck records to disks formatted on computers, you can simply mount the disk on any computer and start editing without needing to transcode or convert the files. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eBuilt in Redundancy Keeps You On Air!\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eSerious broadcasters need redundancy because it increases reliability. HyperDeck Studio includes redundant features to help ensure you stay on air. With dual media slots on all models, and the Pro models having 4 media slots, you can stay on air, even if one of the slots becomes damaged. All HyperDeck models include both AC and a locking DC power connection, so you use the DC connection with an external battery pack for redundant power. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eCompatible with Switchers, Disk Docks and Cameras!\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eThere's a wide range of Blackmagic Design products you can use with HyperDeck including switchers, cameras and streaming solutions! As the Mini and Plus models don't include SSD slots, you can add a Blackmagic MultiDock 10G to use regular SSDs, allowing compatibility with media from other HyperDeck models. HyperDeck Studio will manage all the disks for you and automatically record to disks in the MultiDock. You can even use the MultiDock with the HyperDeck Studio Pro models just to add extra SSDs for longer recording times!HyperDeck Studio is also a perfect mastering recorder when used with ATEM switchers, a clip player with fill and key, or looped on switcher inputs for ISO recording.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49814775136394,"sku":"BMD-HYPERD\/ST\/DFHP","price":1149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5240\/3338\/files\/canvas-bmd-hyperd-st-dfhp.jpg?v=1787683653"},{"product_id":"bmd-hyperd-st-dg4p","title":"Blackmagic Design HyperDeck Studio 4K Pro","description":"\u003ch3\u003eBlackmagic Design HyperDeck Studio 4K Pro\u003c\/h3\u003e \u003cp class=\"Body\"\u003eThis extremely powerful Ultra HD model records and plays H.264\/5, ProRes and DNx files in all SD, HD and Ultra HD standards up to 2160p60. Records SD and HD in H.264 and Ultra HD in H.265. \u003c\/p\u003e \u003cp class=\"Body\"\u003eFor extreme power, the HyperDeck Studio 4K Pro has all the features of the HD models, combined with incredible processing for working in Ultra HD. This model's SDI has been upgraded to full 12G-SDI with a loop 12G-SDI output. The two SDI outputs are both 12G-SDI so you can play ProRes 4444 files for true Ultra HD fill and key out. The HDMI connections and the ProRes and DNx file formats all switch between SD, HD and Ultra HD television standards. Like the other models, H.264 is included for SD and HD, but then switches to H.265 when recording in Ultra HD. Even the networking has been upgraded to 10G Ethernet for incredible speed! You also get 2 redundant AC power supplies! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eProfessional broadcast decks that record and playback using SD cards and SSD media!\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eHyperDeck Studio lets you record broadcast quality video files directly onto SD cards and SSD media! The new redesigned HyperDeck Studios feature modern design with more codecs and quieter cooling. All models now support recording to H.264, Apple ProRes or DNxHD files with either PCM or AAC audio.When you've finished recording, media can be mounted on any computer to access the files using your favorite video software. For ISO recording, there's even built in timecode and reference generators for syncing multiple units! All of these powerful features make HyperDeck Studio perfect for broadcast, live production or multi screen digital signage! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eElegantly Designed Professional Broadcast Deck\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eThe new HyperDeck Studio recorders have been totally redesigned with dozens of new features! The advanced models have new broadcast style front panel controls and more connections on the rear panel. The LCD screen supports both light and dark modes, plus the transport control buttons are stronger with a firm professional feel.The Pro models feature a machined metal search dial with increased mass and a soft rubber surface that feels nice to the touch. Plus the search dial features an active clutch, just like a traditional broadcast deck! With dual media slots, you can change cards without interrupting recording! The advanced models even include a front headphone connection and speaker! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003ePerfect for Live Production, Broadcast and Archive\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eMastering Recorder - All models record to H.264, ProRes and DNx files, so are perfect for recording broadcast masters! You can even use PCM or AAC audio, plus the 4K model adds H.265 when recording to Ultra HD files.You get everything you need to send shows to broadcasters and for uploading to YouTube. \u003c\/p\u003e \u003cp class=\"Body\"\u003eISO Recording - All models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events! You can even sync cameras to the SDI output and the SDI input has a frame sync! \u003c\/p\u003e \u003cp class=\"Body\"\u003eDigital Signage - HyperDeck Studio is perfect for digital signage as all models have HDMI output for connecting to large screen TVs and projectors. The built in sync generator lets you combine multiple HyperDecks for large multiscreen video walls. There's even FTP for file upload and a protocol for remote control! \u003c\/p\u003e \u003cp class=\"Body\"\u003eBroadcast Archive - HyperDeck Studio supports all SD and HD standards so it's ideal for archiving old television shows from broadcast decks such as Digital Betacam, Betacam SP, 1\", U-matic and VHS. You can even record direct to H.264 to maximize storage. For analog decks, just add a Mini Converter Analog to SDI! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eBright Color LCD Status Display\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eHyperDeck Studio features traditional deck style transport controls, including a search dial for jog, shuttle and scroll. The compact LCD shows timecode and transport information, plus a full color thumbnail preview of the current clip in record or playback. It also displays information about each card's recording status, along with video format, frame rate information and audio levels, all on the same display! The LCD includes monitoring for video, plus audio level meters, selectable between technically accurate VU or PPM ballistics. The combination of familiar VTR style controls with the built in LCD screen makes HyperDeck Studio incredibly fast to use and very easy to learn! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eTraditional Broadcast Deck Controls\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eHyperDeck Studio includes a traditional broadcast style control panel that's very fast to use. Simply press the record button and you instantly start recording the video input to a file! You can also change the record file format from the menu. There are transport control buttons for playback, rewind, fast forward, previous clip, next clip and more.Any button pressed on the front panel is sent to the rear RS-422 remote output for looping control to multiple HyperDecks.The Plus and Pro models also include a front panel speaker and headphone socket for live audio monitoring. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eSupports SD Cards, UHS‑II Cards or SSDs\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eAll HyperDeck Studio models support recording to common SD cards and UHS-II cards so you don't need expensive custom media.When using H.264, the files are so incredibly small you get very long recordings even on smaller low cost cards. Plus, you can even record to external USB disks! With H.265, you can record up to 58 hours in 2160p60 Ultra HD or up to 157 hours of H.264 recording in 1080p59.94 on a 1 TB card. That's over 6 days of recording in HD using a single 1 TB card! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eDual Media Slots For Non‑Stop Recording!\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eAll HyperDeck Studio models feature dual media slots for non stop recording. When the recording card becomes full, recording automatically continues onto the next card. That's perfect when recording long live events because you can \"hot swap\" a full card for an empty card while recording continues in the other slot! Each slot has a status indicator to show which card is being used, either red for record or green for playback. Plus all models now feature very long file recordings to a single file for easy file distribution. HyperDeck Studio is easily repairable with each card slot using an individual PCB assembly that can be replaced if it ever becomes worn out from heavy use. