{"title":"Controllers","description":"","products":[{"product_id":"bmd-dv-key-ad-capset","title":"Blackmagic Design DaVinci Advanced Panel Keycaps","description":"\u003ch3\u003eBlackmagic Design DaVinci Advanced Panel Keycaps\u003c\/h3\u003e \u003cp class=\"Default\"\u003eReplacement keycaps for the DaVinci Resolve Advanced Panels for Resolve Version 17. \u003c\/p\u003e \u003cp class=\"Default\"\u003eSet includes: Keycaps for each of the 3 Panels, the Trackball Panel, T-bar Panel and Search Dial Panel.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49814764454026,"sku":"BMD-DV\/KEY\/AD\/CAPSET","price":879.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5240\/3338\/files\/bmd-dv-key-ad-capset.jpg?v=1785369022"},{"product_id":"bmd-dv-key-ad-capset-veet","title":"Blackmagic Design DaVinci Advanced Panel Keycaps v2A","description":"\u003ch3\u003eBlackmagic Design DaVinci Advanced Panel Keycaps v2A\u003c\/h3\u003e \u003cp\u003eReplacement keycaps for the DaVinci Resolve Advanced Panel.\u003c\/p\u003e\u003c!-- specs-from-master --\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCategory:\u003c\/strong\u003e Controllers\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eManufacturer:\u003c\/strong\u003e Blackmagic Design\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePart number:\u003c\/strong\u003e BMD-DV\/KEY\/AD\/CAPSET\/VEET\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShipping weight:\u003c\/strong\u003e 4 lb\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShipping carton:\u003c\/strong\u003e 16 x 11.8 x 3.9 in\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49814764486794,"sku":"BMD-DV\/KEY\/AD\/CAPSET\/VEET","price":525.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5240\/3338\/files\/bmd-dv-key-ad-capset-veet.jpg?v=1785369023"},{"product_id":"blackmagic-design-davinci-resolve-micro-color-panel","title":"Blackmagic Design DaVinci Resolve Micro Color Panel","description":"\u003ch3\u003eBlackmagic Design DaVinci Resolve Micro Color Panel (DE)\u003c\/h3\u003e \u003cp\u003eThe DaVinci Resolve Micro Color Panel is a compact yet powerful color panel that gives you all the control you need to create cinematic images. The Micro Panel features a row of direct control knobs at the top of the panel, three trackballs with rings for color grading and transport keys to speed up your grading session. Includes controls for refined color grading including adding windows and a tablet slot designed to hold an Apple iPad. Connects via Bluetooth or USB-C.\u003c\/p\u003e \u003cp\u003eDaVinci Resolve is the world's only solution that combines editing, color correction, visual effects, motion graphics and audio post production all in one software tool! Its elegant, modern interface is fast to learn and easy for new users, yet powerful for professionals. DaVinci Resolve lets you work faster and at a higher quality because you don't have to learn multiple apps or switch software for different tasks. That means you can work with camera original quality images throughout the entire process. It's like having your own post production studio in a single app! Best of all, by learning DaVinci Resolve, you're learning how to use the exact same tools used by Hollywood professionals!\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"EN","offer_id":49814764552330,"sku":"BMD-DV\/RES\/AAAPNLMIC\/EN","price":559.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5240\/3338\/files\/bmd-dv-res-aaapnlmic_14.jpg?v=1785369026"},{"product_id":"bmd-dv-res-aadpnl","title":"Blackmagic Design DaVinci Resolve Advanced Panel","description":"\u003ch3\u003eBlackmagic DaVinci Resolve Advanced Panel\u003c\/h3\u003e\u003cbr\u003e\u003ch3\u003eThe post production standard\u003c\/h3\u003e\u003cbr\u003e\u003cp class=\"left\"\u003eDaVinci color correctors are the standard in post production since 1984. There are thousands of colorists worldwide who understand the performance, quality and workflow of DaVinci and love it as their trusted partner in creativity. DaVinci is the name behind more feature films, television commercials, documentaries, episodic television production and music videos than any other grading system. Now avalible for both Mac and Linux, the true quality and power of DaVinci is now affordable for everyone!\u003c\/p\u003e\u003cbr\u003e\u003ch3\u003eClients demand DaVinci!\u003c\/h3\u003e\u003cbr\u003e\u003cp class=\"right\"\u003eWhen you're in a room full of demanding clients with conflicting ideas, colorists know that only DaVinci has the quality, real time performance, creative features, and powerful control panels to make euphoric clients who love to keep coming back. That's why clients always ask for DaVinci by name.\u003c\/p\u003e\u003cbr\u003e\u003ch3\u003eRealtime by design\u003c\/h3\u003e\u003cbr\u003e\u003cp class=\"left\"\u003eComputer based solutions are always limited to the computer you're running on. DaVinci Resolve when running on Linux smashes this limitation, because it's based on a cluster of Linux computers with high performance GPU cards, so all processing is always real time. This means DaVinci Resolve Linux has all the power of a super computer for the real time performance you need when you're in a room full of clients. Add dozens of primaries, secondaries, power windows, multi point tracking, blurs, and more, then just hit play. It always works!\u003c\/p\u003e\u003cbr\u003e\u003ch3\u003eScale as you need!\u003c\/h3\u003e\u003cbr\u003e\u003cp class=\"right\"\u003eStart with a single computer on Mac OS X for lower cost, then upgrade to Linux for extra power for high resolutions such as 2K or 4K, stereoscopic 3D feature films, or real time grading of raw RED files. It's all possible with DaVinci because you can just add extra Linux computers and GPU cards via high speed InfiniBand connections. Only DaVinci Resolve scales up as your needs increase.