{"title":"Cameras","description":"","products":[{"product_id":"bb-v1-915","title":"Bit Part bitbox (North America \/ FCC)","description":"\u003cp\u003e915 MHz remote camera control that feels like magic.\u003c\/p\u003e\u003ch3\u003eZero configuration. Massively configurable.\u003c\/h3\u003e\u003cp\u003ePlug bitbox directly into a tablet or camera with USB-C Ethernet support. Set your camera's IP to match the network and you're done.\u003c\/p\u003e\u003cp\u003eUse your existing network with no additional hassle. Not even a config page. No more mesh units. No dongle required.\u003c\/p\u003e\u003ch3\u003ePairing couldn't be simpler\u003c\/h3\u003e\u003cp\u003ebitbox includes multiple antenna options suitable for most camera builds. Want to expand the system with rental or borrowed units? Just press a button on each radio.\u003c\/p\u003e\u003ch3\u003eBatteries not included\u003c\/h3\u003e\u003cp\u003eWith a sub-5 second boot time and minimal power draw, bitbox is a feat of efficiency. 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Set your camera's IP to match the network and you're done.\u003c\/p\u003e\u003cp\u003eUse your existing network with no additional hassle. Not even a config page. No more mesh units. No dongle required.\u003c\/p\u003e\u003ch3\u003ePairing couldn't be simpler\u003c\/h3\u003e\u003cp\u003ebitbox includes multiple antenna options suitable for most camera builds. Want to expand the system with rental or borrowed units? Just press a button on each radio.\u003c\/p\u003e\u003ch3\u003eBatteries not included\u003c\/h3\u003e\u003cp\u003eWith a sub-5 second boot time and minimal power draw, bitbox is a feat of efficiency. You won't need them.\u003c\/p\u003e\u003ch3\u003eGo loooooooooooong\u003c\/h3\u003e\u003cp\u003ebitbox gives you camera control with unreal range, even in the most congested RF spectra on Earth. 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Most other uncertified devices use SMA. This antenna will not work with uncertified or homemade devices.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAll antennas are final sale and not eligible for returns, service or warranty.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Bit Part","offers":[{"title":"Default Title","offer_id":49761078182026,"sku":"BP.RP.ANT868Q","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5240\/3338\/files\/ANT-868-CW-QW.jpg?v=1784599769"},{"product_id":"bp-rp-ant900h","title":"Bit Part bitbox antenna (868MHz)","description":"\u003cp\u003eArticulating RP-SMA antenna for bitbox devices in Europe and other 868MHz markets.\u003c\/p\u003e \u003cp\u003ePlease note that for regulatory purposes, bit part uses RP-SMA antennas. Most other uncertified devices use SMA. This antenna will not work with uncertified or homemade devices.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAll antennas are final sale and not eligible for returns, service or warranty.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Bit Part","offers":[{"title":"Default Title","offer_id":49761078280330,"sku":"BP.RP.ANT900H","price":17.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5240\/3338\/files\/norm-ANT-868-CW-HWR-RPS_7df22227-87d0-4777-aaf5-ba15893c501b.png?v=1784752670"},{"product_id":"bb-c1-915-pre","title":"Bit Part bitbox mini-c Deposit","description":"\u003cp\u003eRefundable deposit for bitbox mini-c.\u003c\/p\u003e\u003cp\u003eRetail price will be $649, this deposit will be applied toward that amount when purchasing.\u003c\/p\u003e\u003cp\u003eDeposits are not necessary for purchase, but will guarantee an allocation before general retail sales begin. 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External control of some camera settings, focus, iris and zoom with compatible lenses. Camera Control REST API over USB Ethernet for external control via HTTP when used with REST client applications such as Postman.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eStorage Features\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eStorage Type\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e CFexpress Type B\u003c\/p\u003e \u003cp\u003e high speed USB-C expansion port for external media.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eRecording Formats\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at 6048 x 4032, 4838 x 4032, 6048 x 3200, 6048 x 2520, 4096 x 3072, 4096 x 2160, 2112 x 1184 and 1920 x 1080 with film, extended video, video dynamic range or custom 3D LUT embedded in metadata.\u003c\/p\u003e \u003cp\u003eSupports recording optional portrait mode metadata for all resolutions in Blackmagic RAW and H.264 Proxies.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eStorage Rates\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eStorage rates based on 30 frames per second.\u003c\/p\u003e \u003cp\u003e6048 x 4032 (6K Open Gate 3:2)\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1 - 370 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 223 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 140 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 94 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 278 to 555 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 186 to 444 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 124 to 318 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 75 to 186 MB\/s\u003c\/p\u003e \u003cp\u003e4838 x 4032 (Anamorphic 6:5)\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1 - 297 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 179 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 112 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 75 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 223 to 445 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 149 to 356 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 100 to 255 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 60 to 149 MB\/s\u003c\/p\u003e \u003cp\u003e6048 x 3200 (6K DCI 17:9)\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1 - 295 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 177 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 111 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 75 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 221 to 441 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 148 to 353 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 99 to 253 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 60 to 148 MB\/s\u003c\/p\u003e \u003cp\u003e6048 x 2520 (6K 2.4:1)\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1 - 233 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 140 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 88 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 59 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 175 to 348 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 117 to 279 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 78 to 199 