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eRecord to External USB-C Media Disks\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eIf recording to other types of media is required, the USB-C expansion port lets you plug in an external flash disk for recording. USB-C flash disks have unlimited capacity because they can be physically larger than an SD card or SSD. Plus, it's even possible to record to a disk array you'll use for editing, so you don't need to waste time copying files before starting post production. Just move the disk over to a computer and instantly start editing! You can even add a Blackmagic MultiDock 10G that has 4 separate SSD media slots, so you can add compatibility with SSD media to the HyperDeck Studio Mini and Plus models. There are also menus for managing external disks on the built in LCD. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003ePopular ProRes, DNx, H.264 and H.265 Files!\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eHyperDeck supports the most popular codecs in use today! All models include DNx and ProRes file formats. However all models also include H.264 in quality levels up to full 10 bit 4:2:2 when recording in NTSC, PAL, 720p, 1080p and true 1080i interlaced formats. While the 4K model adds H.265 when recording in Ultra HD.That means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast quality.Plus you can choose uncompressed PCM audio, or even AAC audio when uploading files to YouTube. All models support both ExFAT and HFS+ disk formats and long duration single file recordings.The Plus and Pro models even support ProRes 4444 allowing fill and key playback! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eAdvanced Broadcast Connections!\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eDepending on the model HyperDeck Studio features a wide range of video and audio connections such as 3G-SDI, 6G-SDI or 12G-SDI. All models include HDMI for connecting to televisions and projectors. There's even a dedicated SDI monitoring output on the Pro and Plus models with on screen status. The Pro and Plus models include two SDI outputs so you can play ProRes 4444 files, allowing simultaneous fill and key output for keying in live production switchers. The internal timecode and reference generator connections can be looped to sync multiple units for ISO recording!All models even include AC and locking DC power! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eChoose 3G‑SDI, 6G‑SDI or 12G‑SDI Models!\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eWith multi-rate SDI, you get support for the most popular video standards. The SDI and HDMI connections will automatically switch video standards, so handle SD, HD and Ultra HD formats depending on the model. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 720p59.94p. 1080i HD interlaced formats include 1080i50 and 1080i59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. HyperDeck can even support 1080 PsF formats!On the 4K model, Ultra HD formats up to 2160p60 are supported.Plus the 4K model supports 2K and 4K DCI rates up to 30p.HyperDeck Studio also supports level A and level B when running HD video at 3G-SDI rates. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eFill and Key Outputs for Broadcast Animations\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eThe HyperDeck Studio Plus and Pro models can play ProRes 4444 HD files to the 2 separate SDI fill and key outputs. That means you can use HyperDeck Studio as a graphics clip player for broadcast animation because the ProRes 4444 file's alpha channel will be automatically converted to the key SDI output for realtime keying in a live production switcher! Plus the HyperDeck Studio 4K Pro model adds fill and key playback in Ultra HD! Imagine running animated lower third titles and stingers with key channel outputs for incredibly clean multi layered titles. Plus, switchers such as Blackmagic Design ATEM models connect to HyperDeck Studio via Ethernet to trigger playback synced to transitions! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eUSB Webcam Output for Video Software\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eFor compatibility with a wide range of computer software, HyperDeck Studio features webcam support using the USB connection. If you're not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast quality video source! That guarantees full compatibility with any video software and in full resolution 1080 HD quality. HyperDeck Studio's USB webcam feature works with any video software including Zoom, Microsoft Teams and Skype, or get live streaming with Open Broadcaster, XSplit Broadcaster and more! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eAdvanced HDR Support and Monitoring 3D LUTs\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eYou'll be ready for the latest feature film workflows with support for advanced HDR standards. All HDR status information is embedded into the SDI connections so downstream equipment can detect when HDR files are played. When recording, the SDI and HDMI inputs will also automatically detect HDR video standards and then tag the files with the correct HDR information. Static metadata PQ and HLG formats are handled according to the ST2084 standard. Plus the front panel LCD has a wider color gamut for both Rec. 2020 and Rec. 709 colorspaces.HyperDeck Studio Plus and Pro models even allow you to load a 3D LUT into the monitoring output to add looks or to convert film to video gamma. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eIncludes Professional Multi Channel SDI Audio\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eHyperDeck Studio includes professional multi channel SDI audio for recording up to 16 channels. When recording from the SDI input, you can select in the menu to record 2, 4, 8 or 16 channels of audio in real time. There's extra space on the SDI monitoring status overlay, which allows the audio meter display to show the number of channels you have enabled all at the same time, and the audio meters will show 2, 4, 8 or 16 channels simultaneously. The audio meters are designed to use the correct ballistics, and you can change between different VU and PPM meter displays in the LCD menu. HyperDeck Studio is more than just a video recorder, as it also has fantastic sound! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eIncredibly Fast Network File Transfers\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eAll HyperDeck models allow media files to be uploaded remotely, using simple FTP client software.With 10G Ethernet built into the HyperDeck Studio 4K Pro model, file transfers are so fast, they are faster than the SD card or SSD media disks!For remote deck control, all models use an easy to learn text based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type \"play\" or \"record\" and it will execute the command. It's that simple! If you combine the control protocol and file transfers with a HyperDeck connected to a large USB-C disk array, you get a fantastic broadcast server for ingest, media management and play out. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eTraditional RS-422 Broadcast Deck Control\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eThe most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Studio features wide protocol support so you can connect it direct to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS-422 control solutions, you'll know you're connected to a HyperDeck Studio when you see the ID 0xF0E0 in 30\/60p, 0xF1E0 in 25\/50p or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our web site. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eBuilt in Timecode and Sync Generators\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eWith a timecode and sync generator built into all models, you can stack multiple units for digital signage or multi channel recording. Each HyperDeck has dedicated outputs for reference and timecode, direct from the internal sync and timecode generators. The generators \"free run\" unless reference or timecode is connected to the inputs, and then generators will automatically lock. This means you can loop from HyperDeck to HyperDeck to create perfectly timed array or recorders. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eIncludes the Power of Blackmagic OST\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003ehe innovative Blackmagic OS has been designed for high performance film and broadcast products and it manages all functions on HyperDeck Studio. Only Blackmagic OS provides instant power on, while including powerful features such as LCD with video, timecode and audio metering, monitoring with overlays, menus, fast networking, multi-disk media management, 3D LUTs plus localization. The on screen LCD menus include settings to customize your HyperDeck Studio, plus the menus now support both light and dark mode! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eLocalized for 13 Popular Languages\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003e HyperDeck Studio supports multiple languages so you don't need to learn a new language just to use it! You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian languages. When initially powered on for the first time, HyperDeck Studio will display a menu for selecting a language, plus you can always use the LCD menu to change the language at any time in the future. Once a language is selected, the LCD menus will change, plus the overlays on the SDI monitoring output will also change to the selected language. All this means HyperDeck Studio is perfect for doing work anywhere in the world! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eUse All Video Software and Streaming Sites\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eHyperDeck Studio records files that are compatible with virtually all post production software. Plus if you record in H.264, you can upload files from HyperDeck Studio direct to streaming services such as YouTube, Facebook, Vimeo, Twitter and more! You can use popular editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro or Avid Media Composer, because HyperDeck uses the same file formats used in post production. Even VFX software such as Fusion and Adobe After Effects work with the files! Because HyperDeck records to disks formatted on computers, you can simply mount the disk on any computer and start editing without needing to transcode or convert the files. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eBuilt in Redundancy Keeps You On Air!\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eSerious broadcasters need redundancy because it increases reliability. HyperDeck Studio includes redundant features to help ensure you stay on air. With dual media slots on all models, and the Pro models having 4 media slots, you can stay on air, even if one of the slots becomes damaged. All HyperDeck models include both AC and a locking DC power connection, so you use the DC connection with an external battery pack for redundant power. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eCompatible with Switchers, Disk Docks and Cameras!\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eThere's a wide range of Blackmagic Design products you can use with HyperDeck including switchers, cameras and streaming solutions! As the Mini and Plus models don't include SSD slots, you can add a Blackmagic MultiDock 10G to use regular SSDs, allowing compatibility with media from other HyperDeck models. HyperDeck Studio will manage all the disks for you and automatically record to disks in the MultiDock. You can even use the MultiDock with the HyperDeck Studio Pro models just to add extra SSDs for longer recording times!HyperDeck Studio is also a perfect mastering recorder when used with ATEM switchers, a clip player with fill and key, or looped on switcher inputs for ISO recording.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49814775169162,"sku":"BMD-HYPERD\/ST\/DG4P","price":1865.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5240\/3338\/files\/canvas-bmd-hyperd-st-dg4p.jpg?v=1787683655"},{"product_id":"bmd-hyperd-uiso-100g","title":"Blackmagic Design HyperDeck ISO Recorder 100G","description":"\u003ch3\u003eBlackmagic HyperDeck ISO Recorder 100G\u003c\/h3\u003e \u003cp\u003eHyperDeck ISO Recorder 100G is specifically designed for live production as it can record 8 cameras at the same time. It features an innovative processor design that's 8 times more powerful than a HyperDeck Studio 4K! Record cameras for later editing, or get exciting live action replay with DaVinci Resolve! Files are recorded in broadcast quality ProRes format direct to network storage, so you get very long record durations. It also has redundant 100G Ethernet ports, so you can get all 8 video channels via a single Ethernet connection. Or connect a Blackmagic SDI Expander 8x12G to add 12G-SDI connections! You can even play back 8 channels, great for systems testing or training!\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eRecording all your cameras during live production allows you to re-edit and color correct your program later. Because HyperDeck ISO Recorder 100G records to network storage, you can have multiple workstations accessing the same storage, even while recording! This makes live action sports replay easy and low cost. Just download DaVinci Resolve free of charge to get started. All the cameras will be displayed in a multi-view in the viewer so you can even live scroll all angles in real time! Then select the angle you want and press \"On Air\" to go live. While playing to air, you can select a new angle in DaVinci's multi-view. Adding a DaVinci Resolve Replay Editor will make replay even faster!\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49814775234698,"sku":"BMD-HYPERD\/UISO\/100G","price":5495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5240\/3338\/files\/canvas-bmd-hyperd-uiso-100g.jpg?v=1787683657"},{"product_id":"ki-pro-ult-12g","title":"AJA Ki Pro Ultra 12G 4K\/UltraHD\/2K\/HD Recorder\/Player with 12G I\/O and Multi-Channel Encoding Support Includes: AC Adapter (AC to 4-pin XLR), Handle, Feet (Storage not included)","description":"\u003cp\u003e4K\/UltraHD\/2K\/HD Recorder\/Player with 12G I\/O and Multi-Channel Encoding Support Includes: AC Adapter (AC to 4-pin XLR), Handle, Feet (Storage not included)\u003c\/p\u003e\u003c!-- specs-from-master --\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eResolution:\u003c\/strong\u003e 4K, 2K, HD\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eData rate:\u003c\/strong\u003e 12G\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnector:\u003c\/strong\u003e XLR\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCategory:\u003c\/strong\u003e Recorders\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eManufacturer:\u003c\/strong\u003e AJA Video Systems\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePart number:\u003c\/strong\u003e KI-PRO-ULT-12G\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShipping weight:\u003c\/strong\u003e 5.6 lb\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShipping carton:\u003c\/strong\u003e 8.64 x 10.59 x 3.31 in\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AJA","offers":[{"title":"Default Title","offer_id":49815429939338,"sku":"KI-PRO-ULT-12G","price":5330.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5240\/3338\/files\/cb-aja-bh-ki-pro-ult-12g_3f577997-1a8e-46d4-903a-6684260e4386.jpg?v=1786425616"},{"product_id":"ki-pro-go2","title":"AJA Ki Pro GO2 Multi-Channel HD H.264 AVC \/ H.265 HEVC Recorder\/Player (Storage not included)","description":"\u003cp\u003eKi Pro GO2 is a portable multi-channel H.265 (HEVC)* and H.264 (AVC) recorder offering up to 4-channels of simultaneous HD or SD recording to qualified USB drives and\/or network storage with redundant recording capabilities.\u003c\/p\u003e\n\u003cp\u003e4x 3G-SDI and 4x HDMI digital video inputs with flexible channel assignments provide connections to a wide range of video sources, including any 3G-SDI signal from a router for example, professional and prosumer cameras and DSLRs. Incoming video sources do not have to be genlocked due to Ki Pro GO2's input frame synchronizers. Ki Pro GO2 also features AJA's high quality de-interlacers on each input so progressive recordings can be made from interlaced inputs. High quality 2-channel embedded audio or balanced XLR analog audio can be assigned to any recording channel. Multi-Channel Matrix Monitoring enables multiple video channels to be viewed on any single HDMI or SDI display, and Enhanced Super Out offers timecode, media status and audio meter overlays over the SDI and HDMI monitor outputs.\u003c\/p\u003e\n\u003cp\u003eDesigned to be either portable or rackmountable with half rack wide, 2RU high dimensions, Ki Pro GO2 is well suited for use in any production environment be it a global concert tour or your local house of worship.\u003c\/p\u003e\n\u003cp\u003e*(High Efficiency Video Coding)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMulti-channel H.265 (HEVC) and H.264 (AVC) recording\u003c\/li\u003e\n\u003cli\u003eUp to 4 channels of HD recording, with single-channel playback\u003c\/li\u003e\n\u003cli\u003eEasy-to-use web UI, compatible with standard web browsers\u003c\/li\u003e\n\u003cli\u003eFront panel button controls with integrated HD resolution screen\u003c\/li\u003e\n\u003cli\u003e5x USB recording media ports, compatible with off-the-shelf USB 3.2 Gen 1 media\u003c\/li\u003e\n\u003cli\u003eOnboard exFAT drive formatting\u003c\/li\u003e\n\u003cli\u003eReal time recording to network (SMB) storage\u003c\/li\u003e\n\u003cli\u003eRedundant recording to user selectable destinations – USB or SMB\u003c\/li\u003e\n\u003cli\u003eBuilt-in Frame Syncs\u003c\/li\u003e\n\u003cli\u003e4x 3G-SDI inputs\u003c\/li\u003e\n\u003cli\u003e4x 3G-SDI outputs\u003c\/li\u003e\n\u003cli\u003e1x 3G-SDI monitoring output\u003c\/li\u003e\n\u003cli\u003e4x HDMI inputs\u003c\/li\u003e\n\u003cli\u003e1x HDMI monitoring output\u003c\/li\u003e\n\u003cli\u003eHDMI and SDI multi-channel matrix monitoring\u003c\/li\u003e\n\u003cli\u003eHDMI and SDI Enhanced Super Out for monitoring: timecode, media status and audio levels\u003c\/li\u003e\n\u003cli\u003eSingle-channel H.265 or H.264 playback\u003c\/li\u003e\n\u003cli\u003eSelectable VBR recording settings with 5 options\u003c\/li\u003e\n\u003cli\u003eTimecode SDI RP-188 Input Support: Time of Day or Timecode Value\u003c\/li\u003e\n\u003cli\u003eLTC Support, available using 1-channel of Analog Audio In\u003c\/li\u003e\n\u003cli\u003eBalanced XLR analog audio inputs, mic\/line\/48v switchable\u003c\/li\u003e\n\u003cli\u003e2-channel embedded audio per video input\u003c\/li\u003e\n\u003cli\u003eNetwork web UI based file downloads\u003c\/li\u003e\n\u003cli\u003eStand-alone operation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIndustry Standard Connectivity\u003c\/strong\u003e\u003cbr\u003e The video and audio connections on the rear panel of the Ki Pro GO2 offer 4x 3G-SDI and 4x HDMI inputs with separate SDI and HDMI monitoring which includes Matrix Monitoring for multi-channel viewing on a single HD display. XLR Analog Audio In supports Mic and Line level signals with Phantom Power for audio recording from master sources, mixers and more. HDMI and SDI 2-channel embedded audio or the XLR analog inputs can be easily assigned to each recording channel. Alternatively, you can use the second Analog Audio input as an LTC input.