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"left\"\u003eDaVinci processing quality is so revolutionary it won an Emmy award for contributions to the television industry! All image processing is handled in the deepest 32 bit floating point accuracy, so even if you wind down one layer to almost black, you can still wind the following layer back up with no loss of quality. All effects, power windows, tracking, primaries and secondaries all operate at the highest bit depths, even when processing in real time. That's the engineering perfection clients demand.\u003c\/p\u003e\u003cbr\u003e\u003ch3\u003eOptical quality processing\u003c\/h3\u003e\u003cbr\u003e\u003cp class=\"right\"\u003eDaVinci supports flat gamma, linear or log images with equal ease and quality. If you need to resize, reposition or zoom any shot, then DaVinci Resolve does it all in real time at full RGB optical quality. Pan, tilt, zoom and rotate while grading mixed formats, mixed pixel aspect ratios and mixed resolutions all on the same timeline. Only DaVinci uses YRGB processing to independently adjust luminance using a simple control for greater creativity, such as slightly burnt out or de-saturated highlights.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49814765011082,"sku":"BMD-DV\/RES\/AADPNL","price":34665.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5240\/3338\/files\/canvas-bmd-dv-res-aadpnl.jpg?v=1787683416"},{"product_id":"bmd-dv-res-bbpnlmic","title":"Blackmagic Design DaVinci Resolve Micro Panel","description":"\u003ch3\u003eBlackmagic DaVinci Resolve Micro Panel\u003c\/h3\u003e \u003cp\u003eThe \u003cstrong\u003eDaVinci Resolve Micro Panel\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e is a portable control surface that provides more control and a faster workflow to DaVinci Resolve software than working with a keyboard and mouse alone. Suitable for editors and colorists that need a portable control surface. It features three high-resolution, weighted trackballs and 12 control knobs for accessing essential primary color-correction tools in the Resolve software. Eighteen dedicated keys on the right side also give you access to the most commonly used grading features and playback controls.\u003c\/p\u003e \u003cp\u003eThe Micro Panel uses a USB 3.0 Type-C interface that allows you to connect to a computer or laptop and power the panel, alleviating the need for a separate power supply. It also interfaces with Mac, Windows, or select Linux systems. For the panel to work with Resolve, your computer must be running DaVinci Resolve 12.5.5 or DaVinci Resolve Studio 12.5.5 or later. An included USB 3.0 Type-A to USB Type-C cable provides backward compatibility for systems that have USB 3.0 Type-A ports.\u003c\/p\u003e \u003cdiv class=\"sectionHeaders js-hiddenFeatures\" data-selenium=\"sectionHeaders\"\u003e \u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-2\"\u003e \u003cdd class=\"featuredd c28\"\u003eSmall enough to take with you, so you can bring it to any Resolve system (12.5.5 or later) and do color correction on location or at the editor's suite\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-3\"\u003e \u003cdd class=\"featuredd c28\"\u003eShares basic layout with Mini and Advanced Panels\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-4\"\u003e \u003cdd class=\"featuredd c28\"\u003eInterfaces with and controls software\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-5\"\u003e \u003cdd class=\"featuredd c28\"\u003eThree track balls with outer control rings\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-6\"\u003e \u003cdd class=\"featuredd c28\"\u003eLog and Offset color-correction selection buttons\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-7\"\u003e \u003cdd class=\"featuredd c28\"\u003eCustom control knobs with 4096 steps per rotation and push-button reset\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-8\"\u003e \u003cdt class=\"featureTitle\"\u003e\u003cstrong\u003ePrimary Correction Creative Control Knobs\u003c\/strong\u003e\u003c\/dt\u003e \u003cdd class=\"c28\"\u003eControl knobs are grouped into four sets of three knobs\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-9\"\u003e \u003cdt class=\"featureTitle\"\u003e\u003cstrong\u003eLuminance\u003c\/strong\u003e\u003c\/dt\u003e \u003cdd class=\"c28\"\u003e \u003cul\u003e \u003cul\u003e \u003cli\u003eY lift Control: Adjust the contrast of the image in the darker areas, specifically in the Y (luminance) channel only. This adjustment allows changing the black point without changing saturation.\u003c\/li\u003e \u003c\/ul\u003e \u003c\/ul\u003e \u003cul\u003e \u003cul\u003e \u003cli\u003eY Gamma Control: Adjust the contrast of the image in the mid-tone areas, specifically in the Y (luminance) channel only. This control helps add depth and extra vibrancy to shots.\u003c\/li\u003e \u003c\/ul\u003e \u003c\/ul\u003e \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-10\"\u003e \u003cdt class=\"featureTitle\"\u003e\u003cstrong\u003eContrast\u003c\/strong\u003e\u003c\/dt\u003e \u003cdd class=\"c28\"\u003e \u003cul\u003e \u003cul\u003e \u003cli\u003eContrast Control: Increase contrast to make the blacks darker and the whites brighter, or decrease contrast to do the opposite.\u003c\/li\u003e \u003c\/ul\u003e \u003c\/ul\u003e \u003cul\u003e \u003cul\u003e \u003cli\u003ePivot: Change the center of tonality about which dark and bright parts of the image are stretched or narrowed during a contrast adjustment.\u003c\/li\u003e \u003c\/ul\u003e \u003c\/ul\u003e \u003cul\u003e \u003cul\u003e \u003cli\u003eMid-Tone Detail: Affect the contrast of regions of the image with high edge detail to increase or decrease the perception of image sharpness and definition. Often used for softening facial features making it popular for beauty shots.