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 47 to 117 MB\/s\u003c\/p\u003e \u003cp\u003e4096 x 3072 (Super 35 4:3)\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1 - 192 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 116 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 73 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 49 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 145 to 288 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 97 to 231 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 65 to 165 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 39 to 97 MB\/s\u003c\/p\u003e \u003cp\u003e4096 x 2160 (4K DCI 17:9)\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1 - 136 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 82 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 52 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 35 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 102 to 203 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 69 to 163 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 46 to 117 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 28 to 69 MB\/s\u003c\/p\u003e \u003cp\u003e2112 x 1184 (Super 16 16:9)\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1 - 40 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 24 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 16 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 11 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 30 to 59 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 21 to 48 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 14 to 34 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 9 to 21 MB\/s\u003c\/p\u003e \u003cp\u003e1920 x 1080\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1 - 33 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 20 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 13 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 9 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 25 to 49 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 17 to 40 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 12 to 29 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 8 to 17 MB\/s\u003c\/p\u003e \u003cp\u003eConstant Quality storage rates quoted are indicative only.\u003c\/p\u003e \u003cp\u003eActual storage rates are entirely dependent on image subject matter.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eSoftware\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eSoftware Included\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eBlackmagic OS\u003c\/p\u003e \u003cp\u003eDaVinci Resolve Studio for Mac and Windows including activation key\u003c\/p\u003e \u003cp\u003eBlackmagic Camera Setup\u003c\/p\u003e \u003cp\u003eBlackmagic RAW Player\u003c\/p\u003e \u003cp\u003eBlackmagic RAW QuickLook Plugin\u003c\/p\u003e \u003cp\u003eBlackmagic RAW SDK\u003c\/p\u003e \u003cp\u003eBlackmagic RAW Speed Test\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003ePower Supply\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e External 12V power supply.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eExternal Power Input\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e 2-pin locking connector.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBattery Type\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eNP-F570\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBattery Life\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eApproximately 60 minutes (recording 6K RAW at 24 fps to CFexpress with screen brightness at 50%)\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e12V-20V.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAccessories\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eOptional Accessories\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eBlackmagic Pocket Cinema Camera Pro EVF\u003c\/p\u003e \u003cp\u003eBlackmagic Pocket Camera Battery Pro Grip\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eEnvironmental Specifications\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eOperating Temperature\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e0°to 40°C (32° to 104°F)\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eStorage Temperature\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e-20°to 45°C (-4° to 113°F)\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eRelative Humidity\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e0% to 90% non-condensing\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eBlackmagic Cinema Camera 6K\u003c\/p\u003e \u003cp\u003eLens turret dust cap\u003c\/p\u003e \u003cp\u003eCamera strap\u003c\/p\u003e \u003cp\u003e30W power supply with locking connector and international adapters\u003c\/p\u003e \u003cp\u003eNP-F570 battery\u003c\/p\u003e \u003cp\u003eNP-F series battery USB charger\u003c\/p\u003e \u003cp\u003eWelcome booklet\u003c\/p\u003e \u003cp\u003eDaVinci Resolve Studio activation key\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eProduct Warranty\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e12 Month Limited Manufacturer's Warranty.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49814752657546,"sku":"BMD-CINECAM60KLFL","price":1755.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5240\/3338\/files\/canvas-bmd-cinecam60klfl.jpg?v=1787683234"},{"product_id":"blackmagic-design-pyxis-6k","title":"Blackmagic Design PYXIS 6K","description":"\u003ch3\u003eBlackmagic Design PYXIS 6K (L-Mount)\u003c\/h3\u003e \u003cp\u003eBlackmagic Design's PYXIS 6K is an advanced digital film camera with an incredibly versatile design that lets you build the perfect camera rig for your production. This new model features a 6048 x 4032 full frame HDR sensor with built in optical low pass filter, dual native ISO, dual CFexpress media slots, all in a customizable body with flexible mounting options and side plates. The PYXIS 6K is available in three different models with fixed L-Mount, PL or locking EF lens mounts!\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCamera Features\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eEffective Sensor Size\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e36mm x 24mm (Full Frame)\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eActive L-Mount.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eLens Control\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eIris and focus on supported lenses.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eDynamic Range\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e13 Stops.