\u003c\/p\u003e\n\u003cp\u003eFour USB ports on the front provide easy to access recording media using qualified USB drives, with a fifth USB port on the rear. Flexible destination mapping allows any USB port or network storage to be used as the primary record location and any USB port to be used as a backup location or pass-on of a second copy. This allows for backup or pass-on of a secondary copy of captured files to post-production, clients, or others on your team. You can also map a single source to multiple USBs for duplication.\u003c\/p\u003e\n\u003cp\u003eFour 3G-SDI outputs ensure that signal pass through is available for connectivity into a wide range of devices from routers, to switchers, additional Ki Pros and more.\u003c\/p\u003e\n\u003cp\u003eOptional redundant power supplies ensure that always up reliability is provided for your critical live event needs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenlock Free Recording\nwith Easy Input Mapping\u003c\/strong\u003e\u003cbr\u003e Record 1, 2, 3 or 4-channels of HD or SD up to 1080p 50\/60 in H.265 or H.264 simultaneously with Ki Pro GO2. Simplify your setup by connecting up to four HDMI and four 3G-SDI source cables into Ki Pro GO2 and assign any combination of four inputs at a time for four channels of H.265 or H.264 recording to any four of the 5 USB ports on the Ki Pro GO2.\u003c\/p\u003e\n\u003cp\u003eTime is always tight, especially for live events. Ki Pro GO2's Genlock free inputs make it easy to switch your sources including SDI cameras, DSLRs, or HDMI cameras to the appropriate recording channel, all conveniently mapped within Ki Pro GO2's elegant and easy to use UI.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNetwork Recording\u003c\/strong\u003e\u003cbr\u003e Extend your recording capabilities through the use of external (NAS) storage. Simply connect your storage to the Ki Pro GO2 over a standard Gigabit Ethernet network and take advantage of all the features of networked storage. Use your NAS as your primary storage location or as secondary (backup) media – you can even record to NAS and local, USB-based storage simultaneously, giving you the perfect combination of shared storage and portability.\u003c\/p\u003e\n\u003cp\u003eKi Pro GO2’s elegant and intuitive UI makes NAS set up easy. Simply enter the IP address of the storage, any required user credentials, and the SMB dialect you wish to use, and you’re ready to record. Ki Pro GO2 simplifies setup even further by auto-detecting the SMB dialect of your NAS system and self-configuring to match. SMB credentials can also be stored in system presets and recalled at the push of a button for “on-the-fly” system reconfiguration.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLocal and NAS Recording\u003c\/strong\u003e\u003cbr\u003e In this diagram we can see the Ki Pro GO2 is receiving video from camera sources 1 through 4. The Ki Pro GO2 is recording locally to USB drives connected to the front USB3 inputs. The Ki Pro GO2 is also connected via Gigabit Ethernet to a Gigabit Ethernet switch and a NAS for simultaneous recording. Editorial, Graphics and Digital Asset Management (DAM) workstations are also connected to the same network as the Ki Pro GO2, with both having access to the NAS.\u003c\/p\u003e\n\u003cp\u003eDownload Workflow\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMulti-Unit Recording With a Single NAS\u003c\/strong\u003e\u003cbr\u003e This diagram shows two Ki Pro GO2 units, with the first receiving video from camera sources 1 through 4 and the second receiving video from camera sources 5 through 8. Each Ki Pro GO2 is recording locally to USB drives connected to the front USB ports. Both Ki Pro GO2s are connected via Gigabit Ethernet to a Gigabit Ethernet switch. A NAS connected to the same network is also the second recording destination for cameras 1 through 8.\u003c\/p\u003e\n\u003cp\u003eDownload Workflow\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMultiple, Simultaneous Recording Destinations\u003c\/strong\u003e\u003cbr\u003e This diagram illustrates the Ki Pro GO2 receiving video from camera sources 1 through 4. The Ki Pro GO2 is connected to multiple USB drives as well as a NAS via Gigabit Ethernet allowing immense flexibility.\u003c\/p\u003e\n\u003cp\u003eDownload Workflow\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eH.265 and H.264 Encoding\u003c\/strong\u003e\u003cbr\u003e Pick your Quality. Deliver your Bit Rate.\u003c\/p\u003e\n\u003cp\u003eKi Pro GO2 allows independent quality settings per channel for recording, with five recording settings choices for any channel assignment depending upon your delivery need or eventual bandwidth allocation for the file's playback stream.\u003c\/p\u003e\n\u003cp\u003eChoose any one of five VBR Recording Settings allowing up to 15Mbps for H.265 and 25Mbps for H.264: • \u003cstrong\u003eLow:\u003c\/strong\u003eSuitable for talking heads, conference backups, security recording and more.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eMed-Low\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedium:\u003c\/strong\u003eIdeal for higher detail and more complex content.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMed-High\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh:\u003c\/strong\u003eServes well for fast moving, highly detailed content like sports or live event scenarios like concerts.\u003c\/li\u003e\n\u003cli\u003eKi Pro GO2 records as a standard .MP4 file, providing convenience and compatibility with a huge range of software applications.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRedundant Recording\u003c\/strong\u003e\u003cbr\u003e Ki Pro GO2 offers a large matrix of possibilities for redundant recording needs.\u003c\/p\u003e\n\u003cp\u003eFour USB ports on the front and a fifth USB port on the rear provide easy to access recording media using qualified off the shelf USB drives. The Ki Pro GO2 offers the user flexibility in choosing any USB port for a channel’s primary and any USB port for a channel’s backup. The backup’s identical redundant recording allows for a true backup or pass on secondary copy of captured files to post-production, clients, or others on your team.\u003c\/p\u003e\n\u003cp\u003eIn the case of a single input source, you can assign a single input to four primary recording channels and four backup channels in flexible combinations across the 5 USB ports, enabling 8 captures of the source to a total of 5 physical devices for duplication needs.\u003c\/p\u003e\n\u003cp\u003eThe workflows below provide some examples of just some of the possibilities possible with Ki Pro GO2's focus on a key concept of ‘pass out’ or ‘pass around’ or ‘handout’ media. Hit stop on your recordings and the show is ready to give to your clients right there and then.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFour Camera Feeds,\nPrimary and Backup Recording\u003c\/strong\u003e\u003cbr\u003e Connect four cameras directly to Ki Pro GO2 and capture the recording channels discretely to USB flash sticks in each of the four front of unit USB slots as well as a combination of all four recording channels to a single USB drive connected to the fifth USB port on the rear of the unit.\u003c\/p\u003e\n\u003cp\u003eDownload Workflow\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThree Cameras, One PGM Primary and Backup Recording\u003c\/strong\u003e\u003cbr\u003e Connect three cameras directly to a vision mixer and then run the camera ISO feeds as well as the Line Cut\/Program Feed from the vision mixer to Ki Pro GO2. Capture all four of the recording channels directly to USB flash sticks in each of the four front of unit USB slots, as well as a combination of all four recording channels to a single USB drive connected to the fifth USB port on the rear of the unit.