\u003c\/li\u003e \u003c\/ul\u003e \u003c\/ul\u003e \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-11\"\u003e \u003cdt class=\"featureTitle\"\u003e\u003cstrong\u003eDetail\u003c\/strong\u003e\u003c\/dt\u003e \u003cdd class=\"c28\"\u003e \u003cul\u003e \u003cul\u003e \u003cli\u003eColor Boost Control: Raise the saturation in regions of the image with low saturation while leaving properly saturated areas alone. Also known as a vibrance operation, this is useful for adding color without over saturating the image.\u003c\/li\u003e \u003c\/ul\u003e \u003c\/ul\u003e \u003cul\u003e \u003cul\u003e \u003cli\u003eShadow Control: Selectively lighten or darken shadow detail without affecting your images mid-tones.\u003c\/li\u003e \u003c\/ul\u003e \u003c\/ul\u003e \u003cul\u003e \u003cul\u003e \u003cli\u003eHighlight Control: Enable retrieving blown out highlight detail in high dynamic range media by lowering this parameter. This allows you to achieve a smooth blend between the retrieved highlights and unadjusted mid tones for a natural-looking image.\u003c\/li\u003e \u003c\/ul\u003e \u003c\/ul\u003e \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-12\"\u003e \u003cdt class=\"featureTitle\"\u003e\u003cstrong\u003eSaturation\u003c\/strong\u003e\u003c\/dt\u003e \u003cdd class=\"c28\"\u003eIncreases or decreases overall image saturation, you can turn your color image into a grayscale image with this control.\u003cbr\u003e\u003cbr\u003e \u003cul\u003e \u003cul\u003e \u003cli\u003eHue Control: Rotate all hues of the image around 360° of the color wheel. The default setting is 50, which retains the original distribution of hues.\u003c\/li\u003e \u003c\/ul\u003e \u003c\/ul\u003e \u003cul\u003e \u003cul\u003e \u003cli\u003eLuminance Mix Control: Control the balance between the YRGB adjustments and Y only adjustments made using the Y channel lift, gamma, and gain controls.\u003c\/li\u003e \u003c\/ul\u003e \u003c\/ul\u003e \u003cbr\u003e\u003cbr\u003e\n\u003c\/dd\u003e \u003c\/dl\u003e \u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49814765633674,"sku":"BMD-DV\/RES\/BBPNLMIC","price":949.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5240\/3338\/files\/canvas-bmd-dv-res-bbpnlmic.jpg?v=1787683418"},{"product_id":"bmd-dv-res-bbpnlmini","title":"Blackmagic Design DaVinci Resolve Mini Panel","description":"\u003ch3\u003eBlackmagic DaVinci Resolve Mini Panel\u003c\/h3\u003e \u003cp\u003eThe \u003cstrong\u003eDaVinci Resolve Mini Panel\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e is a step-up in functionality from the Micro panel but without all the features of the Advanced panel. It is a portable control surface suitable for those that need to switch between editing and color grading. It can sit on your desk top, in a rack, or be bolted to a surface. As with the Micro panel, it features three high-resolution, weighted trackballs and 12 control knobs for accessing essential primary color-correction tools in the Resolve software. 18 dedicated keys on the right side also give you access to the most commonly used grading features and playback controls.\u003c\/p\u003e \u003cp\u003eHowever, the Mini Panel also features two LCD screens that allow you to display menus or the parameters of the tools you are working with. Eight customizable soft knobs provide precise control and a quick reset by pushing the knob. Dedicated feature buttons allow you to change tools without needing to use the mouse. The Mini panel incorporates a USB Type-C and Ethernet interface. It is compatible with Mac, Windows, and select Linux systems. You can power the panel via an AC power source, a 4-pin XLR connector, or PoE. For the panel to work with Resolve, your computer must be running DaVinci Resolve 12.5.5 or DaVinci Resolve Studio 12.5.5 or later. An included USB 3.0 Type-A to USB Type-C cable provides backward compatibility for systems that are limited to USB Type-A connectors.\u003c\/p\u003e \u003cdiv class=\"sectionHeaders js-hiddenFeatures\" data-selenium=\"sectionHeaders\"\u003e \u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-2\"\u003e \u003cdd class=\"featuredd c28\"\u003eSmall enough to take with you, so you can bring it to any Resolve system (12.5.5 or later) and do color correction on location or at the editor's suite\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-3\"\u003e \u003cdd class=\"featuredd c28\"\u003eShares basic layout with both Micro and Advanced Panels\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-4\"\u003e \u003cdd class=\"featuredd c28\"\u003eInterfaces with and controls software\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-5\"\u003e \u003cdd class=\"featuredd c28\"\u003eThree track balls with outer control rings\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-6\"\u003e \u003cdd class=\"featuredd c28\"\u003eLog and Offset color-correction selection buttons\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-7\"\u003e \u003cdd class=\"featuredd c28\"\u003eButtons are backlit and light up when actuated\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-8\"\u003e \u003cdd class=\"featuredd c28\"\u003eTwo LCD display screens for displaying the menu system or the parameters of the tools you are wotking with\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-9\"\u003e \u003cdd class=\"featuredd c28\"\u003eCustom control knobs with 4096 steps per rotation and push button reset\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-10\"\u003e \u003cdt class=\"featureTitle\"\u003e\u003cstrong\u003ePrimary Correction Creative Control Knobs\u003c\/strong\u003e\u003c\/dt\u003e \u003cdd class=\"c28\"\u003eControl knobs are grouped into four sets of three knobs\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-11\"\u003e \u003cdt class=\"featureTitle\"\u003e\u003cstrong\u003eLuminance\u003c\/strong\u003e\u003c\/dt\u003e \u003cdd class=\"c28\"\u003e \u003cul\u003e \u003cul\u003e \u003cli\u003eY Lift Control: Adjust the contrast of the image in the darker areas, specifically in the Y (luminance) channel only. This adjustment allows changing the black point without changing saturation.