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eDual Native ISO\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e400 and 3200\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eShooting Resolutions\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e6048 x 4032 (Open Gate 3:2) up to 36 fps\u003cbr\u003e4832 x 4032 (Anamorphic 6:5) up to 36 fps\u003cbr\u003e6048 x 3200 (6K DCI 17:9) up to 48 fps\u003cbr\u003e6048 x 2520 (6K 2.4:1) up to 60 fps\u003cbr\u003e4096 x 3072 (Super 35 4:3) up to 50 fps\u003cbr\u003e4096 x 2160 (4K DCI 17:9) up to 60 fps\u003cbr\u003e2112 x 1184 (Super 16 16:9) up to 100 fps\u003cbr\u003e1920 x 1080 (1080 HD 16:9) up to 120 fps\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eFrame Rates\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eMaximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.\u003c\/p\u003e \u003cp\u003eOff-speed frame rates up to 60 fps in 6K 2.4:1 and 4K DCI 17:9, 100 fps in Super 16 16:9 and 120 fps in 1080HD.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eFocus\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eAuto focus available using compatible lenses.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eIris Control\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eIris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eScreen Dimensions\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e4\" 1920 x 1080.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eScreen Brightness\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e1500 nits\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eScreen Type\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eLCD capacitive touchscreen.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eMetadata Support\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eAutomatically populated lens data from electronic L-Mount lenses. Automatic recording of camera settings, motion sensor data plus slate data such as project, scene number, take and special notes. A 3D LUT can also be embedded in metadata of Blackmagic RAW files.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eTouchscreen menus on 4 inch screen. 1 x Power Switch, 1 x Record Button, 1 x Stills Button, 1 x Scroll Wheel with push, 1 x ISO Button, 1 x White Balance, 1 x Shutter Button, 3 x software configurable Fn buttons, 1 x Focus Button, 1 x IRIS Button, 1 x High Frame Rate (HFR) Button, 1 x Zoom Button, 1 x Menu Button, 1 x Playback Button, 1 x Next Clip Button, 1 x Previous Clip Button, 1 x Lock Switch.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTimecode Clock\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eHighly accurate timecode clock. Less than 1 frame drift every 8 hours.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eConnections\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTotal Video Inputs\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eNone\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTotal Video Outputs\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e1 x 12G-SDI up to 2160p60\u003c\/p\u003e \u003cp\u003e1 x Viewfinder USB-C with power,\u003cbr\u003edata, video and locking connector.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAnalog Audio Inputs\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e1 x mini XLR analog audio in, switchable between\u003cbr\u003emic with phantom power support and line level\u003cbr\u003e(up to +14dBu).\u003c\/p\u003e \u003cp\u003e1 x 3.5mm Stereo Input.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAnalog Audio Outputs\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e1 x 3.5mm headphone jack.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eReference Inputs\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eTri-Sync\/Black Burst and Timecode.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eComputer Interface\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eUSB Type-C for external drive recording,\u003cbr\u003ePTP camera control and software updates.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eEthernet\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e1 x 1Gb\/s RJ‑45 connector supporting\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e10\/100\/1000 BASE-T.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAudio\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eMicrophone\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eIntegrated stereo microphone.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBuilt in Speaker\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e1 x mono speaker.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eMedia\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eMedia\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e2 x CFexpress Type B card slot, 1 x USB-C 3.1 Gen 1 expansion port for external media for Blackmagic RAW and H.264 Proxy Recording.\u003c\/p\u003e \u003cp\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eMedia Format\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eCan format media to ExFAT (Windows\/Mac)\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eor HFS+ (Mac) file systems.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eSupported Codecs\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCodecs\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eBlackmagic RAW Constant Bitrate 3:1,\u003cbr\u003eBlackmagic RAW Constant Bitrate 5:1,\u003cbr\u003eBlackmagic RAW Constant Bitrate 8:1,\u003cbr\u003eBlackmagic RAW Constant Bitrate 12:1,\u003cbr\u003eBlackmagic RAW Constant Quality Q0,\u003cbr\u003eBlackmagic RAW Constant Quality Q1,\u003cbr\u003eBlackmagic RAW Constant Quality Q3,\u003cbr\u003eBlackmagic RAW Constant Quality Q5,\u003cbr\u003eH.264 Proxy in 1920 x 1080, 8-bit 4:2:0\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eControl\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eExternal Control\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eBlackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod handles.\u003c\/p\u003e \u003cp\u003eiPad control, Bluetooth control, USB PTP camera control. External control of some camera settings, focus, iris and zoom with compatible lenses. Camera Control REST API over Ethernet for external control via HTTP when used with REST client applications such as Postman.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eStorage Features\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eStorage Type\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e1 x CFexpress Type B\u003c\/p\u003e \u003cp\u003e1 x high speed USB-C expansion port for external media.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eRecording Formats\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at 6048 x 4032, 4832 x 4032, 6048 x 3200, 6048 x 2520, 4096 x 3072, 4096 x 2160, 2112 x 1184 and 1920 x 1080 with film, extended video, video dynamic range or custom 3D LUT embedded in metadata.\u003c\/p\u003e \u003cp\u003eSupports recording optional portrait mode metadata for all resolutions in Blackmagic RAW and H.264 Proxies.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eStorage Rates\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eStorage rates based on 30 frames per second.