\u003c\/p\u003e\n\u003cp\u003eDownload Workflow\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePrimary and Backup H.265 or H.264 Recording for Ki Pro Ultra 12G\u003c\/strong\u003e\u003cbr\u003e For the best of all worlds for multi-camera shoots, connect four cameras directly to Ki Pro Ultra 12G for high quality Apple ProRes capture to AJA Pak Media. Continue the path from the Ki Pro Ultra 12G’s four SDI outputs directly to a Ki Pro GO2 for H.265 or H.264 Primary and Backup recording. Multiple recordings, discrete camera capture to ProRes and H.265 or H.264, with redundancy, all in real time.\u003c\/p\u003e\n\u003cp\u003eDownload Workflow\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProxy H.265 or H.264 Recording for Ki Pro Ultra 12G\u003c\/strong\u003e\u003cbr\u003e Multi-camera shoots requiring proxy workflows from Ki Pro Ultra 12G recordings in Apple ProRes can benefit from multi-channel capture and redundant recordings of H.265 or H.264 files on Ki Pro GO2 at different compression settings, providing redundancy and small file sizes for proxy editing and post-production.\u003c\/p\u003e\n\u003cp\u003eDownload Workflow\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGroup Recording Feature\u003c\/strong\u003e\u003cbr\u003e Many workflows, as in some of the workflows shown above, require simultaneous recording across a range of Ki Pro products or multiple Ki Pro GO2s.\u003c\/p\u003e\n\u003cp\u003eThe Group Recording feature means multiple units can be used in unison to produce recordings. This feature is available via the web UI when AJA Ki Pro GO2, HELO Plus and Ki Pro Ultra 12G units have IP addresses configured under a common network and subnet mask and are connected via their LAN connections to an Ethernet switch or hub to a host computer.\u003c\/p\u003e\n\u003cp\u003eWhen used with a Ki Pro Ultra 12G, this provides you with an ideal workflow for Proxy workflows, the ability to walk away simultaneously from a recording session with ProRes or DNxHD files captured from Ki Pro Ultra 12G for a high resolution edit and H.265 or H.264 files from a Ki Pro GO2 for client handoff, streaming and more. Add a HELO Plus to the Group and enable real-time streaming from your system.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMulti-Channel Recording in\nPost-Production\u003c\/strong\u003e\u003cbr\u003e Multi-Channel recording with Ki Pro GO2 provides individual, discrete recordings for each input, ready to be imported directly into a multi-camera editing sequence.\u003c\/p\u003e\n\u003cp\u003eNo additional conversion or software is required, just drag and drop the files directly from the USB drive into your edit software of choice.\u003c\/p\u003e\n\u003cp\u003eClip names for Ki Pro GO2 are laid out in a logical manner for easy data management and tuned for multi-camera editing.\u003c\/p\u003e\n\u003cp\u003eKi Pro GO2 automatically appends channel and backup naming for easy data management: • Primary recorded file number 144 from channel 1 would read: Clip_ch1_144.mp4 \u003cbr\u003e • Backup recorded file number 144 from channel 1 would read: Clip_ch1_144_bak.mp4\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHD Multi-Channel Matrix Monitoring, Enhanced Super Out\u003c\/strong\u003e\u003cbr\u003e HDMI and\/or SDI monitors can be fed from Ki Pro GO2's SDI and HDMI monitoring connections to display up to four channels of video in a matrix per display or alternatively, you can choose to send a full-screen single channel of your choice to either output, allowing both matrix viewing and close up detail inspection for a channel of your choice.\u003c\/p\u003e\n\u003cp\u003eThis flexibility ensures multi-camera shoots can be monitored on a single monitor when desired, with no matrix converter or independent monitors required for the utmost efficiency and convenience.\u003c\/p\u003e\n\u003cp\u003eEnhanced Super Out provides a timecode overlay, per channel audio VU meters and media remaining percentages over SDI and HDMI Monitor outputs, putting what you need to know, where you need to see it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh Resolution LCD with Onscreen Intuitive UI\u003c\/strong\u003e\u003cbr\u003e Ki Pro GO2 features a beautiful high resolution large HD display with Video Monitor and Menu\/Status Overlays for precise monitoring of your material and serves as your interface to Ki Pro GO2's intuitive menu system. The detailed overlay UI includes onscreen keyboard functionality and a clear view of the powerful yet simple to operate UI, all pristinely presented on the HD LCD display.\u003c\/p\u003e\n\u003cp\u003eKi Pro GO2 features familiar dedicated transport buttons - record, play, stop, rewind, fast forward - making the device easy to operate with minimal training time.\u003c\/p\u003e\n\u003cp\u003eThe current status of the system and key configuration information is clearly displayed on the beautiful built-in high resolution LCD screen. Additional operational information can be found in the STATUS menu which can be accessed even when recording or playing back.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOff the Shelf USB Media\u003c\/strong\u003e\u003cbr\u003e Ki Pro GO2 provides convenient recording to cost effective, off the shelf USB media with FAT or exFAT file systems support for cross-platform use when transferring files to workstations, servers and more.\u003c\/p\u003e\n\u003cp\u003eKi Pro GO2 supports the formatting of media in standalone operation.\u003c\/p\u003e\n\u003cp\u003ePlease refer to the Ki Pro GO2: Approved Media List for the most current guide to AJA approved USB media for use with Ki Pro GO2. • 4x USB 3.2 Gen 1 primary ports on the front of the unit\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1x USB 3.2 Gen 1 port on the back of the unit\u003c\/li\u003e\n\u003cli\u003eAll ports are also compatible with the following standards: • USB 2.0 (480 Mbps)\u003c\/li\u003e\n\u003cli\u003eUSB 3.0 (5 Gbps)*\u003c\/li\u003e\n\u003cli\u003eUSB 3.1 Gen 1 (5 Gbps)*\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e*Also referred to as SuperSpeed USB • 5V 1A max current per slot\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFAT file systems: • FAT16\u003c\/li\u003e\n\u003cli\u003eFAT32\u003c\/li\u003e\n\u003cli\u003eexFAT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eUse with Ki Pro Ultra 12G for Multi-Channel ProRes\u003c\/strong\u003e\u003cbr\u003e For the ultimate in professional multi-channel recording, combine your new Ki Pro GO2 with Ki Pro Ultra 12G and capture multiple streams, up to four per device, of Apple ProRes or DNxHD and H.265 or H.264 in any combination that suits your needs, in only 2RU of rack space.\u003c\/p\u003e\n\u003cp\u003eKi Pro GO2 and Ki Pro Ultra 12G offer half rack width and 2RU height for convenient pairings in fly packs, equipment racks, OB trucks, and facility environments.\u003c\/p\u003e\n\u003cp\u003eDownload Workflow\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLTC Insert\u003c\/strong\u003e\u003cbr\u003e Ki Pro GO2 provides support for a wide variety of input sources with up to eight inputs. This flexibility also means you may have sources that do not have timecode, and so the system enables you to utilize one of the analog audio inputs as a source for your own Longitudinal Time Code (LTC) insert.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFile Transfers\u003c\/strong\u003e\u003cbr\u003e In an age of remote workflows, being able to transfer files is key. Ki Pro GO2 offers file transfers across the network through the web UI, accessible from any laptop or workstation on any OS, anywhere.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAudio Flexibility\u003c\/strong\u003e\u003cbr\u003e Each Ki Pro GO2 recording channel can capture 2-channels of embedded audio from 3G-SDI or HDMI inputs, or 2-channel Analog Audio from the XLR ports on the rear of the unit.\u003c\/p\u003e\n\u003cp\u003eEach XLR port provides a selection of Line, Mic, or +48V Phantom Power for level control and each recording channel offers the choice of Follow Video or Analog Audio.\u003c\/p\u003e\n\u003cp\u003eThis flexibility enables the capture of audio coming straight from the source input or the capture and insertion of audio from an audio mixer or microphone as desired.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemote Configuration\nand Operation\u003c\/strong\u003e\u003cbr\u003e Ki Pro GO2 is equipped for advanced remote control and configuration. With a standard Ethernet LAN connection to a host computer and any standard web browser on any OS, all Ki Pro GO2 parameter settings, clip selection, and transport controls can be controlled remotely over the network.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKPU Shelf\u003c\/strong\u003e\u003cbr\u003e Two Ki Pro GO2s conveniently fit side by side for easy 2RU rack mounting for workflows that can take advantage of rack mounting, from facilities to flypacks.