\u003c\/li\u003e \u003c\/ul\u003e \u003c\/ul\u003e \u003cul\u003e \u003cul\u003e \u003cli\u003eY Gamma Control: Adjust the contrast of the image in the mid-tone areas, specifically in the Y (luminance) channel only. This control helps add depth and extra vibrancy to shots\u003c\/li\u003e \u003c\/ul\u003e \u003c\/ul\u003e \u003cul\u003e \u003cul\u003e \u003cli\u003eY Gain: You can reduce hot spots or tweak the whites to define a look.\u003c\/li\u003e \u003c\/ul\u003e \u003c\/ul\u003e \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-12\"\u003e \u003cdt class=\"featureTitle\"\u003e\u003cstrong\u003eContrast\u003c\/strong\u003e\u003c\/dt\u003e \u003cdd class=\"c28\"\u003e \u003cul\u003e \u003cul\u003e \u003cli\u003eContrast Control: Increase contrast to make the blacks darker and the whites brighter, or decrease contrast to do the opposite.\u003c\/li\u003e \u003c\/ul\u003e \u003c\/ul\u003e \u003cul\u003e \u003cul\u003e \u003cli\u003ePivot: Change the center of tonality about which dark and bright parts of the image are stretched or narrowed during a contrast adjustment.\u003c\/li\u003e \u003c\/ul\u003e \u003c\/ul\u003e \u003cul\u003e \u003cul\u003e \u003cli\u003eMid-Tone Detail: Affect the contrast of regions of the image with high edge detail to increase or decrease the perception of image sharpness and definition. Often used for softening facial features making it popular for beauty shots.\u003c\/li\u003e \u003c\/ul\u003e \u003c\/ul\u003e \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-13\"\u003e \u003cdt class=\"featureTitle\"\u003e\u003cstrong\u003eDetail\u003c\/strong\u003e\u003c\/dt\u003e \u003cdd class=\"c28\"\u003e \u003cul\u003e \u003cul\u003e \u003cli\u003eColor Boost Control: Raise the saturation in regions of the image with low saturation while leaving properly saturated areas alone. Also known as a vibrance operation, this is useful for adding color without over-saturating the image.\u003c\/li\u003e \u003c\/ul\u003e \u003c\/ul\u003e \u003cul\u003e \u003cul\u003e \u003cli\u003eShadow Control: Selectively lighten or darken shadow detail without affecting your images mid-tones.\u003c\/li\u003e \u003c\/ul\u003e \u003c\/ul\u003e \u003cul\u003e \u003cul\u003e \u003cli\u003eHighlight Control: Enable retrieving blown-out highlight detail in high dynamic range media by lowering this parameter. This allows you to achieve a smooth blend between the retrieved highlights and unadjusted mid tones for a natural-looking image.\u003c\/li\u003e \u003c\/ul\u003e \u003c\/ul\u003e \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-14\"\u003e \u003cdt class=\"featureTitle\"\u003e\u003cstrong\u003eSaturation\u003c\/strong\u003e\u003c\/dt\u003e \u003cdd class=\"c28\"\u003eIncreases or decreases overall image saturation — you can turn your color image into a grayscale image with this control.\u003cbr\u003e \u003cul\u003e \u003cul\u003e \u003cli\u003eHue Control: Rotates all hues of the image around 360° of the color wheel. The default setting is 50, which retains the original distribution of hues.\u003c\/li\u003e \u003c\/ul\u003e \u003c\/ul\u003e \u003cul\u003e \u003cul\u003e \u003cli\u003eLuminance Mix Control: Controls the balance between the YRGB adjustments and Y only adjustments made using the Y channel lift, gamma, and gain controls.\u003c\/li\u003e \u003c\/ul\u003e \u003c\/ul\u003e \u003c\/dd\u003e \u003c\/dl\u003e \u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-15\"\u003e \u003cdd class=\"featuredd c28\"\u003eThe system powers from either AC power or a 12 VDC source via the 4-pin XLR connector.\u003c\/dd\u003e \u003c\/dl\u003e \u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-16\"\u003e \u003cdd class=\"featuredd c28\"\u003eThe Mini panel can sit on a desktop, be mounted in a rack, or mounted to a surface to prevent theft or be used in a moving vehicle or on a cart.\u003c\/dd\u003e \u003c\/dl\u003e \u003c\/div\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49814765830282,"sku":"BMD-DV\/RES\/BBPNLMINI","price":2319.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5240\/3338\/files\/canvas-bmd-dv-res-bbpnlmini.jpg?v=1787683420"},{"product_id":"bmd-dv-res-bbpnlmleka","title":"Blackmagic Design DaVinci Resolve Speed Editor","description":"\u003ch3\u003eBlackmagic Design DaVinci Resolve Speed Editor\u003c\/h3\u003e \u003cp class=\"Default\"\u003e\u003cb\u003eDaVinci Resolve Speed Editor Features\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eSource tape allows faster clip searching.\u003c\/li\u003e \u003cli\u003eLarge trim in and out buttons.\u003c\/li\u003e \u003cli\u003eNew keyboard modes for intelligent editing.\u003c\/li\u003e \u003cli\u003eButtons to allow search dial to live trim.\u003c\/li\u003e \u003cli\u003eButtons to change transition type.\u003c\/li\u003e \u003cli\u003eIntegrated search dial control.\u003c\/li\u003e \u003cli\u003eKeypad for direct timecode entry. \u003c\/li\u003e \u003c\/ul\u003e \u003cp class=\"Default\"\u003eTraditional edit software uses thousands of clips to organize their media, so customers need to constantly click and drag clips to edit. That's too slow for work such as TVCs, news, promos and training videos. Now the cut page has a modern version of the videotape and it's called the \"source tape\". Simply push the source button and use the search dial to scroll through all their media. Plus, the current clip is highlighted live in the bin. After the edit the viewer will stay in the source tape so customers can move to the next shot faster.