\u003c\/p\u003e \u003cp\u003e6048 x 4032 (6K Open Gate 3:2)\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1 - 370 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 223 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 140 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 94 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 278 to 555 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 186 to 444 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 124 to 318 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 75 to 186 MB\/s\u003c\/p\u003e \u003cp\u003e4832 x 4032 (Anamorphic 6:5)\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1 - 297 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 179 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 112 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 75 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 223 to 445 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 149 to 356 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 100 to 255 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 60 to 149 MB\/s\u003c\/p\u003e \u003cp\u003e6048 x 3200 (6K DCI 17:9)\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1 - 295 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 177 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 111 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 75 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 221 to 441 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 148 to 353 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 99 to 253 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 60 to 148 MB\/s\u003c\/p\u003e \u003cp\u003e6048 x 2520 (6K 2.4:1)\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1 - 233 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 140 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 88 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 59 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 175 to 348 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 117 to 279 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 78 to 199 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 47 to 117 MB\/s\u003c\/p\u003e \u003cp\u003e4096 x 3072 (Super 35 4:3)\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1 - 192 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 116 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 73 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 49 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 145 to 288 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 97 to 231 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 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It also eliminates expensive external recorders, as it features a unique new USB-C Expansion Port, which allows customers to record using the internal SD\/UHS-II and CFast recorders or directly to the same external disks they will use for editing and color correction. \u003c\/p\u003e \u003cp\u003eThe revolutionary Blackmagic Pocket Cinema Camera 4K is the handheld digital film camera that customers have been asking for. It packs incredibly high end imaging and professional features into a portable and affordable design that can be used anywhere. The compact body style is perfect for shooting independent films and documentaries, fashion shows, travel blogs, web videos, weddings, corporate video, sports and much more.\u003c\/p\u003e \u003cp\u003eThe Blackmagic Pocket Cinema Camera 4K features a full size 4\/3 HDR sensor with native 4096 x 2160 resolution and 13 stops of dynamic range for true digital film quality. 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The camera uses standard LP-E6 batteries and can be charged via USB-C or the locking DC power connector, which protects the camera from being accidentally unplugged during a shoot.\u003c\/p\u003e \u003cp\u003e\"Customers love the original Blackmagic Pocket Cinema Camera and have been asking us for a 4K version,\" said Grant Petty, Blackmagic Design CEO. \"We've listened and built a camera that combines all of our newest ideas and customer feedback from the previous model! The Blackmagic Pocket Cinema Camera 4K is exciting because it packs so much technology into an incredibly small design. We feel it will go well beyond what customers expected. It's perfect for anyone that needs a truly professional ultra compact digital film camera. This is not a consumer camera that's trying to do high end work, it's a true high end camera designed for high end work.\"\u003c\/p\u003e \u003ch3\u003eBlackmagic Pocket Cinema Camera 4K Features\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eFull size 4\/3 sized sensor with native 4096 x 2160 resolution sized sensor.\u003c\/li\u003e \u003cli\u003eCompatible with extremely high quality Micro Four Thirds lenses.\u003c\/li\u003e \u003cli\u003eSuper wide 13 stops of dynamic range allows capture for high end feature film look.\u003c\/li\u003e \u003cli\u003eUp to 25600 ISO for incredible low light performance.\u003c\/li\u003e \u003cli\u003eCarbon fiber polycarbonate composite body which makes it lightweight, portable and durable.\u003c\/li\u003e \u003cli\u003eMulti function grip for quick access to recording start\/stop, still photos, ISO, shutter, aperture, white balance, power and more.\u003c\/li\u003e \u003cli\u003eBuilt in SD, UHS-II and CFast card recorders.\u003c\/li\u003e \u003cli\u003eUSB-C expansion port allows longer duration recording directly to an external SSD or flash disk.\u003c\/li\u003e \u003cli\u003eStandard open file formats compatible with popular NLE software such as 10-bit ProRes and 12 bit RAW.\u003c\/li\u003e \u003cli\u003eFeatures full size HDMI output for monitoring with camera status graphic overlay.\u003c\/li\u003e \u003cli\u003eProfessional mini XLR input with 48 volts of phantom power for connecting to pro microphones.\u003c\/li\u003e \u003cli\u003e3.5mm audio jack, headphone jack, and locking DC 12 volt power connection.\u003c\/li\u003e \u003cli\u003eBuilt in 5\" LCD touchscreen allows accurate focus when shooting 4K.\u003c\/li\u003e \u003cli\u003eLCD supports on screen overlays including status, histogram, focus peaking, and transport controls.\u003c\/li\u003e \u003cli\u003eRecords 4K images at up to 60 frames per second and windowed HD at up to 120 frames per second.\u003c\/li\u003e \u003cli\u003e3D LUTs can be applied for both monitoring and recording.\u003c\/li\u003e \u003cli\u003eBlackmagic OS as used in URSA Mini and URSA Broadcast cameras.\u003c\/li\u003e \u003cli\u003e4th generation Blackmagic color science.\u003c\/li\u003e \u003cli\u003eSupports remote camera control via Bluetooth.\u003c\/li\u003e \u003cli\u003eIncludes full license for DaVinci Resolve Studio editing, color, visual effects and audio post production.