\u003c\/p\u003e\n\u003cp\u003e$129 US MSRP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTech Specs:\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eVideo Formats:\u003c\/strong\u003e (HD) 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60; (HD) 1080i 50, 59.94, 60*; (HD) 1080PsF 23.98, 24, 25, 29.97, 30*,**; (HD) 720p 50, 59.94, 60; (SD) 525i 59.94*; (SD) 625i 50* \u003cbr\u003e\u003cstrong\u003eVideo Codec Support:\u003c\/strong\u003e Supports H.265\/HEVC, up to 15 Mbps recorded output; Supports H.264\/MPEG-4, up to 25 Mbps recorded output \u003cbr\u003e\u003cstrong\u003eAudio Codec Support:\u003c\/strong\u003e 4x audio compression codecs; 2-channel audio support for each; Up to 320 kbps; MPEG-4 AAC-LC \u003cbr\u003e\u003cstrong\u003eCodec Container:\u003c\/strong\u003e .MP4 \u003cbr\u003e\u003cstrong\u003eRemovable Storage:\u003c\/strong\u003e 5x USB 3.2 Gen 1 (5 Gbps) ports; All ports are also compatible with the following standards: USB 2.0 (480 Mbps); USB 3.0 (5 Gbps)*; USB 3.2 Gen 1 (5 Gbps)*; 5V 1A max current per port \u003cbr\u003e\u003cstrong\u003eRemovable Storage File System Support:\u003c\/strong\u003e FAT file systems FAT16; FAT32; exFAT; In-system formatting support for exFAT only \u003cbr\u003e\u003cstrong\u003eNetwork Storage:\u003c\/strong\u003e SMB support via GigE port* Only 1x network storage device can be used at any one time; Connection via IP address or DNS entry; Requires (externally defined) domain name, domain user name, user password; Customer must ensure sufficient bandwidth is available for recording* \u003cbr\u003e\u003cstrong\u003eSMB Protocols Supported:\u003c\/strong\u003e SMB 3.1.1; SMB 3.0.2; 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Embedded web server for remote control; Configuration and Transport Control via WEB Interface; Clip download via Web Interface; Remote control via REST \u003cbr\u003e\u003cstrong\u003eUser Interface:\u003c\/strong\u003e Rotary Selector knob; Dedicated backlit transport controls and menu buttons; Large 1280x720 TFT LCD display with Video Monitor and Menu\/Status Overlays \u003cbr\u003e\u003cstrong\u003eSize (w x d x h):\u003c\/strong\u003e 8.64\" x 10.59\" x 3.31\" (219.46 x 268.90 x 84.08 mm) \u003cbr\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 5.1 lbs (2.3 kg) \u003cbr\u003e\u003cstrong\u003ePower:\u003c\/strong\u003e External power supply required Enclosure: Dual, redundant, 12-18VDC regulated, 4-pin XLR, 55W typical, 90W max; AC adapter, included: 100-240VAC, 50\/60 Hz, universal input, 12V, 7A output; Optional redundant AC adapter sold separately, KPU-PWR-SUPPLY \u003cbr\u003e\u003cstrong\u003eEnvironment:\u003c\/strong\u003e Safe Operating Temperature: 0 to 40 C (32 to 104 F); 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PAK Media comes with a one year warranty.\u003c\/p\u003e\n\u003cp\u003e*for all capacities listed, 1GB =1,000,000,000 bytes. 1TB = 1,000GB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePAK Media\u003c\/strong\u003e\u003cbr\u003e File based recording means your files are your master copy - something you don't want to leave to chance.\u003c\/p\u003e\n\u003cp\u003ePAK Media uses a solid metal housing to protect the internal SSD drive from the bumps and bounces of field use, ensuring your media is secure.\u003c\/p\u003e\n\u003cp\u003eThe reinforced connector is engineered for repeated insertion and removal cycles, unlike the connector built into SSD drives, which is designed primarily to be inserted into a computer and rarely removed.\u003c\/p\u003e\n\u003cp\u003eThere are four PAK Media sizes available offering a balance between price and long recording needs and you may order the PAK 512 and PAK 1000 media preformatted as HFS+ or exFAT. The PAK 2000 media is preformatted as exFAT.\u003c\/p\u003e\n\u003cp\u003ePAK Media options**:\u003c\/p\u003e\n\u003cp\u003ePAK 512 \u003cstrong\u003e$1,334\u003c\/strong\u003e US MSRP\u003c\/p\u003e\n\u003cp\u003ePAK 1000 \u003cstrong\u003e$2,004\u003c\/strong\u003e US MSRP\u003c\/p\u003e\n\u003cp\u003ePAK 2000 \u003cstrong\u003e$2,403\u003c\/strong\u003e US MSRP\u003c\/p\u003e\n\u003cp\u003e**Ki Pro Ultra Plus multi-channel recording requires PAK 2000, PAK 1000, PAK 512, or PAK 256 media that are at version -R1\/-X1 or higher.\u003c\/p\u003e\n\u003cp\u003eNote: Actual working storage sizes for drives for various technical reasons will be less than the stated absolute drive size. Therefore, project dependent, AJA recommends ordering a larger capacity when required.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePAK Media Advantages\u003c\/strong\u003e\u003cbr\u003e PAK Media uses “Enterprise Level” flash memory. 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PAK Media comes with a one year warranty.\u003c\/p\u003e\n\u003cp\u003e*for all capacities listed, 1GB =1,000,000,000 bytes. 1TB = 1,000GB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePAK Media\u003c\/strong\u003e\u003cbr\u003e File based recording means your files are your master copy - something you don't want to leave to chance.\u003c\/p\u003e\n\u003cp\u003ePAK Media uses a solid metal housing to protect the internal SSD drive from the bumps and bounces of field use, ensuring your media is secure.\u003c\/p\u003e\n\u003cp\u003eThe reinforced connector is engineered for repeated insertion and removal cycles, unlike the connector built into SSD drives, which is designed primarily to be inserted into a computer and rarely removed.\u003c\/p\u003e\n\u003cp\u003eThere are four PAK Media sizes available offering a balance between price and long recording needs and you may order the PAK 512 and PAK 1000 media preformatted as HFS+ or exFAT. 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Once copied, you're ready to work - no import or transcoding needed.\u003c\/p\u003e\n\u003cp\u003e* With compatible Ki Pro device\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt for the Field\u003c\/strong\u003e\u003cbr\u003e KiStor modules can be formatted directly on the Ki Pro device. 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The tough outer casing protects the drive from the rigors of production use, keeping your valuable media safe.\u003c\/p\u003e\n\u003cp\u003eUnlike typical hard drives, which are designed for a small number of repeated connections, KiStor modules use a reinforced connection that's engineered for a high number of insertions and removals to withstand the rigors of daily use in a production environment.\u003c\/p\u003e\n\u003cp\u003eKiStor drives also have a built-in USB 3.0 connection, allowing them to be plugged directly into your system for quick downloads while in the field.\u003c\/p\u003e\n\u003cp\u003eKiStor options:\u003c\/p\u003e\n\u003cp\u003eKI-SSD512USB \u003cstrong\u003e$805\u003c\/strong\u003e US MSRP* 512GB SSD storage module with USB 3.0 connection\u003c\/p\u003e\n\u003cp\u003eKI-SSD1000USB \u003cstrong\u003e$1,334\u003c\/strong\u003e US MRSP* 1TB SSD storage module with USB 3.0 connection\u003c\/p\u003e\n\u003cp\u003eNote: Actual working storage sizes for drives for various technical reasons will be less than the stated absolute drive size. 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Once copied, you're ready to work - no import or transcoding needed.\u003c\/p\u003e\n\u003cp\u003e* With compatible Ki Pro device\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt for the Field\u003c\/strong\u003e\u003cbr\u003e KiStor modules can be formatted directly on the Ki Pro device. 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4x Fiber LC*, 3G-SDI, SMPTE-297, 10-bit; 4K\/UltraHD 4:2:2 or 4:4:4 (4x BNC or Fiber LC*); Dual Link 4:2:2, 4:4:4 (2x BNC or Fiber LC*); Single Link 4:2:2, 4:4:4 (1x BNC or Fiber LC*); 1x HDMI standard type A connector; HDMI v2.0 YCbCr, 4:2:0 only at 4K\/UltraHD 50, 59.94, 60; HDMI v1.4b, RGB or YCbCr \u003cbr\u003e\u003cstrong\u003eVideo Output Digital:\u003c\/strong\u003e 4x 3G-SDI, SMPTE-292\/296\/424, 10-bit; 4x Fiber LC* 3G-SDI, SMPTE-297, 10-bit; 4K\/UltraHD 4:2:2 or 4:4:4 (4x BNC or Fiber LC*); Dual Link 4:2:2 or 4:4:4 (2x BNC or Fiber LC*); Single Link 4:2:2 or 4:4:4 (1x BNC or Fiber LC*); 1x HDMI standard type A connector; HDMI v2.0 YCbCr, 4:2:0 only at 4K\/UltraHD 50, 59.94, 60; HDMI v1.4b, RGB or YCbCr \u003cbr\u003e\u003cstrong\u003eAudio Input Digital:\u003c\/strong\u003e 16-Channel, 24-bit SDI\/Fiber embedded audio, 48 kHz sample rate, synchronous; 8-Channel, 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous; 8-Channel, AES\/EBU via (1\/2x DB-25 TASCAM pinout) \u003cbr\u003e\u003cstrong\u003eAudio Input Analog:\u003c\/strong\u003e 8-Channel, 24-bit A\/D analog audio, 48 kHz sample rate (1x DB-25 TASCAM Pinout); 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12-18Vdc 4-pin XLR (chassis) \u003cbr\u003e\u003cstrong\u003eEnvironment:\u003c\/strong\u003e Safe Operating Temperature: 0 to 40 C (32 to 104 F); Safe Storage Temperature (Power OFF): -40 to 60 C (-40 to 140 F); Operating Relative Humidity: 10-90% noncondensing; Operating Altitude: \u0026lt;3,000 meters (\u0026lt;10,000 feet)\u003c\/p\u003e","brand":"AJA","offers":[{"title":"Default Title","offer_id":49815431643274,"sku":"KPU-PWR-SUPPLY","price":124.