\u003c\/p\u003e \u003cp class=\"Default\"\u003eEntering in and out points is the most used function in editing, so the speed editor keyboard includes large in and out point buttons that customers can easily locate by feel. That's perfect for two handed editing where users are using their right hand for transport control and their left hand is placing in and out points and performing edits. Customers can simply scroll along with the search dial and place in and out points anywhere customers want. Once the in and out points are set, just reach their fingers up to the edit function buttons to perform the edit. The in and out points can also be used to focus the source tape. Then customers can change the source tape back to the whole bin by pressing the escape key. \u003c\/p\u003e \u003cp class=\"Default\"\u003eEditing with a keyboard is different to editing with a mouse, so the cut page editing functions have been upgraded to take advantage of the speed of a keyboard. The edit functions are intelligent and use the \"smart indicator\" in the timeline to work out where to insert, so most of the time customers don't need to place in or out points in the timeline to do an edit. They are located just above the in and out keys, so are easy to locate by feel. Plus each time customers edit, the cut page won't waste time switching over to the timeline, allowing customers to stay in the source tape and visually browse, placing clips continuously. That's much faster as customers can just keep throwing clips into the timeline. \u003c\/p\u003e \u003cp class=\"Default\"\u003eWith a large high quality search dial built into the panel, customers get an extremely accurate way to trim shots. With the search dial being such a physically large control, it completely transforms how it feels to trim shots. Plus it's much faster too. The trim buttons will change the search dial into a trim control and customers simply hold the trim buttons and rotate the search dial. This means customers can select various trim modes with their left hand while adjusting the trim with their right. It's extremely fast and the smart indicator in the timeline will let customers know which edit users are trimming. Just move along the timeline and live trim edits. It's a whole new way to work. \u003c\/p\u003e \u003cp class=\"Default\"\u003eEditing software can be slow at adding transitions to edits because customers have to click and drag effects down into the timeline. However, with the DaVinci Resolve Speed Editor, customers can just press a button to switch them on and off. It's really fast as customers can scroll down the timeline adding or removing effects. The smart indicator in the timeline will let customers know which edit point will be affected, and customers can move the timeline to move the edit point in focus. The cut key will remove any effect on an edit point in the timeline. Pressing dissolve adds a dissolve to the edit point using the default duration. Pressing the smooth cut button adds a smooth cut so customers can eliminate jump cuts. \u003c\/p\u003e \u003cp class=\"Default\"\u003eThe DaVinci Resolve Speed Editor eliminates the large QWERTY keyboard for a smaller more portable design, so the function button area includes only the controls customers need for editing. Some of the enhanced function keys on the DaVinci Resolve Speed Editor are not even available on the full sized editor keyboard. Plus, some keys have an alternative function where customers can press and hold or double press to get a second function using the same key. That means customers need less keys for a more portable design, but it still retains a lot of editing power. The keys are in a separate group so customers can find the key customers need by feel and operate faster than a regular keyboard. \u003c\/p\u003e \u003cp class=\"Default\"\u003eThe escape key is positioned to the top left so it's easy to locate, as it's the most common key for reversing some functions. A good example is the sync bin and if customers select a camera, customers can go back to the multiview by selecting this escape key. Plus, if customers double press it, it works as undo. \u003c\/p\u003e \u003cp class=\"Default\"\u003eThe sync bin is a new style of multi-cam and it allows customers to find shots that are sync'd to the current shot in the timeline. That lets customers find cutaways using a familiar multiview interface. Then use the camera keys to select an alternative shot, and source overwrite to edit it into the timeline. \u003c\/p\u003e \u003cp class=\"Default\"\u003eThe audio level key lets customers quickly set audio levels of clips by holding the key and adjusting the level using the search dial. That's a fast way to set audio levels while editing. Double pressing the key lets customers add a marker, and double pressing and holding allows customers to set the marker color. \u003c\/p\u003e \u003cp class=\"Default\"\u003eThe full screen button is highlighted red so customers can find it quickly and switch to a full screen view of their viewer. That's great for presenting their edit to clients. Plus if customers double press the full view button, it will go into full screen view and play from just before their most recent edit. \u003c\/p\u003e \u003cp class=\"Default\"\u003eThe transition button is similar to the cut and smooth cut buttons, however it will add a custom transition of their choice from a pallet of all the available DaVinci Resolve transitions. If customers press and hold the transition button users will see the pallet appear allowing