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e \u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49814753312906,"sku":"BMD-CINECAMPOCHDMFT4K","price":1139.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5240\/3338\/files\/canvas-bmd-cinecampochdmft4k.jpg?v=1787683248"},{"product_id":"bmd-cinecampochdmftevf","title":"Blackmagic Design Pocket Cinema Camera Pro EVF","description":"\u003ch3\u003eBlackmagic Design Pocket Cinema Camera Pro EVF\u003c\/h3\u003e \u003cp class=\"Body\"\u003eYou can add an optional viewfinder to the Blackmagic Pocket Cinema Camera 6K Pro for a more immersive shooting experience! With an extra 33% of the OLED display dedicated to critical information such as frame rate, histogram, record status, audio meters and more, you'll never need to take your eye away from the shot. The Blackmagic Pocket Cinema Camera Pro EVF has a 70 degree range of motion and 4 different types of eyecups, with options for left or right eyes. The built in proximity sensor not only activates the viewfinder, but also switches off the LCD touchscreen. This conserves battery power and prevents you from accidentally changing camera setup by pressing the touchscreen controls! \u003c\/p\u003e \u003cp class=\"Body\"\u003eThe Blackmagic Pocket Cinema Camera Pro EVF is the perfect accessory to make outdoors and handheld shooting easy! You get a high quality viewfinder with built in proximity sensor, 4 element glass diopter with an incredible -4 to +4 adjustment, built in status information, and a digital focus chart. The Pocket Cinema Camera Pro EVF connects quickly to the Blackmagic Pocket Cinema Camera 6K Pro via a single connector. The viewfinder has up to 70 degree swivel, and comes with a set of 4 eyecups including left and right eye.\u003c\/p\u003e \u003cp class=\"Default\"\u003e \u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49814753345674,"sku":"BMD-CINECAMPOCHDMFTEVF","price":555.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5240\/3338\/files\/canvas-bmd-cinecampochdmftevf.jpg?v=1787683249"},{"product_id":"bmd-cinema6k-l-irix-lens-db","title":"Blackmagic Design Cinema Camera 6K L \u0026 Irix 21mm + 45mm + Nanuk Case","description":"\u003ch3\u003eBlackmagic Cinema Camera 6K L \u0026amp; Irix 21mm + 45mm + Nanuk Case\u003c\/h3\u003e \u003ch3\u003eBlackmagic Design Cinema Camera 6K\u003c\/h3\u003e \u003cp\u003eThe Blackmagic Cinema Camera 6K is a next generation, handheld 6K digital film camera with 6048 x 4032 full frame high resolution HDR sensor, dual native ISO, L-Mount, CFexpress recording and direct recording to USB-C disks! 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Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.\u003c\/p\u003e \u003cp\u003eOff-speed frame rates up to 60 fps in 6K 2.4:1 and 4K DCI 17:9, 100 fps in Super 16 16:9 and 120 fps in 1080HD.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eFocus\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eAuto focus available using compatible lenses.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eIris Control\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eIris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eScreen Dimensions\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e5\" 1920 x 1080.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eScreen Brightness\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e1500 nits\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eScreen Type\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eLCD capacitive touchscreen.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eMetadata Support\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eAutomatically populated lens data from electronic L-Mount lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes. A 3D LUT can also be embedded in metadata of Blackmagic RAW files.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eTouchscreen menus on 5 inch screen.  Power Switch,  Record Button,  Stills Button,  Scroll Wheel with push integrated into handgrip,  ISO Button,  White Balance,  Shutter Button, 3 x software configurable Fn buttons,  Focus Button,  IRIS Button,  High Frame Rate (HFR) Button,  Zoom Button,  Menu Button and  Playback Button.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTimecode Clock\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eHighly accurate timecode clock. Less than 1 frame drift every 8 hours.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eConnections\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTotal Video Inputs\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eNone\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTotal Video Outputs\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e HDMI up to 1080p60\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAnalog Audio Inputs\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e2 x mini XLR analog switchable between mic with phantom power support and line level (up to +14dBu).  3.5mm Stereo Input.\u003c\/p\u003e \u003cp\u003eAll audio inputs can also be used for Timecode input.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAnalog Audio Outputs\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e 3.5mm headphone jack.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eComputer Interface\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eUSB Type-C for external drive recording, PTP camera control and software updates.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAudio\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eMicrophone\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eIntegrated stereo microphone.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBuilt in Speaker\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e mono speaker.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eMedia\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eMedia\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e CFexpress Type B card slot,  USB-C 3.1 Gen 1 expansion port for external media for Blackmagic RAW and H.264 Proxy Recording.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eMedia Format\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eCan format media to ExFAT (Windows\/Mac) or HFS+ (Mac) file systems.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eSupported Codecs\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCodecs\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eBlackmagic RAW Constant Bitrate 3:1,\u003cbr\u003eBlackmagic RAW Constant Bitrate 5:1,\u003cbr\u003eBlackmagic RAW Constant Bitrate 8:1,\u003cbr\u003eBlackmagic RAW Constant Bitrate 12:1,\u003cbr\u003eBlackmagic RAW Constant Quality Q0,\u003cbr\u003eBlackmagic RAW Constant Quality Q1,\u003cbr\u003eBlackmagic RAW Constant Quality Q3,\u003cbr\u003eBlackmagic RAW Constant Quality Q5,\u003cbr\u003eH.264 Proxy in 1920 x 1080, 8-bit 4:2:0\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eControl\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eExternal Control\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eBlackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod handles.