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5240\/3338\/files\/ki-pro-ultra-12g_cameo_5e87b32d89b7d_7a2a0076-7d3e-4aef-9236-06315d9f63ef.png?v=1785382079"},{"product_id":"kpu-shelf","title":"AJA KPU-SHELF 2RU Shelf for Rackmount Applications","description":"\u003cp\u003e2RU Shelf for Rackmount Applications\u003c\/p\u003e","brand":"AJA","offers":[{"title":"Default Title","offer_id":49815431905418,"sku":"KPU-SHELF","price":129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5240\/3338\/files\/cb-aja-bh-kpu-shelf_5ada1a79-d94f-4048-a0a1-c2cf5b473475.jpg?v=1786425634"},{"product_id":"kondor-blue-usb-c-media-hub-for-iphone-15","title":"Kondor Blue USB-C Media Hub for iPhone 15","description":"\u003cp\u003eThe Kondor Blue USB-C Media Hub enables professional filmmakers and content creators to connect iPhone 17, 16, or 15 to external monitors, SSDs, and power while maintaining secure, industry-standard camera rig mounting. Its full-sized HDMI output, ARRI anti-twist and cold shoe mounts, and removable USB-C cable in a NATO rail deliver reliable, ergonomic workflows on set or in the field.\u003c\/p\u003e \u003ch2\u003eKey Features\u003c\/h2\u003e \u003cul\u003e \u003cli\u003e \u003cstrong\u003eCompatibility:\u003c\/strong\u003e iPhone 17, 16, 15 Pro\/Pro Max and other USB-C devices\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eMounting:\u003c\/strong\u003e NATO rail, ARRI 1\/4\"-20 anti-twist, and cold shoe for audio and rig accessories\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eOutputs:\u003c\/strong\u003e Full-sized HDMI port for live monitoring (4K supported), USB-C power delivery, SSD drive media, and video capture\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eConstruction:\u003c\/strong\u003e CNC-machined aluminum with nested removable USB-C cable (for durability and cable management)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eWarranty:\u003c\/strong\u003e Lifetime warranty backed by Kondor Blue\u003c\/li\u003e \u003c\/ul\u003e \u003ch2\u003eComparison Table\u003c\/h2\u003e \u003ctable\u003e \u003ctr\u003e \u003cth\u003eFeature\u003c\/th\u003e \u003cth\u003eKondor Blue\u003c\/th\u003e \u003cth\u003eTypical Hub\u003c\/th\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCamera Mounts\u003c\/td\u003e \u003ctd\u003eNATO rail, ARRI, cold shoe\u003c\/td\u003e \u003ctd\u003eNone or generic\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eVideo Output\u003c\/td\u003e \u003ctd\u003eFull HDMI (4K)\u003c\/td\u003e \u003ctd\u003eHDMI micro or limited\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCable Management\u003c\/td\u003e \u003ctd\u003eRemovable, nested USB-C\u003c\/td\u003e \u003ctd\u003eLoose cable\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWarranty\u003c\/td\u003e \u003ctd\u003eLifetime\u003c\/td\u003e \u003ctd\u003e12 months\u003c\/td\u003e \u003c\/tr\u003e \u003c\/table\u003e \u003ch3\u003eSituational Use Cases\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eConnect SSDs for extended ProRes video recording\u003c\/li\u003e \u003cli\u003eMonitor live video feed via HDMI with wireless transmitters or on-set field monitors\u003c\/li\u003e \u003cli\u003eSecurely mount to existing camera cages or mobile rigs without tool-less shifting or cable strain\u003c\/li\u003e \u003cli\u003eStreamline mobile video capture for production teams on location\u003c\/li\u003e \u003c\/ul\u003e \u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e \u003cdetails class=\"gfai-product-faq\" open=\"\"\u003e\u003csummary\u003e\u003cstrong\u003eWhat devices is the Kondor Blue USB-C Media Hub compatible with?\u003c\/strong\u003e\u003c\/summary\u003e\u003cp\u003eThe hub is designed for iPhone 17, 16, and 15 Pro\/Pro Max but can be used with other USB-C devices for video workflows.\u003c\/p\u003e\u003c\/details\u003e \u003cdetails class=\"gfai-product-faq\" open=\"\"\u003e\u003csummary\u003e\u003cstrong\u003eCan I use this hub to power my iPhone while recording video?\u003c\/strong\u003e\u003c\/summary\u003e\u003cp\u003eYes, the USB-C port supports power delivery so you can charge your iPhone during shoots alongside simultaneous SSD and HDMI usage.\u003c\/p\u003e\u003c\/details\u003e \u003cdetails class=\"gfai-product-faq\" open=\"\"\u003e\u003csummary\u003e\u003cstrong\u003eDoes it support external SSD recording for ProRes or Log video?\u003c\/strong\u003e\u003c\/summary\u003e\u003cp\u003eYes, connect any compatible USB-C SSD for direct-to-drive video capture, ideal for high-bitrate ProRes workflows.\u003c\/p\u003e\u003c\/details\u003e \u003cdetails class=\"gfai-product-faq\" open=\"\"\u003e\u003csummary\u003e\u003cstrong\u003eHow is this hub mounted for filming setups?\u003c\/strong\u003e\u003c\/summary\u003e\u003cp\u003eIt integrates a NATO rail, ARRI 1\/4\"-20 anti-twist, and cold shoe—allowing direct attachment to camera cages, rigs, or accessories.\u003c\/p\u003e\u003c\/details\u003e \u003cdetails class=\"gfai-product-faq\" open=\"\"\u003e\u003csummary\u003e\u003cstrong\u003eIs the USB-C cable included and what is the warranty?\u003c\/strong\u003e\u003c\/summary\u003e\u003cp\u003eThe removable USB-C cable is \u003cstrong\u003enot\u003c\/strong\u003e included. Kondor Blue provides a Lifetime Warranty.\u003c\/p\u003e\u003c\/details\u003e","brand":"Kondor Blue","offers":[{"title":"Space Gray","offer_id":49819066728586,"sku":"KB-USBC-AHUB","price":89.0,"currency_code":"USD","in_stock":true},{"title":"Raven Black","offer_id":49819066761354,"sku":"KB-USBC-AHUB-BK","price":89.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5240\/3338\/files\/Mediahub_SG.1_71a351bc-3953-4d4b-a982-96ad9c2ab1ee.jpg?v=1785427196"},{"product_id":"kondor-blue-recording-module-for-magsafe-iphone-15-by-angelbird-and-kondor-blue-cfexpress","title":"Kondor Blue Recording Module for MagSafe iPhone 15 by Angelbird and KONDOR BLUE (CFexpress Type B)","description":"\u003cp\u003eCapture high-quality external video on your MagSafe-compatible iPhone 15, 16, or 17 Pro \u0026amp; Pro Max with the CFexpress Type B Recording Module by Kondor Blue. This professional-grade device enables up to 4K 60fps recording directly to CFexpress Type B or SD (V90+) cards with USB-C 3.2 Gen 2x2 connection, ensuring reliable data transfer and seamless integration for filmmakers and content creators.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e \u003cli\u003e \u003cstrong\u003eExternal 4K 60fps video recording\u003c\/strong\u003e on iPhone 15\/16\/17 Pro \u0026amp; Pro Max\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eCFexpress Type B and SD (V90 minimum) card support\u003c\/strong\u003e for high-speed, high-capacity storage\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eUSB-C 3.2 Gen 2x2 interface\u003c\/strong\u003e (20 Gb\/s) for rapid offload and device compatibility\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eRecessed port design\u003c\/strong\u003e reduces accidental disconnects during continuous shoots\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eMagSafe-mounting array\u003c\/strong\u003e—fast, tool-free attachment with most MagSafe cases\u003c\/li\u003e \u003cli\u003e1\/4”-20 mount with ARRI anti-twist pin support for rig versatility\u003c\/li\u003e \u003cli\u003eEngineered to withstand extreme temperatures and shock\u003c\/li\u003e \u003cli\u003eNo external power source required (USB bus-powered)\u003c\/li\u003e \u003c\/ul\u003e\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\u003cul\u003e \u003cli\u003eMax Recording Resolution: 4K at 60fps (video format dependent on iPhone and card speed)\u003c\/li\u003e \u003cli\u003eSupported Media: CFexpress Type B, SD V90 (220MB\/s+ sustained write)\u003c\/li\u003e \u003cli\u003eConnection: USB-C 3.2 Gen 2x2 (20 Gb\/s, right-angle cable included)\u003c\/li\u003e \u003cli\u003eMount Options: MagSafe, 1\/4”-20 (ARRI 3mm anti-twist compatible)\u003c\/li\u003e \u003cli\u003eDimensions: 74 x 45 x 18mm (approx.)\u003c\/li\u003e \u003cli\u003eWeight: 68g (approx.)\u003c\/li\u003e \u003cli\u003eWarranty: 3-Year Limited Warranty from Kondor Blue\u003c\/li\u003e \u003c\/ul\u003e\u003ch3\u003eReal-World Use Cases\u003c\/h3\u003e\u003cul\u003e \u003cli\u003e \u003cstrong\u003eProfessional mobile filmmaking\u003c\/strong\u003e—uninterrupted ProRes and Log capture for documentaries, commercials, or live events\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eOn-set backup\u003c\/strong\u003e—instant off-phone storage for faster post-production handoff\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eTravel or documentary shooting\u003c\/strong\u003e—magnetically mount, record, and swap media with minimal gear\u003c\/li\u003e \u003c\/ul\u003e\u003ch2\u003eComparison Table: Kondor Blue vs. ZIKE Z791C\u003c\/h2\u003e\u003ctable\u003e \u003cthead\u003e\u003ctr\u003e \u003cth\u003eFeature\u003c\/th\u003e \u003cth\u003eKondor Blue Module\u003c\/th\u003e \u003cth\u003eZIKE Z791C\u003c\/th\u003e \u003c\/tr\u003e\u003c\/thead\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eMax Recording\u003c\/td\u003e \u003ctd\u003e4K 60fps\u003c\/td\u003e \u003ctd\u003e4K 120fps\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCard Support\u003c\/td\u003e \u003ctd\u003eCFexpress B, SD V90\u003c\/td\u003e \u003ctd\u003eSSD Only\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMount\u003c\/td\u003e \u003ctd\u003eMagSafe, 1\/4\"-20\u003c\/td\u003e \u003ctd\u003eMagSafe\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower\u003c\/td\u003e \u003ctd\u003eUSB Bus-Powered\u003c\/td\u003e \u003ctd\u003e27W passthrough charging\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDisplay\u003c\/td\u003e \u003ctd\u003e—\u003c\/td\u003e \u003ctd\u003eLCD Smart Display\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003cdetails class=\"gfai-product-faq\" open=\"\"\u003e\u003csummary\u003e\u003cstrong\u003eHow do I record ProRes video externally from my iPhone?