selection of the one customers want. \u003c\/p\u003e \u003cp class=\"Default\"\u003eThe split button will instantly cut the clip in the timeline at the current playback point. If users are positioned on a split in a clip, then pressing the split button will remove the split. If customers press and hold, customers can use the search dial to move the current clip up and down the timeline. \u003c\/p\u003e \u003cp class=\"Default\"\u003ePressing snap will turn on snapping in the timeline. Snapping on the speed editor is different, as it's not magnetic so it's more subtle. It works by momentarily pausing jog at the edit points so it's nicer to use. Or if customers press and hold, the search dial will let customers adjust the viewer size. \u003c\/p\u003e \u003cp class=\"Default\"\u003eRipple delete removes the current clip at the playback point then ripples the timeline to fill the space left by the deleted clip. This eliminates any blank spaces in the timeline. Customers can use it with split to remove parts of shots customers don't want. Plus, it will also reduce their timeline duration.\u003c\/p\u003e \u003cp class=\"Default\"\u003eThe camera number section lets customers select the cameras when using the cut page sync bin. Plus, if customers press a camera number while turning the search dial, the selected camera will be applied to the timeline in real time as customers jog forward. This feature is called live override and on the speed editor panel customers can do it momentarily by holding the camera button, or customers can latch it on using the live override button. When live override is latched on, the buttons light up and customers can select cameras just like a production switcher. Customers will see a multiview and customers can just cut from camera to camera. Plus, this section even has the video only and audio only buttons for greater editing control. \u003c\/p\u003e \u003cp class=\"Default\"\u003eThe DaVinci Resolve Speed Editor model includes built in Bluetooth so customers can use the keyboard without messy wires, and customers can even use it in conjunction with their regular computer keyboard. That's perfect for using it with a laptop. Customers can also use the keyboard via USB if required and the USB connection will also charge the internal battery. With Bluetooth and a built in battery, the keyboard is extremely portable. \u003c\/p\u003e \u003cp class=\"Default\"\u003e\"We think this is an incredibly exciting product as it has such dramatic workflow ramifications,\" said Grant Petty, Blackmagic Design CEO. \"Until now, editing software has been designed to be used with a mouse, however that's slow as each edit function often takes multiple mouse clicks to do each task. Now with the DaVinci Resolve cut page and the DaVinci Resolve Speed Editor being co-designed, it means they work together for a whole new generation of editing workflow. 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More than just a simple keyboard, the DaVinci Resolve Editor Keyboard has been designed as an alternative way to edit that's much faster than a mouse because you can simultaneously use both hands at the same time! You also get an integrated search dial built right into the keyboard. Simply plug the keyboard into any USB‑C computer and you are ready to go! While most keys will work as a standard USB keyboard, the DaVinci Resolve Editor Keyboard has been designed for DaVinci Resolve 16 to enable an editing experience that's dramatically faster than previously possible.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49814766157962,"sku":"BMD-DV\/RES\/BBPNLMLEKB","price":669.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5240\/3338\/files\/canvas-bmd-dv-res-bbpnlmlekb.jpg?v=1787683426"},{"product_id":"bmd-dv-stufus","title":"Blackmagic Design Fusion Studio","description":"\u003ch3\u003eBlackmagic Design Fusion Studio\u003c\/h3\u003e \u003cp class=\"Body\"\u003e\u003cb\u003eThe world's most advanced visual effects, 3D, VR and motion graphics solution!\u003c\/b\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003eFusion is the world's most advanced compositing software for visual effects artists, broadcast and motion graphic designers, and 3D animators. Over the last 30 years, Fusion has been used on thousands of Hollywood blockbuster movies and television shows. Fusion features a powerful node based interface that lets you quickly and easily create sophisticated effects by connecting different types of image processing tools together! You get a massive range of tools, incredible VR and 3D support, GPU accelerated performance, unlimited network rendering and more! Fusion gives you everything you need to create exciting broadcast graphics, dramatic titles, and even major feature film visual effects! \u003c\/p\u003e \u003cp class=\"Body\"\u003eCompositions you create on the Fusion page can now be saved as a template and used on the edit or cut page! New animation curve modifiers can be used to automatically retime animations when you change their duration in an edit. Audio playback with waveform display makes it easier to create precisely timed animations, there are shared markers with the edit page and more. In addition, 27 GPU accelerated Resolve FX have been added to the Fusion page, including the noise reduction and sharpening tools from the color page! New node view bookmarks make it easy to navigate large comps, the toolbar can be customized with your favorite tools, and vertical layouts are supported in the node editor. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eBuild Your Own Effects with Customizable Templates\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003eFusion effect templates let you create any effect imaginable and apply them to clips on the edit and cut pages! Simply build a composition, save it as a macro, define the parameters you want to make visible, and save it in the correct location. Just drag Fusion effect from the library onto any clip! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eAutomatically Retime Animations\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003eAnimation curve modifiers let you easily stretch or squish keyframes and add bounce, mirror or loop animations that automatically change when the duration of the composition changes. When you drop Fusion titles or effects onto the timeline and change its duration, the animation adjusts accordingly! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eSync Audio Animations\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003eThe Fusion page can now playback audio from the edit or cut page timeline. You can choose a mix down from the timeline, or you can listen to the source clip's audio. Waveforms are displayed in the keyframe editor, allowing you to create precisely timed animations that are in sync with the audio! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eCustom Vector Shapes\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003eVector shape tools make it easier to create motion graphics! You get ellipsis, rectangles, polygons and stars, along with boolean operators for combining shapes to create intricate designs. Grid, jitter, offset and transform, let you customize animations. Shapes can also be used as particle sources! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eGPU Accelerated Resolve FX\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003eThe Fusion page has 27 new GPU accelerated Resolve FX. This includes the color page's noise reduction and sharpening tools, along with lens blur, light effects, color effects, revival image restoration tools and more. You also get texture and stylize, temporal effects, warping and beauty tools. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003ePersonalize Your Workflow\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003eNode tree bookmarks let you quickly navigate to any part of the node tree in a large composition. Customizable toolbars let you quickly switch toolbars based on the current task. Vertical node tree layouts give you more room to view the spline and keyframe editors when creating animations, and more. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eHollywood's Biggest Blockbusters\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003eThousands of Hollywood's biggest blockbusters and hit television shows use Fusion to create their groundbreaking visual effects. Fusion has been used on feature films like Ant-Man, Red Sparrow and London Has Fallen, as well as hit television shows like Empire, NCIS and Emergence. Fusion also plays a major role in the development of cinematics for major video games such as Dawn of War III, Halo 5 and more! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eNodes are a Much Faster Way to Work!\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003eNodes are incredibly easy to use, especially as scenes become more complex. Fusion's nodes are small icons that represent effects, filters and other image processing operations. Nodes can be easily connected together to build larger and more complex visual effects. Tools, images, and objects can be combined in any order to create unlimited visual effects. Simply click on a node to quickly adjust any single part of your project. That's much faster than a timeline based tool because you don't need to hunt through nested stacks of confusing layers and filters! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eGet the most Powerful VFX Software Available!\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003eWhether you need to pull a key, track objects, retouch images, animate titles, or create amazing particle effects, Fusion has a massive toolset that lets you tackle the most demanding jobs. You get a true 3D workspace along with tools for compositing, keying, painting, animation, virtual reality, stereoscopic 3D and more. Fusion combines effects and motion graphics, along with 3D modeling and rendering into a single toolset. That means you can import and render 3D models and scenes with the rest of your composite in Fusion. You don't have to pre‑render assets or transfer between multiple applications! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eBroadcast Graphics and Titles\u003c\/strong\u003e \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eAnimated Text\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003ePowerful character generators let you create incredible animated 2D or 3D text and title sequences in any language! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003e3D Motion Graphics\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003eCreate advanced motion graphics with incredible depth using Fusion's infinite 3D workspace to seamlessly combine vector graphics, live action and 3D objects! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003e3D Particle Systems\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003eCreate amazing 3D animated particle effects with real world physics like gravity, wind, and collision so particles can interact with objects in your scene. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eVisual Effects and Compositing \u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eTrue 3D Compositing\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003eCombine live action with 3D models, cameras, lights and more in a true 3D workspace to create amazing, photorealistic effects and motion graphics. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eFast Motion Tracking\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003eMatch moves, stabilize cameras and track rotoscope points or paint strokes so objects and effects blend seamlessly and in perfect synchronization.\u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003e Powerful Keying\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003eKey any element using the new Delta keyer, Ultra, Chroma, Luma and Differential keyers to create the best possible composite \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eVector Paint and Rotoscoping\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003eAdvanced vector paint and rotoscoping tools let you create masks and mattes for applying effects and image corrections to specific parts of an image. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eOptical Flow Image Analysis\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003eFusion uses advanced optical flow algorithms to generate motion vectors so you can fix shots, retime, steady and morph images with astounding results! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eStereoscopic 3D Tools\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003eFusion includes the world's most advanced camera matching, stereo alignment, convergence and spatialization tools for creating realistic, eye popping stereo 3D! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eUnlimited Filters and Effects\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003eFusion includes hundreds of built-in tools that can be combined together or, in Fusion Studio, with third party filters to create an unlimited number of effects! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eVirtual Reality and 3D \u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003ePanoramic Viewer\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003eUse the new Panoramic Viewer to work in 360º VR environments, or wear popular VR headsets and get incredible interactivity so you can see your work in realtime \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eImport and Render 3D Models\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003eImport full 3D models from applications like Maya, 3ds Max and Cinema 4D, then use Fusion to light, shade, composite and render with full GPU acceleration! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eDeep Pixel Compositing\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003eTake advantage of both RGB color and XYZ position information in each pixel when using OpenEXR files so you can blend 2D images with 3D elements like volumetric fog and lights with interactive control. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eScripting and Automation\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003eBuilt on an extensible and customizable framework, Fusion allows game developers, 3D feature film animators and media artists to use its open architecture to extend their own internal systems! Fusion supports both Lua and Python, a popular and intuitive scripting solution used by animators worldwide. You can save time by writing scripts to create custom tools, pass data back and forth between Fusion and other applications, automate repetitive tasks, and even add entirely new features! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eGPU Accelerated Workflow\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003eFusion is extremely fast and responsive enough to be used in high pressure, client driven sessions. With its Metal, CUDA and OpenCL GPU acceleration, you get instant feedback while you work so you can see exactly what you're doing. Fusion 17 features more GPU pipelining than ever so whether you're working alone or with a client, you get the real time control you need. That means you'll be able to spend more time being creative and less time waiting! Fusion is so fast that you can even work in VR while wearing a headset and still get over 90 frames per second of interactivity! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eUnlimited Render Power\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003eFusion has the world's fastest production quality render engine! You can even distribute your render jobs across an unlimited number of networked computers for incredible performance, at no additional cost! There's no \"per node\" render license fees. Simply install it on as many render nodes as you need! That means you can render complex scenes incredibly fast to meet the intense deadlines of production, without having to sacrifice creativity or quality. \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eFusion Connect\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003eFusion Connect lets DaVinci Resolve and Avid Media Composer editors take advantage of Fusion's massive visual effects and motion graphics toolset, right from their timelines! Editors can select individual clips or layers of clips and send them to Fusion. A new Fusion composition is automatically created and linked dynamically back to the timeline. You can work on the VFX and motion graphics yourself or, if you're on shared storage, let another artist work on them for you. Once the Fusion composition is rendered, the shots are automatically updated back in the DaVinci Resolve or Avid Media Composer timelines! \u003c\/p\u003e \u003cp class=\"Body\"\u003e\u003cstrong\u003eCollaborate with Large Teams\u003c\/strong\u003e\u003c\/p\u003e \u003cp class=\"Body\"\u003eWhen you're working with a large creative team, DaVinci Resolve's color management and API scripting allow automated creation of timelines for review and approval of VFX. This means shot review, storyboarding, version and annotation can be easily be shared with everyone on the team. 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