\u003c\/p\u003e \u003cp\u003eiPad control, Bluetooth control, USB PTP camera control. External control of some camera settings, focus, iris and zoom with compatible lenses. Camera Control REST API over USB Ethernet for external control via HTTP when used with REST client applications such as Postman.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eStorage Features\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eStorage Type\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e CFexpress Type B\u003c\/p\u003e \u003cp\u003e high speed USB-C expansion port for external media.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eRecording Formats\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at 6048 x 4032, 4838 x 4032, 6048 x 3200, 6048 x 2520, 4096 x 3072, 4096 x 2160, 2112 x 1184 and 1920 x 1080 with film, extended video, video dynamic range or custom 3D LUT embedded in metadata.\u003c\/p\u003e \u003cp\u003eSupports recording optional portrait mode metadata for all resolutions in Blackmagic RAW and H.264 Proxies.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eStorage Rates\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eStorage rates based on 30 frames per second.\u003c\/p\u003e \u003cp\u003e6048 x 4032 (6K Open Gate 3:2)\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1 - 370 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 223 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 140 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 94 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 278 to 555 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 186 to 444 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 124 to 318 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 75 to 186 MB\/s\u003c\/p\u003e \u003cp\u003e4838 x 4032 (Anamorphic 6:5)\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1 - 297 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 179 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 112 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 75 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 223 to 445 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 149 to 356 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 100 to 255 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 60 to 149 MB\/s\u003c\/p\u003e \u003cp\u003e6048 x 3200 (6K DCI 17:9)\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1 - 295 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 177 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 111 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 75 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 221 to 441 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 148 to 353 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 99 to 253 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 60 to 148 MB\/s\u003c\/p\u003e \u003cp\u003e6048 x 2520 (6K 2.4:1)\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1 - 233 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 140 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 88 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 59 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 175 to 348 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 117 to 279 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 78 to 199 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 47 to 117 MB\/s\u003c\/p\u003e \u003cp\u003e4096 x 3072 (Super 35 4:3)\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1 - 192 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 116 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 73 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 49 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 145 to 288 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 97 to 231 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 65 to 165 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 39 to 97 MB\/s\u003c\/p\u003e \u003cp\u003e4096 x 2160 (4K DCI 17:9)\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1 - 136 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 82 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 52 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 35 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 102 to 203 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 69 to 163 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 46 to 117 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 28 to 69 MB\/s\u003c\/p\u003e \u003cp\u003e2112 x 1184 (Super 16 16:9)\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1 - 40 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 24 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 16 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 11 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 30 to 59 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 21 to 48 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 14 to 34 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 9 to 21 MB\/s\u003c\/p\u003e \u003cp\u003e1920 x 1080\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1 - 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Capture the essence of cinema with the \"Irix look\". You don't want your shots to be just another scene - you want them to stand out. That's why Irix lenses are designed to provide substance with a special \"Irix look\" that will give your movie the captivating quality it deserves. Picture this: round-shaped blades and a shallow depth of field to cut your subject out from the background. The unique bokeh draws the contours of your subject to make them pop. Plus, the soft highlights and subtle mist will smooth out those pesky light streaks that show up on other lenses. With stunning footage in every frame, your audience won't be able to look away. Get ready to take your filmmaking to the next level with Irix lenses.\u003c\/p\u003e \u003cp\u003eReady to unleash your creativity? Look no further than the 21mm T1.5 lens – the perfect balance of wide angle and distortion-free shots. Say goodbye to awkwardly proportioned subjects; with this lens, what you see is what you get. Ideal for capturing tight spaces and people, it's a must-have addition to your kit. \u003c\/p\u003e \u003cp\u003ePlus, all of our Irix cine lenses meet the same high standards of quality and consistency. You can expect comparable weights, 86mm front threads on most lenses, and consistent focus\/iris gear placement. And don't forget about our Magnetic Mount System – the easiest way to attach Irix Edge MMS filters to the 15mm, 30mm, 45mm, and 150mm lenses. Trust us, once you experience the freedom and ease of Irix, you'll never go back.