\u003c\/strong\u003e\u003c\/summary\u003e\u003cp\u003eConnect the module via MagSafe or 1\/4\"-20 mount, insert a CFexpress B or SD V90 card (formatted APFS\/exFAT), and use an app like Blackmagic Camera to record ProRes directly to external media.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails class=\"gfai-product-faq\" open=\"\"\u003e\u003csummary\u003e\u003cstrong\u003eWhat media cards should I use?\u003c\/strong\u003e\u003c\/summary\u003e\u003cp\u003eUse CFexpress Type B or SD cards rated V90 with at least 220 MB\/s sustained write speed to support 4K 60fps ProRes recording. Slower cards may limit quality or reliability.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails class=\"gfai-product-faq\" open=\"\"\u003e\u003csummary\u003e\u003cstrong\u003eDoes the module require an external power supply?\u003c\/strong\u003e\u003c\/summary\u003e\u003cp\u003eNo—the unit is USB bus-powered and draws power from the iPhone or compatible host during operation.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails class=\"gfai-product-faq\" open=\"\"\u003e\u003csummary\u003e\u003cstrong\u003eIs the device compatible with rugged filming environments?\u003c\/strong\u003e\u003c\/summary\u003e\u003cp\u003eYes. The module is built with shock-resistant, industrial-grade materials and is tested to perform under extreme temperature and field conditions typical for professional productions.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails class=\"gfai-product-faq\" open=\"\"\u003e\u003csummary\u003e\u003cstrong\u003eCan I use this on a rigged camera setup?\u003c\/strong\u003e\u003c\/summary\u003e\u003cp\u003eYou can mount with the 1\/4\"-20 thread and ARRI 3mm anti-twist pins for secure attachment to cages, arms, or other accessories in a modular rig.\u003c\/p\u003e\u003c\/details\u003e","brand":"Kondor Blue","offers":[{"title":"Space Gray","offer_id":49819079540874,"sku":"KBRMCFXB","price":99.99,"currency_code":"USD","in_stock":true},{"title":"Raven Black","offer_id":49819079573642,"sku":"KBRMCFXBRB","price":99.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5240\/3338\/files\/CFexpress_B_Recording_Module_01_01_Web_20231207.jpg?v=1785427306"},{"product_id":"kondor-blue-recording-module-for-magsafe-iphone-15-by-angelbird-and-kondor-blue-sd-card","title":"Kondor Blue Recording Module for MagSafe iPhone 15 by Angelbird and KONDOR BLUE(SD Card)","description":"\u003cp\u003eCapture high-quality external video on your MagSafe-compatible iPhone 15, 16, or 17 Pro \u0026amp; Pro Max with the CFexpress Type B Recording Module by Kondor Blue. This professional-grade device enables up to 4K 60fps recording directly to CFexpress Type B or SD (V90+) cards with USB-C 3.2 Gen 2x2 connection, ensuring reliable data transfer and seamless integration for filmmakers and content creators.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e \u003cli\u003e \u003cstrong\u003eExternal 4K 60fps video recording\u003c\/strong\u003e on iPhone 15\/16\/17 Pro \u0026amp; Pro Max\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eCFexpress Type B and SD (V90 minimum) card support\u003c\/strong\u003e for high-speed, high-capacity storage\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eUSB-C 3.2 Gen 2x2 interface\u003c\/strong\u003e (20 Gb\/s) for rapid offload and device compatibility\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eRecessed port design\u003c\/strong\u003e reduces accidental disconnects during continuous shoots\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eMagSafe-mounting array\u003c\/strong\u003e—fast, tool-free attachment with most MagSafe cases\u003c\/li\u003e \u003cli\u003e1\/4”-20 mount with ARRI anti-twist pin support for rig versatility\u003c\/li\u003e \u003cli\u003eEngineered to withstand extreme temperatures and shock\u003c\/li\u003e \u003cli\u003eNo external power source required (USB bus-powered)\u003c\/li\u003e \u003c\/ul\u003e\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\u003cul\u003e \u003cli\u003eMax Recording Resolution: 4K at 60fps (video format dependent on iPhone and card speed)\u003c\/li\u003e \u003cli\u003eSupported Media: CFexpress Type B, SD V90 (220MB\/s+ sustained write)\u003c\/li\u003e \u003cli\u003eConnection: USB-C 3.2 Gen 2x2 (20 Gb\/s, right-angle cable included)\u003c\/li\u003e \u003cli\u003eMount Options: MagSafe, 1\/4”-20 (ARRI 3mm anti-twist compatible)\u003c\/li\u003e \u003cli\u003eDimensions: 74 x 45 x 18mm (approx.)\u003c\/li\u003e \u003cli\u003eWeight: 68g (approx.)\u003c\/li\u003e \u003cli\u003eWarranty: 3-Year Limited Warranty from Kondor Blue\u003c\/li\u003e \u003c\/ul\u003e\u003ch3\u003eReal-World Use Cases\u003c\/h3\u003e\u003cul\u003e \u003cli\u003e \u003cstrong\u003eProfessional mobile filmmaking\u003c\/strong\u003e—uninterrupted ProRes and Log capture for documentaries, commercials, or live events\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eOn-set backup\u003c\/strong\u003e—instant off-phone storage for faster post-production handoff\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eTravel or documentary shooting\u003c\/strong\u003e—magnetically mount, record, and swap media with minimal gear\u003c\/li\u003e \u003c\/ul\u003e\u003ch2\u003eComparison Table: Kondor Blue vs. ZIKE Z791C\u003c\/h2\u003e\u003ctable\u003e \u003cthead\u003e\u003ctr\u003e \u003cth\u003eFeature\u003c\/th\u003e \u003cth\u003eKondor Blue Module\u003c\/th\u003e \u003cth\u003eZIKE Z791C\u003c\/th\u003e \u003c\/tr\u003e\u003c\/thead\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eMax Recording\u003c\/td\u003e \u003ctd\u003e4K 60fps\u003c\/td\u003e \u003ctd\u003e4K 120fps\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCard Support\u003c\/td\u003e \u003ctd\u003eCFexpress B, SD V90\u003c\/td\u003e \u003ctd\u003eSSD Only\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMount\u003c\/td\u003e \u003ctd\u003eMagSafe, 1\/4\"-20\u003c\/td\u003e \u003ctd\u003eMagSafe\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower\u003c\/td\u003e \u003ctd\u003eUSB Bus-Powered\u003c\/td\u003e \u003ctd\u003e27W passthrough charging\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDisplay\u003c\/td\u003e \u003ctd\u003e—\u003c\/td\u003e \u003ctd\u003eLCD Smart Display\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003cdetails class=\"gfai-product-faq\" open=\"\"\u003e\u003csummary\u003e\u003cstrong\u003eHow do I record ProRes video externally from my iPhone?\u003c\/strong\u003e\u003c\/summary\u003e\u003cp\u003eConnect the module via MagSafe or 1\/4\"-20 mount, insert a CFexpress B or SD V90 card (formatted APFS\/exFAT), and use an app like Blackmagic Camera to record ProRes directly to external media.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails class=\"gfai-product-faq\" open=\"\"\u003e\u003csummary\u003e\u003cstrong\u003eWhat media cards should I use?\u003c\/strong\u003e\u003c\/summary\u003e\u003cp\u003eUse CFexpress Type B or SD cards rated V90 with at least 220 MB\/s sustained write speed to support 4K 60fps ProRes recording. Slower cards may limit quality or reliability.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails class=\"gfai-product-faq\" open=\"\"\u003e\u003csummary\u003e\u003cstrong\u003eDoes the module require an external power supply?\u003c\/strong\u003e\u003c\/summary\u003e\u003cp\u003eNo—the unit is USB bus-powered and draws power from the iPhone or compatible host during operation.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails class=\"gfai-product-faq\" open=\"\"\u003e\u003csummary\u003e\u003cstrong\u003eIs the device compatible with rugged filming environments?\u003c\/strong\u003e\u003c\/summary\u003e\u003cp\u003eYes. The module is built with shock-resistant, industrial-grade materials and is tested to perform under extreme temperature and field conditions typical for professional productions.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails class=\"gfai-product-faq\" open=\"\"\u003e\u003csummary\u003e\u003cstrong\u003eCan I use this on a rigged camera setup?\u003c\/strong\u003e\u003c\/summary\u003e\u003cp\u003eYou can mount with the 1\/4\"-20 thread and ARRI 3mm anti-twist pins for secure attachment to cages, arms, or other accessories in a modular rig.\u003c\/p\u003e\u003c\/details\u003e","brand":"Kondor Blue","offers":[{"title":"Space Gray","offer_id":49819079934090,"sku":"KBRMSD","price":99.99,"currency_code":"USD","in_stock":true},{"title":"Raven Black","offer_id":49819079966858,"sku":"KBRMSDRB","price":99.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5240\/3338\/files\/CFexpress_B_Recording_Module_01_01_Web_20231207_74210064-40d8-4ba6-b297-976cffea0c2f.jpg?v=1785427308"}],"url":"https:\/\/cinebits.co\/collections\/video-recorders.oembed?page=2","provider":"CineBits","version":"1.0","type":"link"}