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eWhether you're capturing a lively wedding or an intense action scene, the key to a stunning image is in getting up close and personal. Just look at the movie \"Revenant\" - DOP Emmanuel Lubezki used lenses with focal lengths as small as 21mm to create dynamic shots that immerse the viewer in the action.\u003c\/p\u003e \u003cp\u003eBut we've taken it to the next level. Our lens has a fast T1.5 aperture, providing crystal-clear shots in any lighting without having to sacrifice ISO. Plus, the bokeh effect will give your shots an eye-catching edge. And don't worry about the weather - our lenses are sealed and ready to take on anything Mother Nature throws your way. Get ready to level up your photography game.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eThe 21mm is the widest lens in this set! With a wide-open T1.5 aperture, this lens is ready to deliver consistently sharp shots alongside its awesome 30mm and 45mm companions.\u003c\/p\u003e \u003cp\u003eAnd here's the best part: with such a wide lens, the bokeh effect achieved is simply breathtaking. Plus, effortlessly match color, contrast, and brightness on the go - making your shooting experience a complete breeze!\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eSay hello to Irix lenses - your all-weather filmmaking companion! With tough resistance against Mother Nature's wrath - be it blazing heat or frigid snow - these lenses will deliver crystal-clear shots, no matter what. With rain, sand, snow, and dust resistance, you can rest assured that your lens can handle it all. Plus, special UV-reactive markings make filming in tricky lighting a breeze. Whether you're braving the jungle or the desert, Irix lenses have got your back. So go ahead, make the film of your dreams, no matter the weather!\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eCapture every stunning detail with Irix Cine lenses. Created for Full Frame, these lenses are perfect for any cinema sensor you have, from Super 35 to MFT to APS-C. No need to worry about coverage - Irix Cine lenses have got you covered.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003ch3\u003eIrix Cine Lens 45mm T1.5 L Mount Imperial Scale (Feet)\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eNative L-Mount for Leica L and Panasonic L\u003c\/li\u003e \u003cli\u003eUltra HD 8K Ready Optics with Superb Image Resolution\u003c\/li\u003e \u003cli\u003eFull Frame 43.3mm coverage\u003c\/li\u003e \u003cli\u003eFully Weather-Sealed, Ready for any Weather Conditions\u003c\/li\u003e \u003cli\u003eEngraved Markings with UV-Reactive Paint for Low-Light Situations\u003c\/li\u003e \u003cli\u003e9 Rounded Aperture Blades for Extraordinary Image Quality\u003c\/li\u003e \u003cli\u003eFocus Breathing close to Zero\u003c\/li\u003e \u003cli\u003e86mm Filter Thread and 95m Front Diameter\u003c\/li\u003e \u003cli\u003eLow Distortion\u003c\/li\u003e \u003cli\u003eInternal Focusing\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eThe Irix Cine 45mm T1.5 for L-Mount is equipped with everything both beginners and professional cinematographers need to create their masterpieces. The lens combines functionality, stunning visuals and outstanding performances.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eThe Irix Cine 45mm T1.5 is a 43,3mm Full Frame lens, covering Full Frame 35, Super 35, Red Dragon 6K, Arri Alexa, APS-C, MFT, Super 16, Sony Venice and other sensors. \u003c\/p\u003e \u003cp\u003eIt's so versatile it'll fit YOUR favorite equipment – allowing you to enjoy every second of shooting with the tools you already love.\u003cbr\u003ePut our Irix Cine 45mm T1.5 to work and enjoy the comfort and functionality it offers.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eRain or shine. The rugged and durable construction of the Irix Cine 45mm guarantees that you can keep working with whatever the weather throws at you.\u003c\/p\u003e \u003cp\u003eThe lens is resistant to rain, sand, and dust thanks to the internal seals on strategic places. Take it with you on your next adventure in the desert or the jungle, if your camera can handle those environments.\u003c\/p\u003e \u003cp\u003eEngraved markings on the lens have been filled with UV Light-reactive paint, which makes filming in difficult lighting conditions much easier. All you'll need is a small UV Blacklight instead of a bright flashlight.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eOur own Magnetic Mount System (MMS) for rapid filter and hood placements are just one example of the multifunctional design of our lenses. \u003c\/p\u003e \u003cp\u003eWe also invented the adaptive ring on our lenses to be able to maintain their sleek design and still allow you to use wider follow focus systems\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eAll Irix Cine lenses (except the 11mm and 21mm) have a Magnetic Mount System (MMS) that is compatible with our Irix Edge MMS filters and Irix MMS Lens Hoods. 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Tahnks to the 11 optical elements in 9 groups (including 4 HR lenses, 1 ED lenses, and 1 ASP), your shots will come out with very little aberration.\u003c\/p\u003e \u003cp\u003eThe internal focusing system of the lens guarantees incredible sharpness. The 9 – blade iris provides a beautiful bokeh and a very smooth adjustment between T1.5 and T22.\u003c\/p\u003e \u003cp\u003eWith very low focus breathing and a field of view close to the human eye's field of view, the Irix 45mm Cine is a perfect lens for filming natural-looking scenes.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eThe Irix cine 45mm T1.5 meets requirements of all filmmakers. Whether you like to build professional setups or shoot with a bare lens on stabilizer, this lens is for you. 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Interchangeable with URSA Cine lockable EF mount included.\u003c\/p\u003e \u003cp\u003eLens Control\u003c\/p\u003e \u003cp\u003eActive EF and PL mount lens control with compatible lenses.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eDynamic Range\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e16 Stops\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eShooting Resolutions\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e12,288 x 8040 (12K 3:2 open gate)\u003cbr\u003e12,288 x 6480 (12K 16:9)\u003cbr\u003e12,288 x 6912 (12K 17:9)\u003cbr\u003e12,288 x 5112 (12K 2.4:1)\u003cbr\u003e9648 x 8040 (12K 6:5)\u003c\/p\u003e \u003cp\u003e9408 x 6264 (9K 3:2)\u003cbr\u003e8688 x 4896 (9K 16:9)\u003cbr\u003e9312 x 4896 (9K 17:9)\u003cbr\u003e9312 x 3864 (9K 2.4:1)\u003cbr\u003e7680 x 6408 (9K 6:5)\u003c\/p\u003e \u003cp\u003e8192 x 5360 (8K 3:2 open gate)\u003cbr\u003e8192 x 4608 (8K 16:9)\u003cbr\u003e8192 x 4320 (8K 17:9)\u003cbr\u003e8192 x 3408 (8K 2.4:1)\u003cbr\u003e6432 x 5360 (8K 6:5)\u003c\/p\u003e \u003cp\u003e4096 x 2680 (4K 3:2 open gate)\u003cbr\u003e4096 x 2304 (4K 16:9)\u003cbr\u003e4096 x 2160 (4K 17:9)\u003cbr\u003e4096 x 1704 (4K 2.4:1)\u003cbr\u003e3216 x 2680 (4K 6:5)\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eFrame Rates\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eProject frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Maximum sensor frame rate dependent on resolution selected.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eHigh Speed Frame Rates\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e12K 3:2 open gate up to 80 fps\u003c\/p\u003e \u003cp\u003e12K 17:9 up to 100 fps\u003c\/p\u003e \u003cp\u003e12K 2.4:1 up to 120 fps\u003c\/p\u003e \u003cp\u003e9K 3:2 Super 35 up to 100 fps\u003c\/p\u003e \u003cp\u003e8K \/ 4K 3:2 open gate up to 144 fps\u003c\/p\u003e \u003cp\u003e8K \/ 4K 2.4:1 up to 224 fps\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBuilt in ND Filters\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eButton activated ND filters with clear, 2-stop, 4-stop and 6-stop IR ND filters.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eFocus\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eFocus button turns on peaking, auto focus available using compatible lenses.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eIris Control\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eIris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. 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Automatic recording of camera settings and slate data such as project, scene number, take and special notes.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eTouchscreen menus on 5 inch screen. Push buttons for other controls. 7 assignable shortcut keys plus 6 assignable shortcut keys on URSA Cine EVF.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTimecode Clock\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eHighly accurate timecode clock. 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External Camera Control supported using REST API over Ethernet, WiFi or serial communication via the 7-pin Lemo connector. Run \/ Stop supported via 3-pin Fischer and 7-pin Lemo connector. Blackmagic iPad control and Bluetooth control supported. Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling camera and compatible lenses.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eStreaming\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eDirect Streaming\u003c\/p\u003e \u003cp\u003eSupports Secure Reliable Transport (SRT) and Real Time Messaging Protocol (RTMP) local live streaming using a Ethernet or WiFi, or global live streaming using an internet connection via Ethernet, WiFi or USB‑C cellular data.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eNetwork Management\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eNTP\u003c\/p\u003e \u003cp\u003eNetwork time protocol support allows you to sync the time on your camera, whenever connected to a network with any NTP server of your choice.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eFTP\u003c\/p\u003e \u003cp\u003eDownload files from any drive attached to your camera using FTP.\u003c\/p\u003e \u003cp\u003eWeb Media Manager\u003c\/p\u003e \u003cp\u003eUsing a browser connected over Ethernet, web media manager allows you to access, browse, download and delete files from any drive connected to the camera.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eSMB\u003c\/p\u003e \u003cp\u003eFile sharing using SMB\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eStorage Features\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eStorage Type\u003c\/p\u003e \u003cp\u003e1 x Blackmagic Media Module 8TB\u003c\/p\u003e \u003cp\u003eStorage Rates\u003c\/p\u003e \u003cp\u003eStorage rates based on 24 frames per second.\u003c\/p\u003e \u003cp\u003e12K - 12,288 x 8040\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1 - 1,194 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 448 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 298 MB\/s\u003cbr\u003eBlackmagic RAW 18:1 - 199 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 298 to 1,432 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 179 to 716 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 119 to 298 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 90 to 224 MB\/s\u003c\/p\u003e \u003cp\u003e9K - 9408 x 6264\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1 - 713 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 268 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 178 MB\/s\u003cbr\u003eBlackmagic RAW 18:1 - 119 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 178 to 856 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 107 to 428 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 71 to 178 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 54 to 134 MB\/s\u003c\/p\u003e \u003cp\u003e8K - 8192 x 5360\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1 - 533 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 320 MB\/s\u003cbr\u003eBlackmagic RAW 8:1 - 200 MB\/s\u003cbr\u003eBlackmagic RAW 12:1 - 133 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 133 to 319 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 80 to 200 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 53 to 133 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 40 to 100 MB\/s\u003c\/p\u003e \u003cp\u003e4K - 4096 x 26896 x 2680\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1 - 135 MB\/s\u003cbr\u003eBlackmagic RAW 4:1 - 101 MB\/s\u003cbr\u003eBlackmagic RAW 5:1 - 81 MB\/s\u003cbr\u003eBlackmagic RAW 6:1 - 68 MB\/s\u003cbr\u003eBlackmagic RAW Q0 - 34 to 81 MB\/s\u003cbr\u003eBlackmagic RAW Q1 - 20 to 50 MB\/s\u003cbr\u003eBlackmagic RAW Q3 - 13 to 34 MB\/s\u003cbr\u003eBlackmagic RAW Q5 - 10 to 25 MB\/s\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eRecording Formats\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at full sensor width or height resolutions:\u003c\/p\u003e \u003cp\u003e[12,288 x 8,040], [12,288 x 6,912], [12,288 x 6,480], [12,288 x 5,112] and [9,648 x 8,040] with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at Super 35 windowed sensor resolutions:\u003c\/p\u003e \u003cp\u003e[9,408 x 6,264], [8,688 x 4,896], [9,312 x 4,896], [9,312 x 3,864] and [7,680 x 6,408]\u003c\/p\u003e \u003cp\u003ewith film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at full sensor width or height scaled to:\u003c\/p\u003e \u003cp\u003e[8,192 x 5,360], [8,192 x 4,608], [8,192 x 4,320], [8,192 x 3,408] and [6,432 x 5,360]\u003c\/p\u003e \u003cp\u003ewith film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.\u003c\/p\u003e \u003cp\u003eBlackmagic RAW 3:1, 4:1, 5:1, 6:1, Q0, Q1, Q3 and Q5 at full sensor width or height scaled to:\u003c\/p\u003e \u003cp\u003e[4,096 x 2,680], [4,096 x 2,304], [4,096 x 2,160], [4,096 x 1,704] and [3,216 x 2,680]\u003c\/p\u003e 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